| The Swedish Program of Columbia University Presents | ||||||
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by
Swedish theater and film historian and translator |
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| On Friday, February
22, at 7 p.m. in Deutsches Haus, 420 West 116th St. NYC (between Amsterdam and Morningside Drive |
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EXORCISING
ONSTAGE:
INGMAR BERGMAN'S THEATER. |
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| Since 1942, Ingmar Bergman's stage work in Sweden has been both controversial and celebrated. First seen at major theaters outside Stockholm, from the sixties at the Royal Dramatic Theater and at the Royal Opera, his productions have since the eighties also visited USA. Leif Janzon has followed his work closely since the sixties and shows the continuous interaction between his theater and his films and TV productions, with "the Bergman actors" as an important common denominator. Bergman's work is also considered in its cultural, social, and biographical context. | ||||||
| And on Wednesday, February 27, at 7 p.m. in Deutsches Haus | ||||||
| THE
SMILE OF GARBO: THE EMIGRANT. |
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| One of the most fascinating and elusive film stars of our times, Garbo early rose to cult status. Having grown up poor on Stockholms South Side, Greta Gustafson - like so many Swedes before her - became a US emigrant. To most Swedes, Garbo is not primarily a mystery, but an easily comprehensible Swedish fate, one among hundreds of thousands compatriots, who out of poverty, ambitions, and dreams, were forced to leave their physical and spiritual home. Her professional and private life is seen by Leif Janzon as emblematic of Sweden's social transformation since the late 19th century. | ||||||
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| And on Friday, March 1 at 12 noon in 717 Hamilton Hall., A screening of | ||||||
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Sponsored by
the Swedish Program together with the Institute for Research on Women
and Gender and the Institute for the Study of Europe at Columbia University
together with the Swedish Institute. |
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