From cwd3@COLUMBIA.EDU Tue Oct 26 10:13:46 1999 Date: Thu, 13 May 1999 08:00:59 -0400 From: Consuelo W Dutschke Reply-To: TEI Medieval Manuscripts Description Work Group To: TEI-MMSS@LISTSERV.UIC.EDU Subject: draft-Rome minutes TEI Work Group for Description of Medieval Manuscripts MINUTES Vatican City, Biblioteca Apostolica Vaticana, Sala della Biblioteca Barberini 5-7 March 1999 Under the auspices of Don Raffaele Farina, Prefect, and with welcome also by Don Jorge Maria Nejķa Present (at one time or another): Marco Buonocore (BAV) Lou Burnard (TEI) Francesco D'Aiuto (BAV) Matthew Driscoll (MASTER) Consuelo Dutschke (TEI) Marco Jennarelli (Universitą dell'Insubria) Salvatore Lilla (BAV) Antonio Manfredi (BAV) Eva Nylander (TEI) Don Cesare Pasini (Biblioteca Ambrosiana) Ambrogio Piazzoni (TEI) Merrilee Proffitt (TEI) Paolo Vian (BAV) Paul Weston (BAV) Agenda 1. Welcome 2. Introductions 3. Discussion of the proposed DTD 3.1. Decoration 3.2. Other asterisked points in order of occurrence 4. Plans for writing documentation 5. Coordination with MASTER 6. Business 6.1. Reimbursement forms 6.2. Next TEI WG meeting Minutes are a slightly edited version of the careful notes kept by MP during the discussions: thank you, MP!! 5 March 1999 Decoration Start with decoration because it's been so problematic. PK lays out five major breakdowns: --miniatures --initials --borders --secondary decoration --diagrams each of which can carry four attributes (discussion of their values postponed): --type --size --technique --quality with two optional subelements: --figurative --non-figurative Discussion of quality as an attribute, with people perhaps feeling uneasy about having a non-fixed list. The same is true with "size" since it could be measurements, or free text like "full page miniatures," or number of lines for initials. AP: divide between illustration and ornamentation. Illustration is ancient way of decorating, is part of the text, it says something. The other, ornamentation (such as initials) comes later. Another way would be to say two colors, or three colors, etc. LB: "deep confusion between text of description and the thing being described." "How to organize the prose." Dividing the prose, or subdividing it, is a different problem than identifying components within this (such as ). Identify decorative components with type = "miniatures" "initials" "borders" "secondaryDec" "diagrams" (in other words, rather than the five elements above, treat them all as attributes to the element ). LB: bring back from Oxford DTD (which can refer to a typology such as Iconclass); general agreement to this. AM: a list provided to cataloguer would be helpful. LB: yes, we can have that, but at what level. So instead of subdividing at a higher level, one would mark elements within the prose itself. Separate list of things that could appear everywhere internal to

in the "manuscript broth": [this list in fact compiled gradually over the days of discussion but assembled here at one point for convenience:] or subdivisions within this which we've talked about before? Country, region, city, etc. who is responsible for something intellectually? attribution by?

with "role" attribute as to scribe/artist/binder LB: element which could contain BUT only if these things are ALWAYS together. More on decoration: the attribute "technique" for example: allow use limited to one's own list? But then what good is it for researchers in general if everyone has their own list of attributes? Come up with a list of things which should be access points. These should be either elements or attributes. AP: stay close to the surface, because the deeper we go, the further we can lead people astray. What to do with rubrication within decoration? This is only the material or execution of the rubrication. Other information about the rubrication goes into information about the text. 95% of manuscripts are not decorated. Rubrication will be dealt with as secondary decoration. Decoration contains all decoration. Decorated catchwords, for example, if they are worthy of note, should be described here. Physical Description EN handed out her prepared list (see Appendix): 1. Support 2. Extent and foliation 3. Dimensions 4. Collation 5. Catchwords 6. Quire/leaf signatures 7. Layout 8. Binding This was followed in the discussion in essential accord with her work conceptually and structurally. Some of the comments included: --re n. 1, Support: 1. type and watermarks as attributes 2. palimpsest should be listed under support (but their texts should be discussed as separate parts) --re n. 2, Foliation: 1. separate from Extent and place under along with items such as column numbers, Oxford line numbers, text finders, running heads --re n. 4, Collation: 1. proposed to structure the actual schema as --re n. 5, Catchwords: 1. attributes with fixed values (horizontal/vertical/up-down/down-up/unknown with the last as default?) for catchwords 2. decoration on a catchword, if significant enough to be mention, should be discussed in the context of the Decoration, rather than under Collation --re n. 7, Layout: 1. handle number of columns/lines as attributes 2. and/or LAYOUT from Eva's list: pricking, position, technique, number of columns, ruling, medium, ruled space, number of lines. LB: Oxford DTD proposes with type=leaf, ruled, pricked, written. Within this, elements height, width, depth(!?!), with attributes unit, scope (all, must, range). AP: grouping support with leaf dimension, etc. perhaps should be part of the broth. This was decided to be a fine idea. Attributes: columns, lines. How to deal with lines? LB: 42 MD: 42 --re n. 8, Binding: 1. note that dimensions were proposed for thickness (as well as height and width) 2. need indication of binder added to present list 3. add style/type of binding, tagged as , e.g. legatura alla greca, Grolier, a la fanfare 4. attributes of date/contemporary for the binding Digression: back to agenda in following through the order of the description: The Parts are changed to . CP wants available here but the option was rejected (again). Use

rather than . As per later discussion, added as a separate element. AP: an interesting access point, for example all the texts of Augustine with marginalia. Casual, not a glossed text (which is a recognized text). Can indicate provenance, can be illustration, can be text. MP: maybe this should be part of our broth. After much discussion, it winds up as broth or a brothy thing. 6 March 1999