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			ARTICLES Patricia Akhimie "Strange Episodes: Race in Stage History," in Shakespeare, Race and Performance, special issue of Shakespeare Bulletin 27.3 (Fall 2009): 363-76. "Travel, Drama, and Domesticity: Staging Huswifery in Fletcher and Massinger's The Sea Voyage," in Early Modern Travel Writing, special issue of Studies in Travel Writing 13.2 (June 2009): 153-66. Gania Barlow "A Thrifty Tale: Narrative Authority and the Competing Values of the Man of Law's Tale," Chaucer Review 44.4 (2010). Cat Bohannon "Science Goes Hollywood." Science 4 Dec. 2009: 1348 - 1349 "Shipwreck." The Best American Nonrequired Reading 2006. Ed. Dave Eggers. New York: Houghton Mifflin, 2006. Mbongiseni Buthelezi "Praise, politics, performance: from Zulu izibongo to the Zionists," in The Cambridge History of South African Literature (Cambridge University Press), eds. Derek Attridge and David Attwell, forthcoming 2010. "The Empire Talks Back: Re-examining the Legacies of Shaka and Zulu Power in Post-apartheid South Africa," in Zulu Identities: Being Zulu, Past and Present, eds. Benedict Carton, John Laband and Jabulani Sithole (University of KwaZulu-Natal Press). 2008. "A Brazilian Theatre Model Meets Zulu Performance Conventions: Westville Prison," co-authored with Chris Hurs, in Current Writing: Text and Reception in Southern Africa 15.1 (2003). E. Efe Cakmak "Kuresel Ingilizce/Laik Dil" [Global English/Secular Language], Varlik Dergisi November 2008: 3-6. “Toren/Ceremony,” Mots Croisés/Crossxwords Sep. 2008: 3+. “I dubbi qui su quell’emendamento,” Reset 106 March-April 2008: 71-72. “Oh Balmy Breath: A Tribute to Hrant Dink.” Eurozine. Ed. Carl Henrik Frederikson. European Network for Cultural Journals. 12 Feb. 2007. <http://www.eurozine.com/articles/2007-02-12-cakmak-en.html>. (Translated into French, German, Turkish and Armenian). Emily Cersonksy "From Japonism to The Lighthouse," Paroles, Textes et images: Formes et pouvoirs de l'imaginaire, ed. Jean-Francois Chassay and Bertrand Gervaise, Figura 19.1 (2008), pp. 87-105. Jean-Christophe Cloutier “The Comic-Book World of Ralph Ellison’s Invisible Man,” forthcoming in NOVEL: A forum on fiction 43.2 (Summer 2010). Anne Diebel "'The Dreary Duty': Henry James, The Yellow Book, and Literary Personality," The Henry James Review 32.1 (Winter 2011): 45-59. Arden Hegele “Identifying Jane Austen’s ‘Boarding-school’: A Proposed Author for The Governess; or, the Boarding School Dissected.” Persuasions 2009 (31): 175-179. “‘So she has been educated by a vulgar, silly, conceited French governess!’ Social anxieties, satirical portraits, and the eighteenth-century French instructor.” Gender and Education (2011). 20 Jan. 2011. * <http://www.informaworld.com/10.1080/09540253.2010.490204< http://www.informaworld.com/10.1080/09540253.2010.490204> Daniel Larlham "Dancing Pina Bausch," TDR: The Journal of Performance Studies* 54.1 (Winter 2010). "Journeys into the South African Psyche: Brett Bailey and Third World Bunfight." Yale Theater 39.1 (Winter 2009): 6-27. Bryan Lowrance Book Review of Paul A. Kottman, 'A Politics of the Scene,' Stanford UP 2008, in Textual Practice 23(4), 2009, 665-696. Rashmi Sahni "'...the collision is still happening' : Genealogies of the Present in `Shalimar the Clown,'" in Rushdie the Novelist: From Grimus to the Enchantress of Florence, Meenakshi Bharat. Pencraft International. New Orientations Series. Delhi, 2009. Joanna Scutts "The Burial of the Dead: Battlefield Cemeteries, Pilgrimage, and Literature after World War One," English Literature in Transition 52:4 (August 2009): 387-416. "Contemporary Approaches to the Literature of the First World War: A Critical Survey," Literature Compass 3:4 (June 2006): 914-923 Accompanying "Teaching & Learning Guide," Literature Compass 6:2 (Feb 2009): 565-571. "A Breaking Point? The Position of the First World War in Literary History," Bridges: An Interdisciplinary Journal of Theology, Philosophy, History & Science 12 (2005): 79-95. Alexis Soloski "American Theaters Reflect on the Events of September 11," Theater 32.1 (2002): 1-21. Kate Stanley "Henry James's Syntax of Surprise." Henry James Review (forthcoming). "Fault Lines." Women's Studies Quarterly: Witness, eds. Irene Kacandes and Kathryn Abrams, 36: 1-2 (Spring/Summer 2008). Jessica E. Teague "The Recording Studio on Stage: Liveness in Ma Rainey's Black Bottom." American Quarterly 63.3 (2011): 555-571. Sonali Thakkar "Under Western Eyes: Into the Heart of Africa, Colonial Ethnographic Display, and the Politics of Multiculturalism." In The Politics of Reconciliation in Multicultural Societies, eds. Will Kymlicka and Bashir Bashir. Oxford University Press, 2008. "The Knitting Lesson," Women's Studies Quarterly: Witness, eds. Irene Kacandes and Kathryn Abrams, 36: 1-2 (Spring/Summer 2008), 174-180. Audrey Walton "The Mendicant Margery: Margery Kempe, Mary Magdalene, and the Noli Me Tangere," Mystics Quarterly.