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Meyer Schapiro Professor of Art History
The Renaissance tradition; Venice; drawings
and prints; theory and criticism
Ph.D., Columbia University, 1965
David Rosand is a graduate of Columbia College and received
his PhD from Columbia. He joined the faculty in 1964, has served
twice as chairman of the Department of Art History and Archeology,
as director of Art Humanities, and as chairman of the Society
of Fellows in the Humanities; he currently chairs the Department's
Wallach Art Gallery Committee. His areas of special interest
include the history of painting, especially the Renaissance
tradition, painting and poetry, the graphic arts, modern art
and criticism. His books include Titian and the Venetian
Woodcut (1976), Titian (1978), The Meaning
of the Mark: Leonardo and Titian (1988), Painting in
Sixteenth-Century Venice: Titian, Veronese, Tintoretto
(1982, rev. ed. 1997), and Robert Motherwell on Paper
(1997), which accompanied an exhibition in the Wallach Art Gallery.
His most recent books are Myths of Venice: The Figuration
of a State (2001) and Drawing Acts: Studies in Graphic
Expression and Representation (2002). Working with the
Media Center for Art History, he has been developing a project
on Raphael's Stanza della Segnatura, extending visual and cultural
analysis through digital imaging and computer graphics. Professor
Rosand has received the Great Teacher Award of the Society of
Columbia Graduates.
906 and 826 Schermerhorn Hall
Telephone: (212) 854-4502
E-mail: dr17@columbia.edu
Mapping the Art and Architecture of Venice:
The High Renaissance in Italy:
Italian
Renaissance Painting:Raphael: Stanza della Segnatura: learn.columbia.edu/raphael/htm/index.htm
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Rosand, David. Drawing Acts: Studies
in Graphic Expression and Representation, 2002.
[ view
cover ]
Rosand, David. The Myths of Venice: The Figuration
of a State, University of North Carolina Press,
2001.
[ view
cover ]
Rosand, David. Painting in Sixteenth-Century Venice:
Titian, Veronese, and Tintoretto, Cambridge University
Press, 1997.
[ view
cover ]
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