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Pierre Matisse Professor of the History of Art; Director, The Italian Academy
for Advanced Studies in America
Art and the Neurosciences; Dutch, Flemish, French and Italian painting
of the 16th and 17th centuries; 16th and 17th century history of
science; theory and criticism
D.Phil., Oxford, 1973
Iconoclasts and their Motives (Second Horst Gerson Memorial Lecture, University of Groningen), Maarssen: Gary Schwartz, l985 (reprinted in Public, Toronto, l993).
Joseph Kosuth: The Play of the Unmentionable, New York: The New Press, l992.
Art in History, History in Art: Studies in Seventeenth Century Dutch Culture, ed. by D. Freedberg and J. de Vries, Los Angeles: The Getty Center, l992.
"Johannes Molanus on Provocative Paintings", Journal of the Warburg and Courtauld Institutes, XXXIV, l971, pp. 229-245.
"The Representation of Martyrdoms during the Early Counter-Reformation in Antwerp", Burlington Magazine, CXVIII, l976, pp. 128-138.
"The Structure of Byzantine and European Iconoclasm", in: A. Bryer and J. Herrin, eds., conoclasm, Birmingham, l977, pp. 165-177.
"The Problem of Images in Northern Europe and its Repercussions in the Netherlands", Hafnia. Copenhagen Papers in the History of Art (Proceedings of the 7th International Colloquium in the History of Art), l976, pp. 25-45
"A Source for Rubens's Modello of the Assumption and Coronation of the Virgin in Leningrad: A Case Study in the Response to Images", Burlington Magazine, CXX, l978, pp. 432-441.
"Rubens as a Painter of Epitaphs, 1612-1618", Gentse Bijdragen tot de Kunstgeschiedenis, XXIV, l976-78, pp. 51-71.
"The Origins and Development of the Flemish Madonnas in Flower Garlands: Decoration and Devotion", Münchner Jahrbuch der Bildenden Kunst, XXXII, l981, pp. 115-150.
"The Hidden God: Image and Interdiction in the Netherlands in the Sixteenth Century", Art History, V, l982, pp. 133-153 (translated into Japanese, in Studies in Western Art, 2001).
"Prints and the Status of Images in Flanders", in: H. Zerner, ed., Le Stampe e la diffusione delle Immagini e degli Stili (Atti del XXIV Congresso Internazionale di Storia dell'Arte, l979, vol. VIII), Bologna, l983, pp. 39-54.
"Fame, Convention and Insight: On the Relevance of Fornenberg and Gerbier", The Ringling Museum of Art Journal, (Papers presented at the International Rubens Symposium, l982), Sarasota: The Ringling Museum, l983, pp.236-259.
"Paintings or Prints? Experiens Sillemans and the Origins of the Dutch Grisaille Sea-Piece: Notes on a Rediscovered Technique", Print Quarterly, I, l984, pp. 149-168 (with A. Burnstock and A. Phenix).
"De Kunst en de Beeldenstorm, 1525-1580. De Noordelijke Nederlanden" / "Art and Iconoclasm, 1525-1580. The Case of the North Netherlands", Introductory essay in [Cat. Exhib.], Kunst voor de Beeldenstorm. Noordnederlandse Kunst 1525-1580, ed. J.P. Filedt Kok et al., Amsterdam: Rijksmuseum, l986, pp. 39-84.
"The Problem of Classicism: Ideology and Power", Art Journal, XLVII, No. 1, l988, pp. 1-6. Introductory Essay to this volume of the Art Journal devoted to The Problem of Classicism, ed. David Freedberg.
"From Hebrew and Gardens to Oranges and Lemons: Giovanni Battista Ferrari and Cassiano dal Pozzo" in: Cassiano dal Pozzo: Atti del Seminario Internazionale di Studi, ed. F. Solinas, Rome: De Luca, l989, pp. 37-72.
"Cassiano dal Pozzo, Natural Historian", and "Cassiano dal Pozzo's Drawings of Citrus Fruits", in: Il Museo Cartaceo di Cassiano dal Pozzo. Cassiano Naturalista, Quaderni Puteani, I, l989, pp. 10-36.
"Cassiano on the Jewish Races of Rome", Quaderni Puteani, 3, II, l992, pp. 41-56.
"Ferrari on the Classification of Oranges and Lemons", in Documentary Culture. Florence and Rome from Grand-Duke Ferdinand I to Pope Alexander VII. Papers from a Colloquium held at the Villa Spelman, Florence, l990 (Villa Spelman Colloquia, 3), ed. E. Cropper, G. Perini, and F. Solinas, Bologna, l992, pp. 287-306.
"Kunst und Gegenreformation in den südlichen Niederlanden, 1560-1660", in: Von Bruegel bis Rubens. Das goldene Jahrhundert der flämischen Malerei, Cologne, Wallraf-Richartz-Museum/Vienna, Kunst-historisches Museum/Antwerp, Koninklijk Museum voor Schone Kunsten, l992-1993, pp. 55-71.
"Censorship Revisited", Res, 21, l992, pp. 5-11.
"Van Dyck and Virginio Cesarini: A Contribution to the Study of Van Dyck's Roman Sojourns", Studies in the History of Art, 46, Van Dyck 350, ed. Susan J. Barnes and Arthur K. Wheelock, National Gallery of Art, Washington, l994, pp. 152-174.
"Cassiano and the Art of Natural History", in [Cat. Exhib.], The Paper Museum of Cassiano dal Pozzo, The British Museum, London, l993, pp. 141-154.
"Painting and the Counter Reformation in the Age of Rubens", in [Cat. Exhib.], The Age of Rubens, Museum of Fine Arts, Boston, l993, pp. 131-146.
"Imitation and its Discontents", in Künstlerischer Austausch/Artistic Exchange. Akten des XVIII. Internationalen Kongresses für Kunstgeschichte. Berlin, l992, ed. Thos. W. Gaehtgens, Berlin, l993, pp. 483-491.
"The Failure of Colour", in Sight and Insight. Essays on Art and Culture in honour of E.H.Gombrich, ed. John Onians, London: Phaidon, l994, pp. 245-262.
"Poussin et Sienne", Catalogue Exposition Nicolas Poussin, ed. Pierre Rosenberg et. al., Musée du Louvre, Paris, l994, pp. 62-68.
"Holy Images and Other Images", in: The Art of Interpreting (Papers in Art History from the The Pennsylvania State University), Ed. Susan C. Scott, University Park (Pennsylvania): The Pennsylvania State University, l996, pp. 68-87.
"Ferrari and the Pregnant Lemons of Pietrasanta", in: Il Giardino delle Esperidi. Gliagrumi nella storia, nella letteratura e nell'arte, eds. A. Tagliolini e M. Azzi Visentini, Florence: Edifir, l996, pp. 41-58.
"Poussin, Ferrari, Cortone et l'Aetas Florea", in Nicolas Poussin (1594-1665). Actes du Colloque Poussin au Musée du Louvre....19-21 octobre 1994, ed. A. Mérot, Paris: La documentation Française, l996, I, pp. 337-362.
"Rubens and Titian: Art and Politics", in: [Cat. Exhib.], Titian and Rubens: Power, Politics, and Style, Boston: Isabella Stewart Gardner Museum, 1998, pp. 29-66.
"Iconography between the History of Art and the History of Science: Art, Science and the Case of the Urban Bee", in Peter Galison and Caroline Jones, eds., Picturing Science Producing Art, London: Routledge, 1998, pp. 272-296.
"De l'effet de la musique, aux effets de l'image; ou pourquoi les affetti ne sont pas les modes", in Le Tasse, Actes du Colloque....au Musée du Louvre....13-14 novembre, 1996, Paris: La documentation Française, l999, pp. 311-338.
"Les Images dans les Rêves", in Olivier Christin and Dario Gamboni, eds., Crises de l'image religieuse/Krisen religiöser Kunst, Paris: Éditions de la Maison des sciences de l’homme, 1999, pp. 33-53.
"Del nominare i fiori: Ferrari, Poussin e la storia della storia naturale", in Luciano Morbiato, ed., Quaderno di dieci anni, Gruppo Giardino Storico dell'Università di Padova, Padua: Università degli Studi, 2000, pp. 57-84.
“The Power of Wood and Stone” (on Taliban destruction of art), The Washington Post, Outlook, Sunday, March 25, 2001, p. B2.
“Damnatio Memoriae: Why Mobs Pull Down Statues”. The Wall Street Journal, April 16, 2003, p. D 10.
“La ‘Danza de aldeanos’ de Rubens en el Prado”, in Historias Mortales. La vida cotidiana en el arte, Madrid, Prado, 2004, pp. 128-142.
“Pathos a Oraibi: Ciò che Warburg non vide”, in: Claudia Cieri Via and Pietro Montani, eds., Lo Sguardo di Giano, Aby Warburg fra tempo e memoria, Turin: Nino Aragno, 2004, pp. 569-611.
“Warburg’s Mask: A Study in Idolatry”, in: Mariet Westerman, ed. Anthropologies of Art, Williamstown: Clark Institute, 2005, pp. 3-25.
“Composition and Emotion” in Mark Turner, ed., The Artful Mind, Oxford: Oxford University Press, 2006, pp. 73-89.
“Why Connoisseurship Matters”, in: Katlijne van Stighelen, ed., Munuscula Discipulorum: Essays in Honour of Hans Vlieghe, Turnhout: Brepols, 2006.
“Empatia, movimento ed emozione”, in: G. Lucignani and A. Pinotti, eds., Immagini della Mente. Neuroscienze, arte, filosofia, Milan: Cortina, 2007, pp. 13-68.
Freedberg, D. and Gallese, V. 2007. “Motion, Emotion and Empathy in Aesthetic Experience”, Trends in Cognitive Science, May 2007, Vol. 11, No. 5, pp. 197-203.
Casati, R. and Pignocchi, A., "Mirror and canonical neurons are not constitutive of aesthetic response", Trends Cogn. Sci. (2007)
Gallese, V. and Freedberg, D., "Mirror and canonical neurons are crucial elements in esthetic response", Trends Cogn. Sci. (2007)
“Empathy, Motion and Emotion”, in K. Herding and A. Krause Wahl, eds., Wie sich Gefühle Ausdruck verschaffen: Emotionen in Nahsicht, Berlin: Driesen, 2007, pp. 17-51.
“Antropologia e storia dell’arte: la fine delle discipline?”, Ricerche di Storia dell’arte, 94, 2008, pp. 5-18.
J.A. Emmens, Verzameld Werk, 4 vols., l979-81, in: Simiolus, XIII, l983, pp. 142-146 (review-article).
The Power of Images: Studies in
the History and Theory of Response, 1989.
Preface to the French Edition
Preface to the Polish Edition
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