Wid's year book

([New York :  Wid's Films and Film Folks]  )

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                       The    Coming   Year

    Despite summer depression, optimism is the keynote for the future as indicated by

the following expressions from the leading executives of the industry in response to an

inquiry for their opinion on "What of the Coming Year."
 

               Cole  Optimistic

   While  conditions are certainly very  unsatis¬

 factory  at  the  present  time, it is  my  personal

 opinion  that during the  summer months they

 will  have reached their lowest  level,  and with

 all indication's  pointing to production  schedules

■ being more in  proportion to the actual demand

 for  the  productions,  I believe that beginning

 with  the fall  season  there  will be an  active

 demand  for  films,  and that prices in propor¬

 tion  to   the  value  of  the product   will  be ob¬

 tainable  from exhibitors.

                  . R-C PICTURES  CORP.,

                        R.  S. Cole,  President.



            Return  to Normalcy

   I  think  that the coming year  is  going  to

 bring a  complete  return  to normal conditions

 and  a  reduction  in   the  number   of pictures

 made by each independent star and  producer to

 provide  the added  time necessary for maintain¬

 ing  the  degree  of  quality  demanded by the

 public,

                        J. D, WIT.T/fAMS,

                             Asso.  First Natl.



               Who Can Tell?

   The fellow' who  can  tell what w*ill happen in

 the motion picture business in  the next year

 is  smarter  than I am.  Business  will  either

 be good  or it 'will  be  bad.   It  will be good  if

 optimism prevails;  it will  be bad if pessimism

 continues.   Confidence  of  the   people  engaged

 in  any  business is the  surest tonic for its

 growth and  success.   At  the  present writing

 it looks  like  too much pessimism.

                         C. C.  PETTIJOHN.



             Sees  Silver Lining

   We have just emerged from  the  poorest, sea¬

 son in motion  picture  industry, as  experienced.

 However,  I can  sec  the  silver lining  in the

 clouds and feel satisfied that the coming year

 will  show great improvement, although we can

 not expect to  see the  business  as  good  as it

 was  two  years  ago. - Recovery  is bound  to  be

 gradual.

                          VICTOR KREMER.



                Not a.Guesser

   My viewpoint of the   coming  year  would

 necessarilly be  guess  work  and I am  not  a

 good guesser.   Our business in  general will re¬

 flect,  very  largely,  the  industrial^ and commer¬

 cial situation ol the country, and in my_ opinion,

 it  will take at least a year to stabilize  these

 conditions.

                        WM.  A. JOHNSTON.



             Survival  of Fittest

   The coming  year will  see  "the   survival  of

 the fittest."  The producers who can make the

 best  pictures, and the  exhibitors who  arc the

 real  showmen will be the ones to survive.

   The present depression is the best thing that

 ever  happened,  because  producers  and  exhibi¬

 tors  were pyramiding  to the point  beyond the

 possibility of success.  We have all  gone  crazy,

 and  we  are going  to realise  after  all, that

 "pictures are  pictures," and there  is  just  so

 much and no more.

                          F. j.  REMBUSCH.



       Handwriting Is On the Wall

   The handwriting  on  the wall plainly  indi-

 cates^ that  "the time  for  thinkers  has come."

 I believe  the  coming year will  see the doom  of

 the mechanically gorgeous  picture and the pros¬

 perity of  those  with big ideas behind them.

                         ASHLEY  MILLER.
 

        Banking Plus Distribution

  The Industrial year  in motion  pictures  be¬

ginning in September,  1921, is going  to  bring

the bankers  and financiers who have  put mil¬

lions  of dollars into production  and distribution

to their senses.

  In  the  past  bankers  and   financiers  have

ignored the  biggest  element  in this industry-

Skilled distribution and  merchandising  is  today

the biggest  and  most  important  phase of  the

motion  picture  business.   Sane operation  has

been  utterly lacking.    The  men  who  have

poured untold fortunes  into distribution deficits

will in the coming  year realize  more than ever

before that  distribution is a specialists'  func¬

tion  and the financiers who have  .financed pro¬

duction henceforth  are  going  to  know in  ad¬

vance  that the producers  whom  they finance

are committed  to a sane, temporate and  capa¬

ble  distribution organization.  From  a.banker's

standpoint  the maintenance of a dozen  or  more

national distributing systems in the motion pic¬

ture  industry—three-quarters  of which are  in¬

efficient  and wasteful—is  criminal  and  inde¬

fensible.

  This industry is heading rapidly to the  point

where  all  of the national distribution of  the

fifteen existing companies can  be  and  will be

handled by not more than three, national dis¬

tributing  organizations.   The  men now  oper¬

ating  inefficient distributions will bitterly  resist

this  change but they will he  overruled by  the

bankers who financed their companies  who  are

going to no  longer tolerate the duplications of
 

         Lichtman Apprehensive

  I am looking forward to the  coming year, in

the picture business, with  a great  deal "of  ap¬

prehension, because  I  feel  that  the  present

haphazard,  cut-throat  method  of  distribution

and  of buying  pictures has  about  reached  its

limit, and  unless exhihitorSj producers'arid dis¬

tributors  realize—and  realize  quickly—that  a

constructive  plan whereby only the  best  pic¬

tures can play the  best theatres and play them

upon   an  equitable  basis,  and  pictures  of an

inferior grade  are  relegated to  cheaper houses

regardless _ of  who  made  the pictures or  who

may  distribute  them,  the industry will  meet

with  conditions from which it  will be difficult

to recover.

  Everyone must realize  that the picture  busi¬

ness  has enjoyed  abnormal  prosperity during

the  war period, and  particularly  for a  little

over  a year after the  signing of the armistice.

the picture business is no longer  a war baby,

and the industry must adjust itself to normalcy.

  To  my mind,  the thing  that will bring about

readjustment  quicker  than anything  else,  and

the thing that will at  the same time bring  the

crowds back to  our theatres, will be an absolute

open  market that will give the utmost incentive

to our creators  of  great  pictures to  do  their

level  best.   When the pictures are  created they

must  be given  a free  opportunity  to play  the

best  theatres  upon  equitable terms; the system

of forcing... inferior  production  into first-class

houses, just because somebody controls  the best

house and  with  it controls certain  films,  will

stagnate  the  picture business and  kill all  in¬

centive for the  creators  of the  best  motion

pictures to do their level best.

                       «'AL" LICHTMAN,

                 Gen. Mgr., Asso. Producers-
 

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