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Faculty
Faculty Directory

Noam M. Elcott
Assistant Professor
20th-century art, photography, film
Ph.D., Princeton, 2009

Biography
Noam M. Elcott specializes in the history of modern art and media in Europe and North America, with an emphasis on interwar art, photography, and film. His research and teaching combine close visual analysis with media archaeology and critical theory. He also writes and teaches on contemporary art. Recent classes include seminars on Dada, on Futurism, and on art between photography and film, an undergraduate lecture course Art, Media, and the Avant-Garde, as well as Art Humanities.

Elcott was educated at Columbia University (B.A. summa cum laude 2000) and Princeton University (Ph.D. 2009). He is the recipient of Fulbright, Mellon, DAAD, and other fellowships.

Elcott is currently at work on two book-length studies. The first charts the rise of cinema and media architecture through close analyses of avant-garde cameraless photographs (photograms) and films, in particular those of Man Ray and László Moholy-Nagy. The second carries this project forward to the present, with extended studies of Anthony McCall, Stan Douglas, James Welling, the London Film-Makers’ Co-op, and other contemporary artists. He also curated “Comic – Film – Strips,” a film program and installation at the CUNY Graduate Center James Gallery. Elcott has lectured widely, including recent and upcoming talks at the Tate Modern (London), the Bauhaus Universität (Weimar), ZKM (Karlsruhe), Light Industry at X-Initiative, Miller Theater at  Columbia University, and CUNY Graduate Center (New York).

Essays on Moholy-Nagy and Alexander Dorner’s “Room of Our Time,” an unrealized multi-media museum gallery, as well as a brief archaeology of the movie theater from Wagner to Expanded Cinema are forthcoming.



Contact Information
907 Schermerhorn
Telephone: (212) 854-7968
E-mail: nme2106@columbia.edu
Office Hours: Thursdays, 2-4

Web Sites
Text to come.




Rcent Publications

“Productive Reproduction: The Photograms of Christian Marclay,” in a MAMCO catalogue on Marclay’s photographic work (Presses Universitaires de Rennes, the MAMCO, and Les Presses du Réel, forthcoming 2009).

“Darkened Rooms: A Genealogy of Avant-Garde Filmstrips from Man Ray to the London Film Makers’ Co-op and Back Again,” Grey Room 30, Winter 2008.

“The Shadow of the World: James Welling’s Cameraless and Abstract Photography,” Aperture 190,  Spring 2008.


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