(24-25) Gauhar Mirza's background r the son of a Navab and Bam
Domni, who lives next to Husaini^s brother. Qauhar
Miraa*s pranks: one day he is thrashed by the Maulvi v«.*,o
is teaching him for throwing his ©hoes in the mosque ta*"; u
He comes home looking terribleis Buoaini takes pity ■
and gets Banno to send him to 'her* Maulvi»
(25-26) After a while, when Umrao is about 13, they start gettir:-r
on well. Both musical, they go round entertaining the
older courtesans. Amir Jan is especially fond of Gcuriii-v
MItzbl^b singing."
(26) Interlude: Amir Jan described when young (verse)i
Umrao and Rusva talk about what has happened to h-
since,
(26«-27) Description of Gauhar Mirsa and his attractive cheekinesB*
(26) Interlude: Rusva hints that he has -known Banno,
(26) Their merry life as children^ visiting the courteBajis*
rooms, being given pcm, sweets, and hookahs to smoke,,
(27-29) Interlude: Rusva asks Umrao when she started to p-" "'
She admits that she has taken opium as a medicine, oui,
has given up wine. This leads to an interchange of
verses on the themes of wine~drinking and the happy day:
of youth*
(29-30) Description of the splendid missl arranged by Khanum for
Bismillah, paid for by Navab Chabban, Bismillah becomes:
his mistreas,
(3O-3I) Interlude: Umrao protests about have to tell Busva ail
about prostitutes, Husva waves her objections '^—' "
saying they are unfitting in an educated woman* Veraes
are again exchanged, leading to Rusva joking about his
'spiritual children' - the numerous poets of Luckno';^ *bij
have adopted his pen-name*
(32) Interlude: Rusva urgeE^ Umrao to continue, citing the
singing of obscene wedding-songs as a precedent: this
i8 briefly discussed*
(32-34) Khureshid and Amir also have their mis si ceremonies and
proper establishments* Tl'ieir airs and wiles are described
(verse).
(34-35) Filled with envy, Umrao is compelled to live in Bua
Husaini's wretched room^ When she is l4 she starts lookirj
at herself in the mirror.
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