Meyer Schapiro Professor of Modern Art and Theory
19th-century Art, Theory and Criticism, Film
Ph.D., Columbia University, 1987
Phone: (212) 854-3194
Office: 906 Schermerhorn Hall
Office Hours: Mondays, 1:30-2:30 and by appointment
Long associated with this department, Jonathan Crary received his Ph.D. from Columbia in 1987 having previously graduated with a B.A. from Columbia College, where he was an art history major. Among his professors were Edward Said, Meyer Schapiro, F.W. Dupee, and Lucien Goldmann. He also earned a B.F.A. from the San Francisco Art Institute where he studied film and photography. His film teachers there included James Broughton, Larry Jordan, and Gunvor Nelson. His first teaching position was in the Visual Arts Department at University of California, San Diego. He has taught full-time at Columbia since 1989, and has also been a visiting professor at Princeton and Harvard.
He has written extensively on contemporary art and culture for publications including Art in America, Artforum, October, Assemblage, Cahiers du cinéma, Film Comment, Grey Room, Domus, and Village Voice. He has also written critical essays for over 30 exhibition catalogs. A selection of his work was recently added to the widely used anthology Film Theory and Criticism, eds. Braudy and Cohen (7th edition).
In 1986 he was one of the founders (and continues to be co-editor) of Zone Books, a press now internationally noted for its publications in intellectual history, art theory, politics, anthropology and philosophy, including texts by Michel Foucault, Giorgio Agamben, Gilles Deleuze, Georges Bataille, Caroline Bynum, Leo Steinberg, Erwin Panofsky and many others. Professor Crary was co-editor of the 1992 volume Incorporations (Zone Books) which assembled a broad range of reflections on the problem of the body in contemporary technological culture.
He is the author of Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (1990) which has been translated into ten foreign languages. With this book he began his extended study on the origins of modern visual culture, which he continues to develop in his current research. His book Suspensions of Perception: Attention, Spectacle and Modern Culture was published in 2000 and was the winner of the 2001 Lionel Trilling Book Award. His recent book 24/7 examines the fate of human perception within the operations of global information and communication networks.
Professor Crary has been the recipient of Guggenheim, Getty, Mellon, and National Endowment for the Arts Fellowships and has been a member of the Institute for Advanced Study in Princeton. In 2005, his teaching and mentoring were recognized with a Distinguished Columbia Faculty Award.
Suspensions of Perception: Attention, Spectacle, and Modern Culture, MIT Press, 2001
Incorporations, ed. Jonathan Crary, et al, Zone Books, 1992
Techniques of the Observer on Vision and Modernity in the Nineteenth Century, Jonathan Crary, MIT Press, 1992
"Jean-Luc Godard’s Histoire(s) du cinéma," in Sensible Politics: The Visual Culture of Non-Governmental Activism, eds. Yates McKee and Meg McLagan, Zone Books, 2012
"The Singularity of the Everyday," in Uta Barth: The Long Now, Miller and Co., 2010
"Attention and Event in the Work of Bridget Riley," in Bridget Riley Retrospective, Musée de l'art moderne de la Ville de Paris, 2008
"Memo from Turner," Artforum, June 2008
"Nineteenth-century Visual Incapacities," in Visual Literacy, ed. James Elkins, Routledge, 2008
"Image" and "spectacle," entries in New Keywords: A Revised Vocabulary of Culture and Society, eds. Tony Bennett, Larry Grossberg, and Meaghan Morris, Blackwell, 2005
"Robert Irwin and the Condition of Twilight," Robert Lehman Lectures on Contemporary Art No. 3, Dia Art Foundation, New York, 2005
"Géricault, the Panorama and Sites of Reality in the Early Nineteenth Century," Grey Room 9, 2002