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The Icon and the Relic: James Welling and the Utopian Origins of Photography – Adrian Anagnost, February 2007
The Return of the Aura: The Impact of Digital Technology on the Photographic Practice of Contemporary Artists – Lorraine Audric, May 2007
“An Engraving on the Soul”: Philippe de Champaigne’s ‘Ex-Voto of 1662’ – Alexandra Bonfante-Warren, February 2007
Jean Nouvel’s l’Institut du Monde Arabe and the Persistence of Arab Immigrant Identity – Karen Bookatz, February 2007
The Dating Show – Emma Braso, May 2007
Living Histories: Reenactment and Resistance in the Work of Jeremy Deller, Sharon Hayes, and John Malpede – Amy Canonico, May 2007
De-Centered Subjectivity: Anonymity, Pseudonymity, and Collective Identity – Julia Chang, May 2007
The Urban Fantastic: The City Re-Imagined in Contemporary Photography and Video from China – Marina Chao, May 2007
Judi Werthein and the Magic Sneakers – Nicole Cosgrove, May 2007
Lygia Clark’s Anthropophagy in ‘Anthropophagic Drool’ and ‘Cannigalism’ – Lainor DaCunha, May 2007
The Flesh Profits Nothing: Holbein’s ‘Dead Christ’ and the Reformation – Eva Gardner, October 2006
‘The Icebergs’ Amended: Filling the Void in Church’s Great Picture – Jane Innis, May 2007
A Thesis for Burning – Esther Kim, May 2007
The Dating Show – Daniel Leers, May 2007
The Dating Show – Margot Norton, May 2007
The Pavilion at Pressa: El Lissitzky’s Conception of Space and Politics – Molly Pryor, October 2006
Bosch’s Metapictures: ‘Showing’ as a way of Picturing – Lelia Scheaua, May 2007
Michelangelo’s ‘Concetto’ – Beatrice Tolidjian, February 2007
Staging the Self, Setting the Agenda: Self-Portrait as Strategy in the Works of Nikki S. Lee, Yinka Shonibare, and Zhang Huan – Sarah Urist, May 2007
Vorticism and the Feminine: Seizing the Machine and Urban Space – Sarah Jane Woolley, May 2007
Dispelling Mao’s Shadow: Three Contemporary Chinese Artists Neutralize the Pervasive Influence of the Chairman – Rachel Worrell, May 2007
[ View a list of
past MA Theses
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