Philip Watts 1961-2013
The French department is deeply saddened by the loss of Phil Watts, 52, who died at his home in Morningside Heights, New York, on Saturday, July 20, 2013. Phil Watts was a beloved member of the Columbia community and is dearly missed by the many people who had the opportunity to work with him. His warmth, generosity, intelligence, erudition, sense of humor, and tact were unparalleled. A memorial service was held in St. Paul's Chapel of Columbia University on Monday, September 9, 2013 (see the memorial service program). He is survived by his wife, Sophie Queuniet, also a faculty member in the French department, and two young daughters, Madeleine and Louise.
Phil Watts received his BA in 1982, from the University of California, Santa Barbara, and his PhD from Columbia in 1991. From 1992 to 2006 he taught at the University of Pittsburgh, where he became Chair of the department of French and Italian. In 2007 he returned to Columbia, where he was Professor of French. As Chair from 2008 to 2012, he led the department with intellectual rigor and professional dedication and, above all, with a deep sense of humanity.
A specialist of twentieth-century French literature and film, he published on numerous subjects in this area. His first book Allegories of the Purge: How Literature Responded to the Postwar Trials of Writers and Intellectuals in France (Stanford University Press, 1999) was awarded the Aldo and Jeanne Scaglione Prize. He then continued to study how literature and film participate in democratic formations, and he published articles on Jean Genet, Jacques Rancière, Roland Barthes and film, Jacques Rivette and the Cold War, and the films of Jean-Marie Straub and Danièle Huillet. With Gabriel Rockhill, he co-edited Jacques Rancière: History, Politics, Aesthetics (Duke University press, 2009) and with Joe Golsan, an issue of Yale French Studies entitled Literature and History: Around Suite Française and Les Bienveillantes (Yale University Press, 2012) .
At the time of his death, Phil Watts was working on two different projects. The first one, Remnants of Tragedy, focused on the persistence of archaic forms in postwar French literature and film; part of this was published in the Yale French Studies (121, 2012). The second one, Roland Barthes’s Cinema, will be published in 2015 by a group of colleagues and friends based on the manuscript he left. It will include an interview with Jacques Rancière and will be published in English by Oxford University Press, and in French by the Editions de l'Incidence.
In addition to his book on Roland Barthes, a special double issue of the Romanic Review (105.1-2) has been published in tribute to Phil Watts’s work.
Books and edited volumes
Literature and History: Around Suite Française and Les Bienveillantes, Yale French studies, 121, 2012 (co-edited with Joe Golsan)
Jacques Rancière: History, Politics, Aesthetics, Duke University Press, 2009 (co-edited with Gabriel Rockhill)
Allegories of the Purge: How Literature Responded to the Postwar Trials of Writers and Intellectuals in France, Stanford University Press, 1999
“Remnants of Tragedy”, Yale French Studies, 121, 2012
“Rififi and the Politics of Silence”, L'Esprit Créateur, vol. 51, no. 3, Fall 2011
“Camus and Film”, in Thomas Bishop & Coralie Girard (ed.), Camus Now, The Florence Gould Lectures at New York University, volume XII, Winter 2010-2011
“Godard’s War”, L’Esprit Créateur, Vol. 50, no. 4, Winter 2010
“The Eloquent Image: The Postwar Mission of Film and Criticism”, in Dudley Andrew (ed.), Opening Bazin: Postwar Film Theory and Its Afterlife (Oxford: Oxford University Press, 2010)
“Heretical History and the Poetics of Knowledge” in Gabriel Rockhill & Philip Watts (ed.), Jacques Rancière: Key Concepts (Durham, UK: Acumen, 2010)
“gillesdeleuzerolandbarthes. Cours croisés, pensées parallèles”, co-authored with Yves Citton in La Revue internationale des livres (No. 6: July-August 2008)
“Aeschylus Soup”, Contemporary French Civilization (Vol. 32, no.2: 2008)
“Sartre’s Republic, 1953”, Nottingham French Studies (Vol. 45, no.2: 2006)
“Roland Barthes’s Cold War Cinema”, SubStance, #108, (Vol.34, no.3: 2005)