Contact: Aimery Dunlap-Smith For Immediate Release
(212) 854-5573
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SALISBURY'S CENTURY: A REPORTER'S LIFE
Columbia University Exhibits The Harrison E. Salisbury Archive:
Renowned N.Y. Times Journalist Covered the World During His Century-
Straddling Life
"Reporting the 20th Century: Harrison E. Salisbury, 1908-1993"
March 28, 1997-June 27, 1997
Tues.-Fri. 9 to 4:45 P.M., Mon. 12 to 7:45 P.M.
Free Admission
Kempner Exhibition Room, Rare Book and Manuscript Library in Butler Library,
Columbia University, Broadway and 116th Street, New York City.
Information: (212) 854-2231
From the Depression-era trial of Chicago gangster Al Capone to the trials of
Tienanmen Square and, it seems, everything newsworthy in between, Harrison Salisbury
saw it and reported it. His life and through it the life of this explosive century is retraced in
"Reporting the 20th Century: Harrison E. Salisbury, 1908-1993," an exhibition at
Columbia's Rare Book and Manuscript Library of dispatches, articles, books, letters, and
photographs from the journalist's personal as well as public lives.
Two years of digging through the 600-box collection of archival materials Salisbury
gave to Columbia has yielded a first-hand record of not only the life of a century but the life
of one of the century's keenest observers also. The exhibit begins with turn-of-the-century
tintypes and prints made from Salisbury's father's glass-plate negatives. These tell briefly
of the family in pre-World War Minneapolis, but reveal, too, the influence of Harrison
Salisbury's own later interest in photography, examples of which are found farther along
the exhibit. World War I memorabilia is followed by examples of Salisbury's earliest
reporting and writing done while at the U. of Minnesota. His first dispatches for the
United Press, where he started after graduation in 1930, evidence the beginning of his
reporting the 20th Century--the beginning of a more than 60-year career in journalism, the
only profession Salisbury would ever know.
So, too, do his travels begin. "Reporting the 20th Century" follows Salisbury to
assignments in the nation's commercial, cultural, and political capitals--New York,
Chicago, and Washington--then to covering the Second World War from London, North
Africa, the Pacific, and Moscow. A rich lode of dispatches and articles, letters and photos
articulate Salisbury's eye-witness account to the world's most destructive war.
The most space in the exhibit is devoted to the years for which Salisbury would
best be known: '49-'54, when he was the Moscow correspondent for the New York
Times. This section is highlighted by the original typescript with handwritten annotations
of his file on the Nixon-Khrushchev "kitchen debate," the reporting for which he did
literally at the Soviet premier's knees.
The exhibition follows him back to the States where he finished his career at the
Times in '73 as its first Op-Ed page editor. Before he does, however, "Reporting the 20th
Century" shows Salisbury caught up in the events that re-shaped post-war America. From
the marches for civil rights and against the Viet Nam War to presidential campaigns and a
presidential assassination, Salisbury either reported, wrote, or edited the accounts of events
that made history and the front page of the Times.
"Reporting the 20th Century" closes with Salisbury's active retirement, during
which he made several trips to China. Excerpts from the typescript of his book about
following the route of the Long March as well as photographs taken with Zhou Enlai and at
the barricades in Tienanmen Square attest to Salisbury's unending desire and uncanny
ability to be where the great news of this century was made.
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