Rime Giovanili e della Vita Nuova
Rime Giovanili e della Vita Nuova
Il nome di Dante è nel pensiero di molti indissolubilmente legato al titolo della sua opera maggiore: la Divina Commedia. È facile dimenticare che il grande poema fu solo il punto d'arrivo di un percorso iniziato nella prima giovinezza. Leggere le Rime, dai sonetti giovanili alla vitalistica esuberanza di Sonar bracchetti e alle atmosfere oniriche di Guido, i' vorrei fino alle liriche poi raccolte nella Vita Nuova, come Donne ch'avete e Tanto...
Petrarch and the Textual Origins of Interpretation
Dante and the Origins of Italian Literary Culture
In this book, Teodolinda Barolini explores the sources of Italian literary culture in the figures of its lyric poets and its “three crowns”: Dante, Petrarch, and Boccaccio...
Winner of the 2007 Premio Flaiano in italianistica
Review in June 2007 Issue of CHOICE
Review in Renaissance Quarterly Vol. LX, Number 3, Fall 2007
Dante for the New Millennium
The twenty-five original essays in this remarkable book constitute both
a state-of-the-art survey of Dante scholarship and a detailed manifesto
for new understanding of one of the world's great poets...
The Undivine Comedy:Detheologizing Dante
Accepting Dante's prophetic truth claims on their terms, Teodolinda
Barolini proposes a "detheologized" reading as a global new approach to
the Divine Comedy. Not aimed at excising theological concerns from
Dante, this approach instead attempts to break out of the hermeneutic
guidelines that Dante structured into his poem...
One of The Guardian's Top Ten Books for Dante Lovers...
La "Commedia" senza Dio: Dante e la creazione di una realtà virtuale
In una dialettica tra credere e non credere, Teodolinda Barolini
analizza, partendo da Auerbach e Nardi, la retorica del vero dantesca
che, sul piano della finzione narrativa, sostituisce Dio come garante
della verità...
Dante's Poets: Textuality and Truth in the Comedy
By systematically analyzing Dante's attitudes toward the poets who
appear throughout his texts, Teodolinda Barolini examines his beliefs
about the limits and purposes of textuality and, most crucially, its
relationship to truth...
Il Miglior Fabbro: Dante e i Poeti Della Commedia
Nell’atteggiamento di Dante verso i poeti c’è molto più della libertà
di giudizio riconosciutagli dai contemporanei: ci sono, decifrabili
come i segni che le anime c ompongono nel cielo di Giove, i tratti di
una ideale autobiografia poetica. Il suo testo è la Commedia...
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22. “Dante and Cavalcanti (On Making Distinctions in Matters of Love): Inferno 5 in its Lyric Context.” Dante Studies 116 (1998): 31-63.
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30. “Beyond (Courtly) Dualism: Thinking about Gender in Dante’s Lyrics.” In Dante for the New Millennium. Eds. Teodolinda Barolini and H.Wayne Storey. New York: Fordham University Press, 2003. Pp. 65-89.
31. “Saggio di un nuovo commento alle Rime di Dante. 1. La dispietata mente che pur mira: l’io al crocevia di memoria e disio; 2. Sonar bracchetti e cacciatori aizzare: l’io diviso tra mondo maschile e mondo femminile; 3. Guido, i’ vorrei che tu e Lippo ed io: l’io e l’incanto della non-differenza.” Dante: Rivista internazionale di studi danteschi 1 (2004): 21-38.
32. “Editing Dante’s Lyrics and Italian Cultural History: Dante, Boccaccio, Petrarca . . . Barbi, Contini, Foster-Boyde, De Robertis.” Lettere Italiane 56 (2004): 509-542.
33. “Introduction.” Medieval Constructions in Gender and Identity: Essays in Honor of Joan M. Ferrante. Ed. Teodolinda Barolini. Tempe: Arizona Center for Medieval and Renaissance Studies, 2005. Pp. 1-10.
34. “Lifting the Veil? Notes toward a Gendered History of Italian Literature.” Medieval Constructions in Gender and Identity: Essays in Honor of Joan M. Ferrante. Ed. Teodolinda Barolini. Tempe: Arizona Center for Medieval and Renaissance Studies, 2005. Pp. 169-191.
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38. “Introduction.” Petrarch and the Textual Origins of Interpretation. Eds. Teodolinda Barolini and H. Wayne Storey. Columbia Studies in the Classical Tradition. Leiden: Brill, 2007.
39. “Petrarch at the Crossroads of Hermeneutics and Philology:
Editorial Lapses, Narrative Impositions, and Wilkins’ Doctrine of the
Nine Forms of the Rerum vulgarium fragmenta.” Petrarch and the Textual
Origins of Interpretation. Eds. Teodolinda Barolini and H. Wayne
Storey. Columbia Studies in the Classical Tradition. Leiden: Brill, 2007.
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41. “Petrarch as the Metaphysical Poet Who Is Not Dante: Metaphysical
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Dame University Press. Forthcoming.