[Fall 2006]
ENGL W4402x Romantic Poetry

Prof. Erik Gray

The movement in European art and thought known as Romanticism arose as both a product of and a reaction against the Enlightenment of the eighteenth century. This course begins with an overview of the philosophical and historical forces that particularly influenced this new movement, above all the French Revolution and its aftermath. As we delve further and further into the English poetry of this period, we will discover the many ways in which the major authors took old forms that they had inherited and made them new. Nowhere is this more evident than in the reflorescence of the many genres that characterize British Romantic poetry: narrative Romance, which gives the movement its name and which looks backwards for its inspiration; epic (like Wordsworth's Prelude), which defies all precedent by looking inward; and the sonnet, equally defiant in looking outward, to politics, for its subject matter. Concluding with the deaths of Keats, Shelley, and Byron in the early 1820s, the course covers the thirty-five years of greatest formal and thematic innovation in the scope of British poetry.
WEEKLY SYLLABUS

All readings, except those marked "handout" are to be found in Romanticism: An Anthology, ed. Duncan Wu. Parenthetical numbers refer to pages in the anthology.

WEEK 1: Background to Romanticism; poems by Milton, Johnson, and Gray (handout)

WEEK 2: Blake, Innocence and Experience, Marriage of Heaven and Hell

WEEK 3: Wordsworth and Coleridge, Lyrical Ballads, with Preface

WEEK 4: Coleridge, Ancient Mariner, lyrics; Hazlitt, "Coleridge"

WEEK 5: Coleridge, Christabel, Dejection; Wordsworth, Ode

WEEK 6: Wordsworth, Prelude

WEEK 7: Wordsworth, Sonnets and Elegies

WEEK 8: Byron, Childe Harold's Pilgrimage, Canto I (handout), Manfred

WEEK 9: Byron, Don Juan, Cantos I-II

WEEK 10: Shelley, A Defence of Poetry, Major lyrics

WEEK 11: Shelley, Alastor; Epipsychidion (handout)

WEEK 12: Keats, Isabella, Eve of St. Agnes, Odes, letters

WEEK 13: Keats, Lamia, Hyperion, Fall of Hyperion, letters

 
REQUIREMENTS

— Two midterm tests: 15% each
— Two 5-6 page papers: 25% each
— Final exam: 20%