PICTURE CREDITS

Credit for some of the illustrations in this issue is acknowledged
as follows: (i) Article by Richard B. Morris: The silhouettes of
Sarah and Robert Townsend are from Morton Pennypacker's
General Washington's Spies (Brooklyn, N.Y., Long Island His¬
torical Society, 1939); the drawing of Dr. Edward Bancroft
concealing a message in the garden is from American Heritage,
volume VII, no. 3 April 1956. (2) Article by John. Joseph
Stoudt: The drawing of the Ephrata Cloister is from a card
(Yorkcraft, 2318); the drawing of Beissel and two followers
is from Julius Friedrich Sachse's The German Sectarians of Penn¬
sylvania, 1742-1800 ... (Philadelphia, Printed for the author,
1900); the drawing of the Ephrata sister is from The Pennsyl¬
vania-German Society Proceedings and Addresses at Harrisburg,
October 25, 1901, vol. XII (The Society, 1903). (3) Article by
Peppino Mangravite: The Botticelli drawing is from Dante
Alighieri La Divina Commedia illustrata da Sandro Botticelli
(Rome, EMitrice Nanni Canesi, n. d.); the Blake drawing is from
The Divine Comedy (N.Y., Heritage Press, 1944); the remaining
drawing, which is reproduced through the courtesy of the Mu¬
seum of Modern Art, is from Robert Rauschenberg's Drawings
for Dante's Inferno (N.Y., Harry Abrams, 1964). (4) Article by
Luther Evans: The photograph of the three Liddell sisters is a
Times Wide World Photo; the page of the original manuscript of
Alice's Adventures Under Grottnd is from a facsimile (N. Y.,
Panda Prints, Inc., n. d.); the photograph of Luther Evans pre¬
senting the original manuscript is by Keystone Pictures, Inc. (5)
The photograph of "Alice at Columbia" is a Wide World Photo.
 

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