Wid's year book

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Censorship
 

     Many interesting views  on  this most  important  topic, a  large  number  of which

indicate a drift toward national censorship.  Expressions from  many  prominent leaders

of the industry.
 

                 Sure to Come

    Censorship is, as  sure to come as prohibition.

  The national heads of this  industry should go

  to it,  if  not already,  working  to  the  opinions

  of the  ruling  intellectual  elements  in  this

  U. S.  A.

                      . E. V.  RICHARDS,

        Vice-President and General Manager,

              h  Saenger Amusement Co.,  Inc.



          Industry Must  Organize

    T believe  if this  industry  were  properly  or¬

  ganized within itself to combat  outside attacks,

  censorship  legislation  would  be impossible  of

  enactment.   If legislative bodies make as much

  progress with censorship  as the,y  have in  the .

  past year,  the future of our business will stand

  in  great jeopardy, and may  even  face absolute

 ,ruin.   I urge  all people  engaged  in this busi-

*  ness to organize into a national body, and only

  for the purpose'  of-  combating censorship legis¬

  lation,  and" to,  fight  for   the  repeal  of   the

  menacing  statutes  that  now stand upon   the

  books  of many state  and municipal legislative'

  bodies.

    If the factors  in the industry cannot agree

  upon anything else,  this is one thing they must

  agree  upon,  to  save  the   business from   the

  people  who are seeking to  destroy  it.

                        "AL"  LICHTMAN,

                  Gen.  Mgr.,  Asso.  Producers.



                  Abhorrent      ;

   Censorship in  any form is abhorrent  to  one

 who believes in freedom of speech  and  press—

 and the freedom  of the theatre to  develop  its

 own art.   We have censorship in  New York

 How it will' work out only a prophet can tell.

 And I  am  no prophet.

                       HUGO RIESENFELD.



             Educate  the Public

   The  fight  against censorship has been from

 the wrong  angle.   The  public  do not  know

 what  it  is  all  about.   Take any   ten  liberal

 minded  persons  who  do  not  understand  the

 question and" ask  them about censorship, they

 will-say: "'Oh! I  guess it is  alright," hut when

 you finally convince them  of its Un-American,

 unfair and  dangerous practice, they will say—

 "'NO!  We  don't  want it."

   In Indiana, for six  years   I have met with

 those who  were  interested  in better pictures,

 and- showed them the evils  of  censorship and

 the good of endorsing better pictures, and  we

won, because people know the evils of censor¬

ship,

   So, the whole thing  is  summed tip that  you

will have to educate the public against censor-

ship, and  then there will  not be  any censor¬

ship.

   We  need  men  with   ideas   and gilts  to  put

them over.               F.  J. REMBUSCH.



      Its  Great Power, the Danger

 .  The  real  danger  of censorship   is in  the

manner in  which it is handled, for it is  a very

difficult 'matter for any  few  individuals  to  he

competent  to  judge  what  will  appeal to  the

general  public and just what  should be  elimi¬

nated, as it  comes down to  a question of per¬

sonal opinion  of  a .few individuals.  Further

more, the  danger  of censorship  is   the  great

power which  is transmitted  to  a few,  and  if

not properly handled would  open the doors  to

a  serious condition and  place producers in  a

position  that they  would  have  no  assurance

that almost  every  production would be  cen¬

sored in such a way as to  impair  its selling

value and  discourage the continuation of  the

large amounts  continuously   invested  in  the

making  of  productions.   Under  this heading
 

   might also be  considered  the  attitude in  con¬

   nection  with  censorship  for  which  the  pro¬

   ducers  are not responsible, in  that certain  ex¬

   hibitors,  catering  to  sensationalism,  have,  in

   the  exploitation of  productions,  invited  criti¬

   cisms   which  the  production   itself  has   not

   justly  deserved.1

                     R-C  PICTURES CORP.,

                         R.  S. Cole,  President.



                Up to Exhibitors

     Censorship  will exist until  the exhibitors  in

   the  country become seriously interested  in  its

   solution  and turn their screens to good account

  • in  combating  the  political  and  ultra  reform

   elements  and  their  candidates  who  have  es¬

   tablished it,              J. D.  WILLIAMS.



             One Set of Standards

     Everybody in the  industry has  a solution  of

   the  censorship  question.   With New  York a

   censorship  'state and with  Massachusetts  vot¬

   ing  on  the referendum and  possibly joining

   hands  with Kansas,  Pennsylvania,  Maryland

   and  Ohio, and considering the  further  fact that

   the  territory  distributed from  shipping points

  in these states  and_ the city of  Chicago, which

  also  has  a censorship hoard, we  will have more

  than half of the theatres  in the United States

-   showing_ censored pictures.  There is  no  need

  to deceive  ourselves.   Censorship  has  passed

  the half  way mark  "by states  and municipali¬

  ties."  It is now time to "reform, the reformers"

  and  "censor the censors."   If  more than half

  the  theatres in the  country are showing pic¬

  tures censored  by censnr boards  which do  not

  agree with  each  other and  have different  sets

  of standards; regulations, etc.,  we  may  as  well

  have one national  board with one set of  stand¬

  ards  so that the producer,  distributor  and  ex¬

  hibitor  may know what he  can make, distribute

  and  exhibit, and not be  subject to the whims

  and fancies  of a lot of people who do not  know

  anything  about  pictures  or the  business  in

  general. ■

    I can hear the  old argument  against  a na¬

  tional  board now  sounding in  my ears:  "A

  national board  would  not  do away with  state

  boards and would not prevent other  states "from

  setting up their own  censor  boards."  Of course.

  it would  not.   A national  board  can  not take

  away from  any  state  their right to police regu¬

  lation or their  right  to  set up  an additional

  or different  standard  if they see  fit, but  what

  are we- doing  now  to stop  these other  states

  who do not have censorship in  setting up  more

  hoards.   At  the worst we would  only have one

  more  board  by having a national board and  this

  national  hoard might and would, in my  opinion,

  if it  is  intelligently  handled, stop other  states

  from  passing censorship  laws.  T mean  by this

  board a national board of regulation for  motion

  pictures  for  nuhlic exhibition and  visual" educa¬

  tion.  I  would suggest  a commission  of three

  to be  .appointed  in the same  manner  that Presi¬

  dents of the  United States have appointed other

  commissions.  That,  is, one person to represent

  the government,  one to represent the industry

  affected,  and one to  represent the public.   Let

  this  commission  be  of such  high  character

  that  it  will  naturally  over-shadow  the  set  of

 brains_ which, we  find  on  any ordinary state  or

 municipal  censor board.   Let this' commission,

 which will  have one man from the industry on

 it, work out  a sensible solution,  have it passed

 nationally  and  recommend  if  to the  various

 states.

   President  Hardine  said in  his speech to the

 theatrical  and  motion  picture folk in Marion,

 Ohio,  Ia^t August that in  his opinion "one  set

 of standards wa« sufficient   for  the American

 people."   If  the  President  of the United  States
 

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