Holger A. Klein
Early Christian, Byzantine, and Western Medieval Art and Archaeology
Ph.D., Rheinische Friedrich-Wilhelms-Universität, 2000
M.A., Courtauld Institute of Art, 1994
Teaching at Reid Hall, Paris 2015-16
Phone: (212) 854-3230
Office: 931 Schermerhorn Hall
Holger A. Klein was educated in Art History, Early Christian Archaeology, and German Literature at the universities of Freiburg im Breisgau, Munich, London, and Bonn. His research focuses on Late Antique, Early Medieval, and Byzantine art and architecture, more specifically, on the cult of relics, reliquaries, and issues of cultural and artistic exchange.
Professor Klein joined Columbia University as an Assistant Professor in 2000, was promoted to tenured Associate Professor in 2006, and to Professor in 2011. He served as Director of Art Humanities from 2003–04 and 2007–09, Director of Graduate Studies from 2010–12, and as Department Chair from 2012–15.
From 2004–07 he held an appointment as the Robert P. Bergman Curator of Medieval Art at the Cleveland Museum of Art and continued to oversee the reinstallation of the museum's renowned collection of Medieval and Byzantine art until 2010. His work as a curator includes various international loan exhibitions, among them Restoring Byzantium. The Kariye Camii in Istanbul and the Byzantine Institute Restoration (Wallach Art Gallery, 2004), Medieval Treasures from The Cleveland Museum of Art (Bayerisches Nationalmuseum/The J. Paul Getty Museum, 2007–08) and Treasures of Heaven. Saints, Relics and Devotion in Medieval Europe (Cleveland Museum of Art/Walters Art Museum/British Museum, 2010–11).
Professor Klein is the recipient of several awards and prizes, including the 50th annual Mark Van Doren Award for Teaching (2011), which honors a Columbia professor's commitment to undergraduate instruction as well as inspiring leadership; the Lenfest Distinguished Faculty Award (2012), which recognizes unusual merit as a teacher of undergraduate and graduate students as well as outstanding scholarship; and the Wm. Theodore de Bary Award for Distinguished Service to the Core Curriculum (2014).
The Crown of His Kingdom: Imperial Ideology, Palace Ritual, and the Relics of Christ’s Passion, in: The Emperor’s House: Palaces from Augustus to the Age of Absolutism, ed. J. M. Featherstone, J.-M. Spieser, G. Tanman, U. Wulf-Rheidt, Leipzig (2015), 201–212.
Die Staurothek Kardinal Bessarions: Bildrhetorik und Reliquienkult im Venedig des späten Mittelalters, in: Inter latinos graecissimus, inter graecos latinissimus. Bessarion im Wechselspiel kultureller Integration, ed. C. Märtl and C. Kaiser, Berlin and Boston (2013), 245–276.
Tarifi Zor Bay Whittemore: Erken Dönem, 1871–1916 — The Elusive Mr. Whittemore: The Early Years 1871–1916, The Kariye Camii Reconsidered, ed. H. A. Klein, R. G. Ousterhout, B. Pitarakis, Istanbul (2011), 451-480.
Refashioning Byzantium in Venice, ca. 1200–1400, San Marco, Byzantium, and the Myths of Venice, ed. R. Nelson and H. Maguire, Washington D.C. (2010), 193–225.
Sacred Things and Holy Bodies. Collecting Relics from Late Antiquity to the Early Renaissance, Treasures of Heaven. Saints, Relics, and Devotion in Medieval Europe, ed. M. Bagnoli, H. A. Klein, C. G. Mann, J. Robinson, Baltimore (2010), 55-67.
The Church of Hagia Sophia in Bizye (Vize): Results of the Fieldwork Seasons 2003 and 2004, Dumbarton Oaks Papers 60 (2006), 249-270.
Sacred Relics and Imperial Ceremonies at the Great Palace of Constantinople, F.A. Bauer (ed.), Visualisierungen von Herrschaft, BYZAS 5 (2006), 79-99.
Eastern Objects and Western Desires: Relics and Reliquaries between Byzantium and the West, Dumbarton Oaks Papers 58 (2004), 283-314.