Editorial Contents
Page
Americanization Idea in Films.....;-........ 383
A. M. P. A. Officials and Membership...... 491
Australian Theaters and Number of Flaying
. Days.................................... 491
Advertising and Salesmanship. ..-........... 299
Age Limit uf Minors in Theaters............ 327
American Films in Czecho-Slovakia. . . ."..... 285
Argentine................................ 269 <
Assistant Directors Association Membership. 213
Australia ......-................:.......... 251
Belgium .................................. 269
Belgian Renters ......'.................... 251
Belgian Manufacturers ..........:......... 251
Belgian Importers ........................ 251
British Studios ............................ 243
Best Sellers of Year................-....... 495
Buyers in India ..........................-251
Burma'".................................... 275
Bulgaria ....................."......275 and 491
Bibliography—Books and Articles Regarding
the Industry ...........................288b
China ......................".........'..... 271
Copyright ................................. 305
Canadian Ordinances ..................... 327
Censorship- -Conditions by States,.......... 3J3
Companies Making Industrial Pictures...... 390
Directors and Their Productions........... 377
Dutch Producers .......................... 251
English Exchanges......................... 241
English Producer* ........................ 241
Egypt (Cairo) ............................ 271
Excise Taxes . . . .'......................... 307
Far East ................................. 275
Federal Laws and Regulations............. 305
Film Exports for Year Ending June 30. 1920 241
Foreign Market ........................... 239
French Customs Tariff..................... 245
French Censorship ........................ 245
French Renters (Exchanges) and Dealers.... 247
French Producers ......................... 2-17
French Syndicates ......................... 247
French Film Publications .................. 247
French Productions ....................... 247
Films Sent by Mail........................ 305
Film Exchange Association with Officers and
Addresses ............................... 335
Federal Tax and Gross Business............. 335
First Film Made in U. S................... 399
Germany..................................265
Independent Exchanges and Product. Handled 147
Important Industrial Films................. 167
Italian Producers ......................... 249
Italy ..................................... 271
Industrial-Carter Cinema Co. Releases......288a
Important First Run Houses........295 and 481
immoral Films ............................ 305
Industrial and Advertising Film Producers.. 493
Internal Revenue Taxes ................... 309
Important Legal Decisions ................. 329
Important English Theater Circuits......... 251
Import and Export Statistics............... 253
Important Incorporations of the Year....... 277
Japan .................................... 269
Japanese Censorship...................... 335
Legal Holidays in U. S..................... 213
List of Educational Institutions Equipped
with Projection Machines ............... 105
Leading Distributors' Exchange Address.... 139
London Film Importers .................... 243
London Film Exporters................... 245
Loan, Rental or Sale of Films............. 305
Lessees Tax Obligation ................... 309
Laboratories, East and West............... 399
Membership American Society of Cmemato-
graphers ................................ 187
Membership" Theater Owners" Asso. of Cali¬
fornia .................................. 189
"Miracle Man's" Gross
"Up to Tune 1, 1921, "The Miracle Man" had
grossed $1,250,000 with over 7,800 presentations.
Famous Players fully expects the picture to do
another quarter of a million before the present run
of 1920 Year Book
Page
Membership Independent Exhibitors Corp. oi
Washington ............................. }°*
■ M. P. T. O. oi America................. i91
M. P. D. A. Membership.......'......•..... 211
M. P. Art Directors Association............ 2U
Most Important Event of the Year (Comment
of Important Film Folk)................. 227
Mediterranean Conditions -Report from Brit¬
ish" Department of Overseas Trade, London 275
Membership Theater Owners Chamber of Com¬
merce of Greater New York.............. 491
■ N. A. M. P. I..............'................ 293
National Board of Review Selections........ o83
National Motion Picture League—Purposes
and Officials.................-.......... }"
Opinions on Foreign Outlook............... 257
Oiher Proposed Legislation ................ 3°9
Ordinances of Principal Cities of This Country 313
Outlook Regarding Serials ................ 285
Publishers of Tax Free Music.............. 215
Photographs .............................. I80
Percentage Tables of Distribution (American
and Foreign) ........................... 2jj
Paramount^ Foreign Offices ...............- 265
Bureau of Commerce Reports:
Peru ..................................... 269
Prize Fight Films ......................... 305
Protection of the- Uniform-—Army and Navy 307
Proposed Federal Legislation—Censorship. - , 309
Productions of the Year, Including Title,
Name of Releasing Coinpanv, Date of Re¬
lease, Star, Director and Date of Review.. 337
Productions of the Year by Company Release 369
Parcel Post Rates ...:.................... 4-39
Resume and Outlook ..................... 64d
Regarding Pictures in General..............28Kb
Regarding History and Early Experiments. .28Sb.
Regarding Laws and Regulations...........288b
Regarding Plays......................... 289
Regarding Morals and Censorship.......... 289
Regarding Acting ......................... 291
Regarding Photography ................... 291
Regarding Projection ..................... 291
Regarding Music ......................... 291
Regarding Art ............................ 293
Regarding Education ...................... 293
Regarding Biographies ..................... 293
Regulations Regarding Shipment of Films... 307
Raw Stock.............■................... -199
Seating Capacity Broadway Picture Houses.- 1S9
Spanish Producers ..........-............. 249
Switzerland...............................269
State Laws ....................■........... 309
State Rights Releases .................... 375
St. Louis Theater Capacities .............. 383
Stars ami Their Productions................ 385
■ Studios, East and West................... 397
The Short Reel Outlook................... 179
Theater Chains ........................... 193
Towns Booked from Exchange Centers...... 225
Turkey (Constantinople) .................. 271
Tariff Schedule ........................... 307
Taxes on Films ........................... 307
United Kingdom (with Tmport Table)...... 271
What of the Coming Year? (Ideas of Pro¬
ducers, Distributors and Others as to What
] 920-21 Has in Store).................... 217
What of Prohibition? (Impressions on a Most
Important Topic)....................... 233
Women's Clubs........................... 383
Work of Cameramen ...................... 391 ■
Year in Headlines ........................ 65
' Too Late to Classify ...................... 493
■Farley Decision
Additional Independent Exchanges and Pro
ductions Handled
Additional Theater Chains
Additional Comment on Outlook
Pictures in" Schools
Of the 625 school centers recorded in the
"School Center Gazette," issued by ,the Russell
Sage Foundation, 407 have motion picture equip¬
ment. Thousands of schools not listed by the
Sage Foundation also show pictures.
279
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