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Lecturer
European and American Modernism; History of Photography and Cinema
Ph.D. Columbia University, 2007
Text to come.
918 Schermerhorn
Telephone: (212) 854-5425
E-mail: kmm58@columbia.edu
Office Hours: Thursdays, 10:30-12
Select Publications:
"Greenberg Misreading Dubuffet," in Joan Marter, ed., Abstract Expressionism: The International Context (New Brunswick, NJ: Rutgers University Press, 2007): 125-137.
Klee and America [Preview], Artforum (January 2006): 84.
"There's Someone Missing Here, It's Pollock," exh. cat., Modern Paintings from the NYU Collection (Cork, Ireland: Lewis Glucksman Gallery, 2005): 37-47.
"Seeing Malevich, Cinematically," Art Journal (Winter 2004): 141-144.
"Lichtenstein, Incorporated," Archives of American Art Journal 44:1-2 (Winter 2004): 47-51.
"Dubuffet, Lévi-Strauss and the Idea of Art Brut," Res 46 (Autumn 2004): 237-248.
"Digitally-Enhanced Evidence: MoMA's Reconfiguration of Namuth's Pollock," Visual Resources 17:1 (Spring 2001): 127-145.
"Peinture Noire: Abstract Expressionism and Film Noir," in Film Noir Reader II, ed. James Ursini and Alain Silver (New York: Limelight Editions, 1999): 270-309.
In Preparation:
A book-length study of Jean Dubuffet as a writer as well as an artist
A translation, with Eric Trudel, of Hubert Damisch's "L'Inventeur de la peinture" |
