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Romanic Review 101.4 – Nov. 2010

Andrea Valentini, Gui de Mori etait-il misogyne ?

Kathleen Bachynski, Le Vain Bastiment: Human Systems and Philosophy in Montaigne’s Apologie de Raimond Sebond

Eric McPhail, Praising the Past: Novelty and Nostalgia in Machiavelli, Castiglione, and Montaigne

Bernd Renner, Rire et satire à l’aube des guerres civiles: l’exemple des Satyres chrestiennes de la cuisine papale

Thomas Wynn, The problem of names and subjectivity in Corneille’s Rodogune

Peter Shoemaker, The Furniture of Narrative in Crébillon’s Le Sopha and Laclos’s Les Liaisons dangereuses

Elena Russo, The Naked Philosophe and the Shameless Prussian: Diderot’s Portrait Sitting

Marco Nuti, Alchimies visuelles dans les contes de Théophile Gautier

Stamos Metzidakis and Marie-Christine Clemente, Au coeur de l’esthétique baudelairienne: “Thyrse et Caducée”

Charles Baudelaire, “Exotic Perfume” and ”Giantesse” Translations by Grover Amen

William Olmsted, Emma versus the Proprieties: Censorship, Self-censorship and Revision in Madame Bovary

Dorian Bell, Maupassant and the Limits of the Self

Michael A. Gomez, The Broken Mirror: Reflections of Nietzsche in Unamunian Views of Art and the Imagination

Cary Howie, Wait and See: The Ignorant Fairies of Marie de France and Ferzan Ozpetek

Kevin B. Reynolds, Il Berta e Milon e il Rolandin del Codice Marciano XIII: Un’analisi del Testo e il problema della nascità di Orlando

 

BOOK REVIEWS

Lewis C Seifert. Manning the Margins: Masculinity and Writing in Seventeenth-Century France. (MICHAEL MEERE)

Jean-Louis Jeannelle. Ecrire ses mémoires au XXe siècle - Déclin et renouveau. (ANN JEFFERSON)

Valérie Michelet Jacquod. Le Roman symboliste: un art de l’“extrême conscience.” (ANDREA THOMAS)

Suzanne Thiolier-Méjean, L'Archet et le lutrin, enseignement et foi dans la poésie médiévale d'Oc. (NATHANIEL RUDAVSKY-BRODY)

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