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A Study of the Late Minoan Larnax: The Circulation of Ideas Among Different Media of Art – Erica Morais Angliker, February 2008
Action Observation and Felt Imitation: How and Why We Respond Positively to Images of Dance – Maya Aravind, May 2008
From Information to Intelligence: The World Picture of Peter Fend – Caroline Busta, February 2008
Mellow Fever (Curatorial Show) – Simon Castets, May 2008
James H. Scheuer and Urban Renewal – Marci Muhlestein Clark, May 2008
Mierle Laderman Ukeles in the Expanded Field – Amara Craighill, May 2008
Ahleam Means Dreams: Memory and Non-Linear Time in the Early Photographic Work of Ahlam Shibli – Jessica Eisenthal, February 2008
Le Messager Automatique: Annette Messager and the Persistence of Surrealism – Samantha Friedman, May 2008
Shazhia Sikander: A Postmodern Reflection of Beauty, Tradition and Art – Shanti Grandhi, February 2008
Performative Objects: The Empathetic Art of Lucy Orta – Saisha Grayson, May 2008
Visualizing Identity: Postcolonial Identity Construction as Seen Through the Arts in the Republic of Benin – Kerry Leishman, May 2008
Material Traces and Architectural Ruins in the Films of Alain Resnais – Paige Rozanski, May 2008
“The Good Daughter, the Good Wife and Mother”: Eleanor Antin’s Domestic Peace – Romy Silver, May 2008
Graffiti Art in and Institutional Setting – Rebecca Tilghman, May 2008
On Mechinic Logic: Rodney Graham’s Book, Camera and Film Works – Adam Welch, May 2008
The Influence of Fish Tails on the Breaking Waves (Curatorial Show) – Irina Zucca Alessandrelli, May 2008
[ View a list of
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