Current PhD Students
Last updated on June 12, 2014.
Boyd, Rachel E.W.
Campbell, Thomas Ian
Conrad, Jessamyn Abigail Schafer
Cook, Emily Margaret
de Lacaze, Michaela
Di Croce, Alessandra
Foner, Daria Rose
Fowler, Michael Anthony
Llorens, Natasha Marie
Ryan, Tina Rivers
Shah, Siddhartha V.
Stewart, Zachary D.
Tsai, Chun-Yi (Joyce)
Vazquez, Andrea Fabiola
von Preussen, Brigid
Wang, Alexis Renee
Yee Litt, Kori Lisa
Zarrillo, Taryn Marie
Japanese art; Momoyama-Edo period painting; narrative painting; Buddhist art
Talia is a fourth-year PhD student in Japanese art history. Her dissertation will investigate the appearance of shaji sankei mandara (shrine-temple pilgrimage mandalas) in late-medieval Japan. In particular, the juxtaposition of sacred and secular spaces, the representation of devotional practice and the context of perception for sankei mandara, viewed as they were in groups with a narrator performing before them. Talia graduated from Rutgers College with high honors in Art History. Her Columbia M.A. paper was entitled "Enlightenment According to Zen: Collapsing the Triptych in Mokuan's Four Sleepers".
Nineteenth-Century American Art, World's Fairs
Heidi Applegate received a B.A. in Russian from Haverford College (1993), and an M.A. in Art History from the University of Maryland (2001). She was the curatorial assistant for American and British Paintings at the National Gallery of Art in Washington, DC before beginning the Ph.D. program at Columbia in 2002. Her dissertation considers the ways in which the installation and interpretive practices of the fine arts exhibition at the 1915 Panama Pacific International Exposition attempted to make modern art accessible to a mass audience. Funding for her research has included a CASVA Predoctoral Fellowship for Travel Abroad for Historians of American Art, a Wyeth Predoctoral Fellowship at the Smithsonian American Art Museum, and a Henry Luce Foundation/ACLS Dissertation Fellowship in American Art.
Japanese Art; Edo period painting
Jens is a fourth-year PhD student in Japanese art history. He received his M.A. in East Asian Art History and Japanese Studies from the University of Heidelberg in 2008; his master's thesis centered on folding screen paintings by the Edo period painter Maruyama Okyo. His dissertation will investigate large-scale interior paintings on sliding doors and wall panels by the same artist, commissioned by Buddhist institutions in and around Kyoto during the latter half of the 18th century. His broader interests include the critical perception of pre-modern, particularly Edo period art during the late 19th and early 20th centuries, and the development of the art trade during the Taisho and early Showa eras.
American Art; Nineteenth-century European Art; History of Science
Caitlin studies the art and visual culture of the United States from the late eighteenth to the early twentieth century. Her current research focuses on issues of embodiment and affective presence in nineteenth-century American sculpture. She has been a Center for American Art Summer Fellow at the Philadelphia Museum of Art and a curatorial intern in the American Wing at the Metropolitan Museum of Art. She holds an A.B. (2010) from Bowdoin College, and M.A. and M.Phil. degrees (2012, 2014) from Columbia.
South Asian Art and Architecture
Marta Becherini studied Oriental Languages and Civilizations in Venice, receiving her B.A. in Hindi from Ca' Foscari University in 2005. Prior to beginning her graduate studies at Columbia University, she spent two years working at the Metropolitan Museum of Art in New York, first as an intern and then as research assistant in the Department of Asian Art. In 2008 she received her M.A. degree from Columbia University with a paper focusing on the cross-cultural dimension of the murals decorating a medieval Buddhist monastic complex in Ladakh. Her research interests include the issue of patronage in North Indian painting, particularly with regard to sub-imperial Mughal painting, the relationship between early Indo-Islamic architecture and the architectural traditions of Iran and Central Asia, and cultural and artistic exchanges between Europe and South Asia in early modern times.
Seventeenth- and Eighteenth-Century French Painting, Nineteenth-Century European Art, Dance, Gesture, Embodiment
Emily received her BA, MA, and MPhil in art history from Columbia. Her dissertation, Poussin and the Dance: Body and Language in Seventeenth-Century France, explores the relationship between Classical French painting and court ballet. She has published essays on Luc-Olivier Merson (in L'Étrange Monsieur Merson, Musée des Beaux-Arts de Rennes, 2008), Jean-Léon Gérôme (in Reconsidering Gérôme, Getty Publications, 2010), and Louis-Léopold Boilly (in Louis-Léopold Boilly, Palais des Beaux-Arts de Lilles, 2011) and has contributed entries on seventeenth- and eighteenth-century French works to a forthcoming catalogue of paintings in the J. Paul Getty Museum.
South Asian Art and Architecture
Gale received her B.A. in Art History from Middlebury College (Vermont) in 2005. Thereafter, she worked for the Indian and Southeast Asian Department at Sotheby's here in New York. In late 2007, she moved to Mumbai where she consulted for Pundole Art Gallery and managed Bombay Art Gallery, in addition to conducting extensive research travel throughout South India, Sri Lanka and China. During 2009 she curated an exhibition of Mughal and dasvatara ganjifa (playing cards) at Middlebury College. Subsequently, Gale managed the East Asian Studies Program at Johns Hopkins University from 2010-2011. Here at Columbia, Gale is pursuing a variety of interests in South Asian painting, sculpture and architecture, as well as a minor in Chinese painting. Gale is currently studying Hindi and Urdu languages, and is highly proficient in Spanish.
Margot Bernstein began the doctoral program at Columbia University in the fall of 2012. She is interested in eighteenth-century French art and visual culture. She received her B.A. in art history and history from Williams College in 2010 and her M.A. in the History of Art from the Courtauld Institute of Art in 2012. Margot spent the 2010-2011 academic year teaching English for the French Ministry of Education in Paris. She has held curatorial internships at the Metropolitan Museum of Art and the Morgan Library & Museum. She has also worked as an archival intern at the Calder Foundation and as an education department intern and docent at the Williams College Museum of Art.
Nineteenth- and early twenieth-century French and German Art
Susannah is a second-year student concentrating in nineteenth- and early twentieth-century French and German art. She received a Masters from the Williams College Graduate Program in the History of Art in 2012 and graduated with high honors from Swarthmore College in 2008.
Nineteenth-century visual culture; art and technology; law and the image; histories of paperwork and bureaucracy
Emerson is currently an Andrew W. Mellon Curatorial Fellow at the Frick Collection, New York. There he will complete his dissertation, "Numismatic Modernity: Economies of Representation in France, 1800-1840," which pursues the pre-history of our current financial "crisis." It considers the production and consumption of medals, monuments, and monetary objects in a period driven by—seemingly antagonistic—experiences of heightened historical consciousness, on the one hand, and the future-oriented abstractions of speculative finance, on the other.
Recent publications include "Monographic Impressions," in Reconsidering Gérôme (Scott Allan and Mary Morton, eds., Getty Publications, 2010), and a review of Victor Stoichita's The Pygmalion Effect: From Ovid to Hitchcock (Visual Resources 26:2 ). Emerson is also the editor of a forthcoming special issue of Grey Room, focused on nineteenth-century technologies of reproduction. He holds a B.A. and a law degree from the University of Sydney, Australia.
Italian Renaissance Art and Architecture; 18th- and 19th-Century Italian Architecture and Landscape
Rachel studies Italian Renaissance art and architecture. In spring 2013, she was an exchange student at the Ludwig-Maximilians-Universität in Munich, Germany. Rachel earned her M.Phil. from the University of Cambridge in 2010, where she was a Gates Cambridge Scholar. At Cambridge, she wrote her dissertation on a nineteenth-century Roman villa, and her studies focused on eighteenth- and nineteenth-century Italian and British architecture and landscape architecture; she maintains an active interest in this field. Rachel earned her B.A. from Yale University in 2009, where she double-majored in the history of art and Italian. She has held internships at the Metropolitan Museum of Art (Robert Lehman Collection), the Yale University Art Gallery and the Frick Collection, and most recently worked at a boutique litigation firm in New York City.
Thomas Ian Campbell
Thomas Ian Campbell studies modern and contemporary art, with a focus on post-WWII art in Europe and America. He received his B.A. in Art History and Comparative Literature from Binghamton University in 2008. His research interests include the history of technology, print and media distribution, and sound. He is currently at work on his dissertation, which analyzes three audiocassette 'magazines'—Audio Arts, Tellus, and New Wilderness Audiographics—and their relationship to alternative spaces and post-conceptual art practices.
Raymond specializes in Italian Renaissance and Baroque art. He received his B.A. (Magna Cum Laude, Phi Beta Kappa) from Yale University in 2011 with a double major in Art History and Italian. As a recipient of the Paul Mellon Fellowship, Raymond completed two consecutive M.Phil.s at the University of Cambridge in Italian and Art History. His first M.Phil. dissertation examined the promotion of Michelangelo's poetry within the Accademia Fiorentina. His second M.Phil dissertation considered the role of art in academic banquets in 17th-century Italy. Raymond has had professional experiences at the Frick Collection, the Fitzwilliam Museum, the Yale University Art Gallery, and the Rome bureau of the Associated Press.
Modern and Contemporary Art
Colby Chamberlain is a Jacob K. Javits Fellow, a senior editor for the online magazine Triple Canopy, and a contributor to Artforum and Cabinet. A recent alumnus of the Whitney Independent Study Program, he is at work on his dissertation, "George Maciunas and the Art of Paperwork."
African art; African/European exchanges in 20th-century art; global modernisms; African staged performance; "primitivism"; colonial history and postcolonial studies
Joshua Cohen studied English at Vassar College before conducting Fulbright research in Guinea, West Africa, in 2003-04. At Columbia since 2007, his doctoral dissertation, entitled "Masks and the Modern: African/European Encounters in 20th-Century Art," has received support from the Lurcy, Kittredge, Dedalus, Mellon, and Whiting foundations, among others. The dissertation tracks early- to mid-20th-century modernist appropriations of African sculpture by European and African artists between France, South Africa, and Senegal. A second project, tentatively entitled "Displacements: African Arts on the Global Stage, 1921-1980," builds on research conducted in Guinea and elsewhere since 2002, examining international staged productions of African dance, music, theater, and masquerade. An initial essay on Fodéba Keita and Les Ballets Africains was published in 2012.
African, African diasporic, European modern and contemporary art, photography
Sandrine Colard is a 3rd-year PhD student. She studies African, African diasporic and European modern and contemporary art, with a particular focus on photography.
She received a First Prize Diploma of Violin from the Royal Conservatory of Belgium (2000), a B.A. in English and Spanish Literatures from the Free University of Brussels (2005), and an M.A. in Africana Studies from NYU (2007). Her interests are visual culture, film, colonialism and post-colonialism in the arts.
Eighteenth- and Nineteenth-Century French Art; Japanese Art; the History of Collecting
Sonia received her BA in 2011 in Art History with a Secondary Field in Studio Art from Harvard University (Magna cum Laude, Phi Beta Kappa). Her senior thesis explored the original-copy paradigm and the notion of authorial ambition in relation to the Recueil Jullienne, an eighteenth-century compendium of prints. Sonia worked as a student docent for the Harvard Art Museums and as a curatorial intern in the Department of Paintings at the Louvre Museum in Paris. Since starting her graduate studies at Columbia, Sonia received her MA (2012) and MPhil (2014), traveled to Paris for research on an Alliance Program Doctoral Mobility Grant, and occasionally wrote reviews of contemporary art. Her current research focuses on the influence of Japanese ceramics on nineteenth-century French art. Sonia is an avid reader and writer of poetry and particularly of Japanese verse.
Jessamyn Abigail Schafer Conrad
Jessamyn received her BA in Art History and Social Anthropology from Harvard, and her MPhil in Historical Studies from Cambridge University. Her undergraduate thesis analyzed the spatial systems of the three Muslim Harams and her Cambridge thesis was the first comprehensive study of the collection of Islamic art currently held in the Bargello Museum in Florence. Her dissertation focuses on five trecento altarpieces made for the Cathedral in Siena, and more specifically on issues of depicted narration, space, and time. She currently teaches literature in Columbia's Core Curriculum, consults at the writing center, and is working on her second trade non-fiction book.
Emily Margaret Cook
Republican and early imperial Roman art and archaeology; Etruscan and Italic art and archaeology; ancient painting
Emily is a second year student in the PhD program studying ancient art with a focus in Italian and Roman art and archaeology. She is a Jacob K. Javits fellow and has received the Waldbaum scholarship from the AIA for participation in an archaeological field school, which enabled her to participate in Columbia's field project at the Villa San Marco (Italy). Emily earned a B.A. in Classics and the History of Art at Johns Hopkins University in 2009 where her undergraduate senior honors thesis focused on the context and decoration of the domestic baths in Pompeii. She has worked as a volunteer and Curatorial Assistant at the Johns Hopkins University Archaeological Collection. In the Spring of 2009 Emily received the Robert and Nancy Hall Fellowship and worked in the Renaissance and Baroque Art curatorial department of the Walters Art Museum.
Romanesque and Gothic Architecture and Urbanism; Restoration of Medieval European Buildings
Lindsay earned a B.A. in 2010 from Vassar College, where she majored in Art History and French. Benefitting from two consecutive summers in the field as a QuickTime VR photographer for Mapping Gothic France, she hopes to focus on French Gothic architecture and urbanism, as well as theories and technical aspects of architectural restoration.
Lindsay also has a background studying modern architecture, which informs her understanding of the transformative power of architectural space. She wrote her undergraduate thesis about plans for a new chapel at Vassar in the 1950s, including one proposal by Philip Johnson, and she worked for two summers at Frank Lloyd Wright's Robie House. Before entering the PhD program at Columbia, Lindsay worked on a public sculpture database for the Chicago Park District and interned at the Alliance Française de Chicago, where she helped with the 2011 French Decorative Arts Symposium.
Vivian Crockett joined Columbia as a PhD student in 2012, having completed her B.A. in Art History at Stanford University in 2006. While studying abroad as an undergraduate, she interned at the Musée d'Orsay. She has worked in the Education, Conservation, and Registration departments at the San Francisco Museum of Modern Art, and held a three-year position as a research assistant in the museum's Painting and Sculpture department. Vivian is interested in the application of critical race theory, postcolonial theory, queer theory and gender theory to the study of postwar and contemporary art.
Nicholas Croggon is a graduate student completing his PhD in modern and contemporary art. He is the co-founder and co-editor of the Australian contemporary art journal Discipline, an editor of the online art history journal, emaj and has written and lectured on the topic of contemporary Australian art. Nicholas graduated with first class honours in art history and law from the University of Melbourne, and previously worked as a public interest environmental lawyer.
Japanese Modern Art and Architecture
Carrie Cushman is a first year PhD student in the History of Art and Archaeology Department interested in issues of originality and tradition in post-war Japanese architectural discourse and practice. Her undergraduate honors thesis focused on the exhibition house and garden, Shōfusō (originally exhibited at the Museum of Modern Art, New York in 1954), as a means of examining the role of the traditional Japanese vernacular within Modern architectural practice and discourse in the West.
Italian Renaissance Art and Architecture; Interactions between Art and Music; Nineteenth-Century Reception of the Renaissance
Sophia graduated from Colgate University with a BA in Creative Writing and Medieval & Renaissance Studies. Thereafter she earned an MA in Italian from Middlebury College, in conjunction with the Universitá degli Studi di Firenze; her thesis entitled "Il valore, la funzione, e la potenza dell'immagine: Iconografie domenicane e francescane negli affreschi del Trecento" compared two Trecento fresco cycles respectively located in the convents of Santa Maria Novella and Santa Croce in Florence. An avid musician, she then went on to complete an MA in Violin and Viola Performance at Queens College, where she also studied Renaissance mensural notation and early Baroque performance practice, culminating in a production of Monteverdi's L'Orfeo. She received a third MA in Art History from the University of Pennsylvania, with a thesis examining the political implications of Charles V's encounter with the Concistoro Frescoes of Domenico Beccafumi in the Palazzo Pubblico in Siena.
Modern and Contemporary Art
Catherine is a first year PhD student studying postwar American and European art. Her research explores the strategies of conceptualist practice in the 1960s and 1970s, with an emphasis on issues of spectatorship, performance, and display. Catherine holds a B.A. in Art History and Philosophy from Loyola Marymount University.
Michaela de Lacaze
Latin American Modern and Contemporary art
Michaela de Lacaze, a second-year student, studies Latin American Modern and Contemporary art and is particularly interested in Brazilian and Argentinean art of the postwar period. She received her B.A. in History of Art and Architecture from Harvard University in 2007. She has worked at the New Museum of Contemporary Art, the Smithsonian American Art Museum, and the Institute of Contemporary Art in Boston.
Alessandra Di Croce
Italian Renaissance Art
Alessandra Di Croce, a fourth-year student, specializes in Italian Renaissance Art; her research interests are focused on the relationship between visual arts and religious issues in late 16th/early 17th century Italy, within a context of important cultural transformations at the dawn of modern thought.
Her dissertation analyzes the impact that collections of Early Christian and Medieval art objects in post-Tridentine Rome had on the development of a new understanding and appreciation of earlier art, as well as on the paleo-Christian revival of the late 16th/early 17th century in Rome. Alessandra received her BA and MA (Scuola di Specializzazione) from the University of Rome "La Sapienza". From 2001 to 2005 she collaborated with the "Soprintendenza Speciale per il Polo Museale Romano", participating in several cataloguing projects and in the organization of the exhibition Il Settecento a Roma (Rome, Palazzo di Venezia, November 2005–February 2006). Alessandra has also published with Italian journals (Bollettino d'Arte, Ricerche di Storia dell'Arte, Neoclassico), and written catalogue entries for several exhibition catalogues (Il Gran Teatro del Mondo. L'Anima e il Volto del Settecento, Milan 2003; Il Settecento a Roma, Rome 2005–2006; GOYA e la tradizione italiana, Parma 2006; San Nicola da Tolentino nell'arte. Corpus iconografico, Tolentino 2006, vol. II).
Chinese painting and calligraphy
Xiaohan studies the history of Chinese art and Japanese art, with a focus on the pre-modern period. She received her B.A. with Honors in Art History from Hamilton College in 2012, with a minor in History. She studied French and European art in Paris, where she also had an internship with Museé Guimet. Prior to coming to Columbia in the fall following her graduation, she interned with the Chinese works of art department at Christie's New York office, as well as the Japanese and Korean painting department at the Cleveland Museum of Art in Ohio.
Early Modern European art; the history of art history
Adam Eaker received his B.A. in art history from Yale in 2007. Before coming to Columbia, he worked at the Yale Center for British Art and for a dealer in Old Master drawings.
Yasmine Espert is a first-year PhD student with research interests in film and photography of the Caribbean and its Diaspora. As a 2011-2012 Fulbright scholar in Barbados, she completed research under the Cultural Studies M.A. program at the University of the West Indies, the Barbados Arts Council, and The Fresh Milk Art Platform, Inc. Yasmine continues to volunteer for Fresh Milk as an off-site liaison. She held several internships, including a position at the Studio Museum in Harlem where she completed primary research for the Caribbean: Crossroads of the World exhibition. Yasmine received her B.A. in Art History from Washington and Lee University in 2011.
Frank Feltens studies Japanese art history under Professor Matthew P. McKelway. He received his B.A. in Japanese Studies from Humboldt University in Berlin and spent a year at Kyoto University as an undergraduate. His main research focuses are Momoyama and Edo period painting (particularly Rinpa) and its links with theater and classical literature. In this context he tries to draw connections between practices in the consumption and understanding of classical literature (e.g. through Noh theater, digests or renga manuals) and art in these periods. His other interests include medieval depictions of classical themes, premodern art criticism and intersections between different artistic media.
Daria Rose Foner
Daria Rose Foner is a doctoral student specializing in Italian Renaissance painting and sculpture. She received her B.A. from Princeton University in 2011 and her M.Phil. under the direction of Deborah Howard from the University of Cambridge in 2012. In the UK, she focused her scholarship on depictions of Saint Catherine of Alexandria and received a Brancusi Award to travel to Italy to pursue research for her Master's dissertation. During her time in Cambridge, Daria volunteered at the Fitzwilliam Museum and presented papers at conferences at the University of Birmingham and the University of Edinburgh. She has held internships at the Metropolitan Museum of Art, the Uffizi Gallery, and the Marianne Boesky Gallery. Prior to attending university, Daria danced with the Norwegian National Ballet.
Michael Anthony Fowler
Greek and Near Eastern art and archaeology; human sacrifice; emotional dynamics of art; material religion; archaeology and iconography of ritual; violence in art
Michael is a fifth-year doctoral candidate. Presently, he is visiting lecturer at the Institute for Classical Archaeology, Eberhard Karls University of Tübingen, where he is conducting research and teaching an undergraduate seminar on the topic of his dissertation: Art and Archaeology of Human Sacrifice in Greek Antiquity. In the course of his studies at Columbia, he earned the M.A. and M.Phil. degrees (2012, 2013) in Art History and Archaeology, submitting a qualifying paper entitled "Agonizing agalmata: dying figures in Greek sculpture". Michael interned for two consecutive summers (2011, 2012) in the Collection of Vases and Minor Arts at the National Archaeological Museum, Athens. In addition to working on his dissertation, he is co-author of the Chronique archéologique de la religion grecque (ChronARG), Assistant Review Editor for the Association for Coroplastic Studies (ACoST), and Research Assistant to Profs. Ioannis Mylonopoulos (Columbia) and Angelos Chaniotis (Institute for Advanced Study). Michael was previously educated at Tufts University (M.A., Classical Archaeology, 2010), Harvard University (M.T.S., Religions of the World, 2008) and The Colorado College (B.A., Philosophy and Sociology, 2006).
Pre-Columbian Art and Architecture, visual strategies of empire, archaeology as cultural patrimony
Amanda Gannaway received a B.A. in Archaeology from Barnard College in 2006 and an M.A. in Art History from Columbia University in 2009, where she currently studies the art and architecture of the pre-Columbian Americas. Amanda has participated in archaeological projects in Belize, Ecuador, Bolivia and Scotland and has worked in museums in New York and Peru. Her current research focuses on the material culture of groups inhabiting the Peruvian north coast during the Late Intermediate Period.
Early Christian and Medieval Art and Architecture; Applications of Digital Technology in Teaching of Art History
Sofia Gans graduated from Vassar College in 2009 with a degree in art history and French. Her area of focus is early Christian and medieval art and architecture, specifically the relationships between objects and the built environment and the arts of pilgrimage. Additionally, Sofia spent two summers traveling to France with Columbia's Media Center for Art History, working on the Mellon-funded Mapping Gothic France research database. This project, along with a year and a half spent working in the Education department of the Metropolitan Museum of Art, also gave Sofia a strong interest in teaching art history in both a classroom and museum setting, specifically applications of new technology to further access and engagement with objects and sites.
William T. Gassaway
Pre-Columbian Art and Architecture
William earned his B.A. in Art History from the University of New Mexico, where he wrote his undergraduate thesis on the commodification of Maya cultural patrimony. Now, as a doctoral candidate in pre-Columbian art history, William is largely engaged with indigenous representations of the body and the cosmos in ancient Mexico. He has deep interests in Latin American modernism, antiquarianism, phenomenology, and the visual culture of the American Southwest as well.
In his dissertation, titled "Extraordinary Bodies: Divine Deformation among the Aztecs (AD 1350-1521),” William offers the first expressly art historical discussion of the forms, contexts and meanings of aggrieved and misshapen bodies within the arts of Central Mexico.
Feminism, photography, film, installation art, expanded cinema
Beth Gollnick studies modern and contemporary art with a special interest in photography and film. Her work focuses on issues related to feminism, institutional critique, materiality/dematerialization, and spatial politics. Beth received her BA with honors in Art History and English from the University of California, Los Angeles, where her undergraduate thesis received an Award for Scholastic Excellence.
Russia between Peter I and 1917, Reception of Classical Antiquity, Neoclassicism and its Detractors
Alexandra Helprin specializes in the art of Russia between 1700 and 1917. Her dissertation is about the artistic projects of the Sheremetev family, Ivan and Nikolai Argunov, and, more broadly, the effects of serfdom on Russian visual art, patronage, and collecting during the late eighteenth century. She received an A.B. in classical archaeology from Harvard in 2007.
Nina Horisaki-Christens entered the PhD program in 2013, and her current research focuses on histories of Japanese performance and media art from the late 1960s through the 1970s. Prior to entering Columbia's PhD program, she was a 2012-13 Helena Rubinstein Curatorial Fellow in the Whitney Museum's Independent Study Program, for which she co-curated Maintenance Required at The Kitchen, and she also worked as Research Assistant for Gutai: Splendid Playground at the Solomon R. Guggenheim Museum. As Assistant Curator and Interim Program Manager at Art in General, she curated exhibitions, residencies, and commissions with New York-based and Eastern European emerging artists. Horisaki-Christens was a 2008-09 Lori Ledis Curatorial Fellow at BRIC Rotunda Gallery, and Summer 2013 Curator-in-Residence at Seoul Art Space Geumcheon (Korea). She has contributed to publications produced by The Whitney Museum of American Art, Independent Curators International, Art21.com, Flux Factory, and Art in General. She holds a B.F.A. in Sculpture and Japanese Language and Literature from Washington University in St. Louis.
Subhashini Kaligotla is a doctoral candidate in South Asian art with a research focus on the sixth to eighth century temple architecture of India's Deccan region. Other research interests include Indo-Islamic architecture, the contemporary art of South Asia, Orientalism, and postcolonial theory. She has taught the history of Indian art and architecture at Barnard College, Columbia University, and New York University. Subhashini also holds advanced degrees in electrical engineering and creative writing (poetry), and is the recipient of a Fulbright fellowship for literary translation. Her poetry has been published in literary journals and anthologies in the United States, the United Kingdom, and India.
Classical Art and Archaeology; Archaic and Classical Greek Art; Archaeology of Sicily; Ancient Philosophies of Art; Cross-Cultural Currents in Art; Gandharan Buddhist Art
Trained originally as an Astrophysicist, SeungJung came under the spell of Classical Archaeology at University of Virginia, where she eventually obtained her MA in Art History. With a penchant for Sicilian archaeology, she also spent one year working at the Metropolitan Museum, before coming to Columbia University for her doctorate. She is currently working on her dissertation titled, "Concepts of Time and Temporality in the Visual Tradition of Late Archaic and Classical Greece," where she tries to explore how changing notions of time in the visual arts can be contextualized to the larger cultural history of Time. She also keeps a keen interest in her minor field of Gandharan Buddhist Art, as an expression of one of the most powerful cross-cultural currents that bridges the Classical West and the Asian world.
Italian Renaissance and Baroque; British Art; Printmaking/Print Culture
Clare graduated with a BA in 2010 from Swarthmore College with a double major in history and art history. She has interned in the print departments at the Yale University Art Gallery, the Art Institute of Chicago, the Metropolitan Museum of Art, and the Philadelphia Museum of Art. As a fellow at the Slought Foundation in 2010-2011 she was the research assistant for "Architecture on Display." Other research interests include the Gallery of Maps in the Vatican, the relationship between English and Chinese gardening and landscaping practices in the eighteenth century, Roman mosaics in Sicily, and southern Italian Renaissance art.
East Asian Art History and Archaeology; Early China; Cross-Materiality; Materiality
Natasha Marie Llorens
Modern and Contemporary Art
Natasha Marie Llorens' doctoral research is focused on violence and representation in the 1970s and 1980s in South Africa and Algeria. She is also a curator and and a writer based in New York. Recent curatorial projects include "Ajar," at REVERSE Gallery, in Brooklyn and "Failing to Levitate," co-curated with Kerry Downey at the Elizabeth Foundation for the Arts Project Space, in New York. She holds a BA in Art History from Simon's Rock College, and an MA from the Center for Curatorial Studies at Bard College.
Romanesque Sculpture and Historiography; African sculpture; history and theory of collecting and display; studio photography
I was educated at the University of Chicago (B.A., 2002) and at the Courtauld Institute of Art (M.A. Gothic Architecture, 2004). Having specialized in
Romanesque sculpture, my dissertation seeks to expand the reception of Romanesque art in France to include its parallel treatment with non-Western art,
especially African sculpture, during the early colonial period.
I have received grants from the Georges Lurcy Foundation and the Samuel H. Kress Foundation for archival work conducted in Paris, Strasbourg, and Autun.
Italian Renaissance Art
Francesca Marzullo studies the art and architecture of the Italian Renaissance with a secondary interest in eighteenth- and nineteenth-century American painting. She holds a B.A. from Williams College, an M.Phil. from the University of Cambridge, and an M.A. from the University of Pennsylvania.
Nomaduma Rose Masilela
Modern and Contemporary African Art; Art Theory; Postcolonial Theory; Comparative Art Histories
Nomaduma Masilela is a second-year PhD candidate who studies modern and contemporary art from Africa and the Diaspora. She is a Ford Pre-Doctoral Fellow and a Mellon Mays Undergraduate Fellow.
Nomaduma received her BA from Barnard College (2007). She was a Curatorial Fellow at The Kitchen, New York (2007-08) and conducted independent research in Dakar, Senegal as a Mortimer Hays Brandeis Traveling Fellow (2008-09) before arriving at Columbia University.
European and American Modern Art, Museum Studies, Art and National Identity, Theory of Ornament
Megan is currently a Jane and Morgan Whitney Fellow in Modern and Contemporary Art at the Metropolitan Museum of Art. There she is at work on her dissertation, The Empire on Display: Exhibitions of Germanic Art & Design in America, 1890-1914, which investigates how a series of German exhibits in US museums functioned as newfound modes of public and cultural diplomacy. Ultimately, the study suggests that art and exhibition practice played a central role in shaping the conditions that defined German-American relations upon the onset of World War I.
The recipient of grants and fellowships from DAAD, the German Historical Institute and the Council for European Studies, Megan earned her MA from the Courtauld Institute of Art and BA in Art History from Columbia. She has held positions at the Museum of Modern Art, the Whitney Museum of American Art, and the Peggy Guggenheim Collection. This year, Megan will present her research at the German Studies Association Annual Conference and the Association for Historians of American Art Symposium.
Arathi is a third-year PhD student of South Asian art history with a concentration in the Hindu temple and medieval architecture. In the course of her studies toward the B.A. in Communication at the University of California, San Diego, she became interested in studying the role that living artists play in the mediation of visual culture. This research resulted in the essay "The Value of Choice: Assigning Values to Commodities of Art", for which Arathi earned the Afsahi award (2006). She further pursued her interest in the artist while serving as a researcher for exhibits that include TRANSActions: Contemporary Latin American and Latino Art (2006), Jasper Johns: Light Bulb (2008), Robert Irwin: Primaries and Secondaries (2008) and childsplay (2008) which focused on the artist Allan Kaprow's installation and performance work ("happenings"). At Columbia, Arathi's recent M.A. thesis (2013) established a firm provenance within ancient India for an ivory statuette excavated in the city of Pompeii. Arathi is a Weatherhead East Asian Institute-SLYFF Fellow (2012) and recipient of the Steven Kossak Graduate Fellowship (2013).
East Asian Art; Modern and Contemporary Japanese Visual Culture; Critical Theory; Representations of World War II and the Atomic Bomb; Memory and Trauma
Maggie received her B.A. in Art History and East Asian Studies from Brown University in 2007, where her thesis on Japanese atomic bomb survivor paintings received the George Downing Prize in Art History. In 2010, she graduated from the New School for Social Research with a master's degree in Liberal Studies and critical theory; her master's thesis investigated the visual representations of the atomic bomb in Japanese newspaper publications under the American postwar occupation of Japan. At Columbia, she hopes to continue her research around the intersection of visual culture and memory in Japan, particularly focused on the postwar period and representations of the atomic bomb over time.
Modern Architecture; Media Theory
Steven Niedbala entered the PhD program at Columbia in 2013 after completing his B.A. at Oberlin College. At Oberlin, he completed an honors thesis on post-industrial urbanism in the city of Pittsburgh and worked for numerous arts organizations, including the Allen Memorial Art Museum and the Modern Music Guild at the Oberlin Conservatory. His current research focuses on Appalachian urban networks as well as the impact of anti-psychiatry movements upon institutional architecture in post-war North America.
Yemi Onafuwa studied Art History at Kalamazoo College and at the School of Oriental and African Studies (London). He received an MPhil from Columbia, and is currently writing a dissertation entitled "Bruegel's Vernacular Bodies." Yemi has published papers on 16th-century visual culture and on contemporary African art, and has given numerous talks. He is also the author of a novella and a novel, the latter to published by Random House.
European Art in the Long Nineteenth Century; Spectatorship and its histories; Sociology of Knowledge; History of the Projected Image
Stephanie O'Rourke studies European visual culture from the late eighteenth century to the early twentieth century. She is currently working on her dissertation, "Bodies of Knowledge: Fuseli, Girodet, and Spectatorship at the Turn of the Nineteenth Century," which examines artistic production in dialogue with an expanded set of popular and scientific spectacles and discourses. Stephanie has received fellowships from the Social Science Research Council, the Yale Center for British Art, and Columbia University. Stephanie holds a B.A. from Harvard University in Art History and English Literature.
African Art, History of Photography, Modern and Contemporary Art
Giulia Paoletti studied Art History at Sussex University (B.A. 2004) and the School of Oriental and African Studies (M.A. 2006) with a specialization in African art. She is currently writing her dissertation on the history of photography in Senegal. She has conducted research in Senegal, Nigeria, Mali and Cameroon, where she has examined contemporary photographic practices, and collaborated with institutions such as doual'art, iStrike Foundation and lettera27 Foundation. She was recently appointed a Columbia University Mellon Traveling Fellow (2011-12) and Reid Hall Fellow (2011) to conduct research in Senegal and Europe.
Ancient Greek Art and Archaeology
Matt is a PhD candidate in ancient art history and archaeology. He received his bachelor's degree from Cornell University and spent several years as a teacher in NYC before beginning the PhD program at Columbia. Matt specializes in ancient Greek art, and is currently investigating the construction of social identity through the image of the body in the archaic and classical periods. Since joining the department, he received his M.A. (2013) and his M.Phil (2014), and has worked in the sculpture department of the National Archaeological Museum in Athens. This summer, he will participate in the new archaeological field project in Onchestos, Greece, and next fall he will serve as a guest instructor in ancient Greek art at the University of Tübingen in Germany.
Italian Renaissance painting & sculpture; fifteenth-century portraiture; painting technique and conservation
Elizabeth completed her B.A. at Middlebury College, where she received the Christian A. Johnson Award for her honors thesis "Singleness of Purpose: The Early Photography of Ruth Orkin." Her pursuit of art history and Italian language took her to Florence, Italy, where she studied the early Italian masters and took courses in painting conservation. Before embarking upon her Ph.D., Elizabeth spent several years working in Italy at international colleges, and held an internship at the Peggy Guggenheim Collection in Venice. While maintaining an active interest in modern and contemporary art, Elizabeth's research now centers on Italian Renaissance art and the development of painting techniques in Italy and the Netherlands. She is currently completing her dissertation, entitled "Antonello da Messina and the Independent Portrait in Fifteenth-Century Venice," which will be the first full-length study devoted to the portraiture of this important painter. It discusses the innovative technical aspects of the portraits, and situates Antonello's secular work in the context of budding humanistic concerns with self-representation, identification and the generative power of the artist during the mid-to-late fifteenth century.
Art and archaeology of the ancient Near East
Turkan is a PhD student, specializing in the art and archaeology of the ancient Near East. She received her B.A. in Political Science and History from Bogazici University, Istanbul in 2006. She completed her M.A. in the Archeology of the Eastern Mediterranean in K.U. Leuven in 2007. Having participated in numerous field projects, since 2007 she has been a part of the Tarsus Gozlukule Archaeology Project, Turkey.
Modern & Contemporary Art
Leah Pires is a fourth-year PhD student and a Critical Studies Fellow in the Whitney Independent Study Program. Her dissertation, currently in progress, takes the work of Louise Lawler as a refractory lens to examine new models of authorship, collaboration, and critique emergent in the late 1970s. In 2013, Leah curated the exhibition "Conspicuous Unusable" at Miguel Abreu Gallery. Previously, she earned a B.A. with honors in Art History and English from McGill University.
Central-Eastern European art, film and cultural theory from 1890s to 1930s, historiography, theories of the avant- and rear-garde, ideas of formalism, radical politics and an aesthetic of resistance
Eszter is interested in the historical emergence of cinema in realms of aesthetic, technical and scientific discourse. With training in Central-European and nineteenth-century aesthetics, her interests include the culture of experiment among the interwar avant-garde, issues of scale, the visual culture of revolution, theories of automatism, evolution and animal-machines, and critical theory. Her dissertation is called "Close-Up: Bela Balazs and an Aesthetic of Distance in Early Cinema Aesthetics," the first chapter of which was published in Apertura in 2012. She is currently in Europe on a travel fellowship.
Aaron M. Rio
Muromachi Period (1336–1573) Painting; Zen Buddhist Art; Medieval Japanese Sinology; Ink Painting in the Kanto Region
Aaron is a doctoral candidate in premodern Japanese art and is currently preparing a dissertation that examines medieval Japanese images of renowned poets from Chinese antiquity, from their introduction and development within the Zen monastic context to their eventual canonization by professional painters in the late medieval period. He is particularly interested in painting as representation of and medium for sacred encounters, both real and imagined. Aaron graduated with highest distinction from Indiana University where he received a B.A., with honors, in English and East Asian Languages and Cultures (2004). Before entering the Ph.D. program at Columbia in 2006, he worked for two years in Nara Prefecture, Japan. He received his M.A. (2008) and M.Phil. (2010) in art history from Columbia. He is currently supported by the Japan Foundation and is based at the Institute for Advanced Studies on Asia at the University of Tokyo.
Tina Rivers Ryan
Modernism; postwar American art and film; visual culture; media
Before arriving at Columbia, Tina received her B.A. in art history from Harvard and an M.A. in visual studies from the University of California, Irvine. Her dissertation "Lights in Orbit: The Howard Wise Gallery and the Rise of Media in the 1960s" examines the emergence of a high-tech aesthetic in post-war American art. She will complete her project while a 2014-15 Jane and Morgan Whitney Fellow in the Department of Modern and Contemporary Art at the Metropolitan Museum of Art. Portions of this project have been accepted for presentation at the annual conferences of the College Art Association and Modernist Studies Association, as well as at numerous graduate student conferences. Her work on other topics has appeared or will appear in Framework: The Journal of Cinema and Media, Art Journal, Art in America, Artforum.com, and in books from Düsseldorf University Press, Oxford University Press, and Richter Fey Verlag, among others. As an instructor, Tina has designed and led courses on contemporary art for Columbia, the Pratt Institute, and MoMA. Her work is collected on her website, www.tinarivers.com.
Michael Sanchez is a PhD candidate in the department. He entered Columbia after receiving his BA in Literature from Harvard. His dissertation draws on original archival material to trace some of the key elements of the contemporary art dispositif back to the Rhineland circa 1970. This project articulates the interconnections between four apparently disparate phenomena that emerged at this moment: jet infrastructure and the circulation of artists (Konrad Fischer); discursively-oriented post-studio pedagogical techniques (Joseph Beuys); new market structures such as the art fair and econometric analysis of art distribution (Willi Bongard); and the independent contemporary art curator (Harald Szeemann).
History of Photography; 19th and 20th-Century American Art; Historiography
Drew is currently the 2012-2015 Beaumont and Nancy Newhall Curatorial Fellow at the Museum of Modern Art, New York. His dissertation explores the relationship between emerging professional photographic practices and photographic modernism in the work of Walker Evans. In 2011, he co-organized the exhibition 'Social Forces Visualized': Photography and Scientific Charity, 1900-1920, an in-depth examination of the pedagogical and publicity practices of Progressive Era charity and social work organizations. The exhibition and accompanying catalogue reconsidered photographs by Jacob Riis, Lewis Hine, and Jessie Tarbox Beals, among others. He has served as a curatorial research assistant at the The Solomon R. Guggenheim Museum and received his B.A. in Economics and Art History from the University of Wisconsin, Madison.
Chinese painting and calligraphy; Chinese decorative objects; modern and contemporary ink painting in China
Joseph Scheier-Dolberg studies the history of Chinese art, with a focus on painting. He received his BA from Swarthmore College in 2000 and his MA from Harvard University in 2005. In between, he spent time in Sichuan Province studying the history of Tibetan mural painting in a monastery on the border of the Tibet Autonomous Region. Prior to coming to Columbia in 2009, he spent several years working in the Chinese art department at the Museum of Fine Arts, Boston.
Ancient Greek Art and Archaeology
David is a first year student in the PhD program. He focuses on the art, architecture and archaeology of the ancient Greek world with a primary interest in the Archaic through Hellenistic periods. David completed his Bachelor's degree in Classics and Fine Arts at New York University in 2011 and studied in Florence, Italy and Athens, Greece. He continued his work in Classics at the Post-Baccalaureate Program in Classical Studies at the University of Pennsylvania in 2012, where he also volunteered at the University Museum of Archaeology and Anthropology. He currently participates in the Excavations in the Athenian Agora, under the auspices of the American School of Classical Studies at Athens, where he is an assistant trench supervisor.
Modern and contemporary art; African-American art and art of the African diaspora; media and performance
Abbe Schriber entered Columbia's PhD program in Art History in fall 2013. She studies modern and contemporary art, focusing on questions of identity formation and subjectivity through gesture, embodiment and text. In particular, her research explores the intersections of African-American art and culture, Conceptual art, and language and vernacular, emphasizing sound, film, photography and performance. From 2010-2013 she was Curatorial Assistant at The Studio Museum in Harlem, where she curated the exhibitions Body Language (2013-14), Mendi+Keith Obadike: American Cypher (2013), and Harlem Postcards: Tenth Anniversary (2012-13). She received a BA in Art History from Oberlin College in 2009.
Siddhartha V. Shah
Siddhartha V. Shah received his BA in art history from The Johns Hopkins University (2000) and a Masters degree in East-West Psychology from the California Institute of Integral Studies (2003) with an emphasis on Hindu philosophy from a Jungian perspective. He has been an art dealer for 14 years, specializing exclusively in Hindu and Buddhist Nepalese art since 2005. In 2007, he began collaborating with Serindia Publications and Gallery in Bangkok on a series of exhibitions exploring the conflicts and intersections between religion and art in India. His articles have appeared in numerous publications on Asian Art including Marg, Orientations, and Art Asia Pacific Magazine. His academic interests include the function of religious imagery in contemporary Hindu practice, cults of the Divine Feminine, and cultural exchange between India and France through jewelry and objets d'art. Siddhartha is also a yoga instructor and assists with teacher trainings in New York City and Chicago. He is the recipient of the Steven Kossak Graduate Fellowship (2014).
Art of the Italian Renaissance, particularly sixteenth century Florentine painting; Early Netherlandish painting; Venetian art
I am a 5th year Ph.D. candidate. I received a BA in Art History and Spanish from Washington University in Saint Louis in 2006. My advisor is Professor David Rosand. My dissertation is tentatively entitled "Bronzino between the Republic and the Academy" and deals with certain portraits produced before the artist became court painter to Duke Cosimo I.
Modern and Contemporary Art
Rachel Silveri studies modern and contemporary art and has a broad interest in the thematic of the everyday across the historic and neo-avant-gardes. She received her B.A. in History of Art and Gender Studies from the University of Michigan in 2008 and was awarded an M.A. from Columbia in 2010.
The history of collecting and museums; seventeenth-century art and theory; and Odd Nerdrum, kitsch, and the figurative tradition
Therese Sjøvoll's dissertation is entitled "Queen Christina of Sweden's Musaeum: Collecting and Display in the Palazzo Riario" (dissertation sponsor, Prof. D. Freedberg). Her current research interests include the history of collecting and museums; seventeenth-century art and theory; and Odd Nerdrum, kitsch, and the figurative tradition. In Oslo, Therese assisted with the Odd Nerdrum retrospective exhibition at the Astrup Fearnley Museum of Modern Art. She also lectured at The Munch Museum and the Royal Palace of Norway. In London she interned at Sotheby's, and in New York she lectured at Scandinavia House and the Metropolitan Museum of Art. She currently teaches art history at the University of Oslo. Therese has received awards from the Berit Wallenberg Foundation, The Metropolitan Museum of Art, The Attingham Trust, The American Scandinavian Foundation, the Norway-America Association, and The Fulbright Commission. In her spare time, Therese is in the garden or at sea.
Ancient Near Eastern Art and Archaeology, Egyptian Art, Historiography
Jake is a first year student focusing on the art of the ancient near East and Egypt. He is especially interested in philosophies of representation and the relationship between art and writing, particularly how these two systems of communication interacted and informed one another during their earliest phases of development. Prior to entering the PhD program, Jake graduated magna cum laude from Columbia with a BA in art history and linguistics, writing an honors thesis on the relationship between image and text in early Mesopotamian kudurrus and glyptic. He has additionally worked as an archivist for the Pierpont Morgan Library seals and tablets department, and excavated with the University of Edinburgh Prastio Mesorotsos expedition in Cyprus. Aside from his antiquarian interests, he has written for a variety of popular media outlets including Paper Magazine and Esquire.
Zachary D. Stewart
Medieval (and Neomedieval) Art and Architecture
Zachary Stewart holds a B.Arch in Architecture and Medieval Studies from the University of Notre Dame (2007) and an M.A. in the History of Art from the Courtauld Institute of Art (2008). While attending the latter institution on a Fulbright grant, he completed a prize-winning thesis on the thirteenth-century choir of the Temple Church in London, a building that sparked his continuing fascination with medieval architecture in England. His dissertation will examine the multiple temporalities of late medieval parish churches in East Anglia. Zachary has worked as a student research associate in the Research Forum at the Courtauld and as a field photographer and digital cataloger for the "Mapping Gothic France" project. He currently lectures at The Cloisters Museum in New York.
Chinese painting and calligraphy, Japanese pictorial art, Korean pre-modern art and aesthetics
Hwanhee is planning to explore, through the prism of rivalry, the lives and activities of seventeenth-century Chinese painters, most of whom competed for recognition from eminent patrons, art markets, and aesthetic publics. He is also deeply interested in history of Chinese album paintings with a keen focus on the possibilities and limitations of the painting format.
Hwanhee received his B.A. degree in Aesthetics (2007) and M.A. in Art History (2011) from Seoul National University with his MA thesis, "The Invention of a Masterpiece: The Life and Afterlife of Dong Qichang's (1555-1636) Wanluan Thatched Hall." In the paper Hwanhee has examined not only the painter's efforts to convey a specific message by coordinating verbal and visual languages but also the transformation of the painting's status into a masterpiece by later agents. Prior to joining Columbia in 2012, he participated in the preparation of the exhibition Silla: Korea's Golden Kingdom (2013-14) at the Metropolitan Museum of Art as a full-time intern funded by the Korea Foundation.
Chun-Yi (Joyce) Tsai
Arts of East Asia (especially paintings from Song-Yuan China and Muromachi-Edo Japan)
Chun-Yi 'Joyce' Tsai joined Columbia University in 2006. Before then, she completed her B.A. in English Literature at National Taiwan University and earned an M.A. in East Asian Studies at Harvard University. Her dissertation concerns the origins, transmission, and perception of images of the supernatural grotesque in Song-Yuan China. This project emerged from her interest in Chinese popular culture nurtured in her Harvard years, where she worked on topics related to the lay religion, vernacular literature, and folk arts of Late Imperial China. In between her degrees, she worked in broadcast journalism and in the education and curatorial divisions of The Museum of Fine Arts, Boston, The Freer & Sackler Galleries, and The Phillips Collection in Washington D.C.
Andrea Fabiola Vazquez
Pre-Columbian Art, Architecture, and Archaeology
Andrea holds a BFA from Rhode Island School of Design (2001) and an MA in Art History from Columbia University (2009). Her interest in ancient American art history grew out of an extended period of travel throughout Central and South America. Drawing on her previous studies of visual communications, Andrea's research explores the relationship between semiotics and materiality in Andean visual culture.
Southern Renaissance and Baroque, Iberian Renaissance and Baroque
Julia studies Southern Renaissance and Baroque art with Professor Michael Cole. She received her B.A. in 2009 from Brown University, where she double-concentrated in the history of art and architecture and classics. She went on to internships in the Department of Paintings at the Musée du Louvre and in the Client Services/Business Development department of Sotheby's, Paris, before continuing her graduate studies at Columbia in the fall of 2010. Apart from those listed above, her interests include: the historiography of Spanish Baroque painting; Spanish and Spanish viceregal urban planning and design; ekphrasis; and the relationship between history, tradition, and material trace.
Italian Renaissance Architecture
Lorenzo received his M. Arch. summa cum laude from the University of Florence in Italy in 2008 with a thesis on Florentine architecture in the late-fourteenth century entitled "The Palace of Francesco di Marco Datini in Prato." As a trained architect he worked in Florence for a firm specializing in architectural restoration and continued his research on early Renaissance architecture both in Florence and Oxford. Lorenzo joined the doctoral program at Columbia University in 2009; his research interests include the structural behavior and preservation of medieval and Renaissance buildings as well as cultural exchange between Europe and the Islamic world during the Renaissance.
Brigid von Preussen
Nineteenth century European art; historiography; art criticism; history of collecting; revival styles
Brigid received her BA in Art History at Cambridge University in 2006, and her MA in Intellectual and Cultural History, 1300–1650, at the Warburg Institute in 2008. Her interests include the reception of Renaissance art and culture in nineteenth-century Europe.
Eighteenth- and Nineteenth-Century French Visual Culture; Eighteenth-Century Consumption and Collecting; Early Twentieth-Century Avant-Garde Practices and Media Theory
Susan Wager specializes in eighteenth- and nineteenth-century French visual culture. Her dissertation focuses on eighteenth-century reproductions after François Boucher in the mediums of engraved gems, porcelain, and tapestry. She earned a B.A. in French & Romance Philology and Art History at Columbia in 2004 and spent three years as an assistant in the Art of Europe department of the Museum of Fine Arts, Boston. Her M.A. qualifying paper at Columbia was entitled "'Les Dadas Visitent Paris': Toward a New Definition of the Dada Diagram." Susan has received fellowships from the Center for Advanced Study in the Visual Arts, the Council for European Studies, and the American Society for Eighteenth-Century Studies.
Alexis Renee Wang
Alex focuses on the painting and broader visual culture of late 19th Century France. His interests include theories of the avant-garde, collaborations between writers and visual artists, and the history of exhibition and display. He graduated from Swarthmore College in 2011 with a special major in Visual Studies and Social Thought. At Swarthmore, he completed theses exploring the built environment of the King of Prussia Mall and the camp femininity of the bande dessinée heroine, Barbarella.
20th c. Architecture and Design; Art and Media of the Avant-Garde
Robert is a fourth year in the department, focused in particular on architecture and design in prewar Germany and the intersection of art, graphic design and early computing in postwar America. Along with David Reinfurt, he is organizing an exhibition on the graphic designer Muriel Cooper, scheduled to open in spring 2014, and to be accompanied by a publication supported by the Graham Foundation. He holds a B.A. with honors in History and Germanic Studies from The University of Chicago, and is the recipient of the Jacob K. Javits Fellowship from the U.S. Department of Education. He has worked at the design firms MetaDesign and Ammunition in San Francisco, and as a curatorial intern in the Department of Architecture and Design at MoMA. He is currently a critic at the Yale School of Art.
Art and archaeology of ancient Near East and Eastern Mediterranean during the Bronze and Iron Ages; Roman art and architecture
Serdar Yalcin is a PhD student of ancient art with particular interest in the art of ancient Near East in the Bronze Age. He received his BA in psychology, and MA in archaeology at Bogaziçi University in Istanbul, Turkey. His research interests include artistic interconnections in ancient eastern Mediterranean, Anatolian art and archaeology, Roman provincial art. Currently Serdar is working on his dissertation titled "Seals and patronage in the Late Bronze Age, ca. 1550–1150 BC". In this study, he investigates the issue of art patronage among non-royal groups in the Late Bronze Age Near Eastern societies through an analysis of the glyptic material.
Yu Yang studies the history of Japanese art, with a focus on modern Japanese architecture. She received her B.A. in Film Studies from Peking University and her M.A in Art History from the University of Pittsburgh. She is currently supported by the Japan Foundation and is based at the Department of Architecture and Design at the Kyoto Institute of Technology. Her dissertation examines the dynamic interactions between the development of modernist architecture in Manchuria and Western Japan (in particular, the Hanshin-kan area) during the first half of the twentieth century.
Kori Lisa Yee Litt
Early Renaissance Italian Painting; Chinese Art
Kori Lisa Yee Litt specializes in Italian art, with an emphasis on Sienese and Florentine painting of the fourteenth and early fifteenth centuries. Her research interests include frescoes and illuminated manuscripts produced for and by the major mendicant orders, the global dissemination of early Renaissance art, and theories of sensory perception. In the field of Chinese art, Kori has focused on the topic of materiality in Song Dynasty painting, the history of Chinese calligraphy, and contemporary artist Xu Bing. This year she is teaching both Art Humanities and Asian Art Humanities. Kori received an M.A. in Art History from Williams College in 2007 and a B.A. in Art History and Psychological & Brain Sciences from Dartmouth College in 2005.
Modern and Contemporary Art; Performance Studies; Media History and Theory
Gillian Young holds a B.A. in Literature from Brown University and an M.A. in Media, Culture, and Communication from NYU. Before coming to Columbia, Gillian worked in the Department of Media and Performance Art at The Museum of Modern Art. She studies art and media histories of the nineteenth and twentieth centuries, and is particularly interested in the legacy of score-based performances pioneered by artists and composers following World War II—as early engagements with information technology; reevaluations of authorship and control; and critiques of representation. Her recent writing on these topics has appeared in PAJ: A Journal of Performance and Art and e-misférica. She is currently a Critical Writing Fellow for Recess Activities in New York.
Taryn Marie Zarrillo
17th century Venetian art with a particular interest in issues of patrimony, the history of collecting, and forgeries
Her dissertation, Artistic Patrimony and Cultural Politics in Seicento Venice, expands on initial studies begun at the Courtauld Institute of Art where she studied with Professor Sheila McTighe and received an MA in 2002. Prior to entering the Ph.D program at Columbia University she worked in the curatorial departments of several institutions, including: the Mount Holyoke Museum of Art, The MIT Museum, the Courtauld Gallery (where she also served on the Advisory Committee), the Museum of Fine Arts, Boston, and the Musée du Louvre. She has also served as an international art courier, exhibition organizer, is trained in conservation techniques and during summers has taught for Art History Abroad, a British based program. Taryn Marie received her BA in Renaissance and Baroque Studies from Mount Holyoke College and currently works with Professors David Rosand and Simon Schama at Columbia. When she is not studying art, she is an avid fencer, training in New York and Venice.