Books:

• American Set Design, Theatre Communications Group, 1985.
• The History and Theory of Environmental Scenography, U.M.I. Research Press, 1981. Paper reprint, 1988.
• Forthcoming:

Articles:

• 30,000-word introductory essay for The Cambridge History of American Theatre, Vol. 3 (1999).
• "The Scenography of Chekhov's Plays," Cambridge Companion to Chekhov (1999).
• "The Artist as Artisan," New York City Opera Season Guide 1998-99.
• "Like First-Class Advertising: An Interview with Richard Foreman," The Brecht Yearbook 23 (1997)
• "Theatre Technology and the Shifting Aesthetic," New England Theatre Journal (Vol. 8, 1997)
• "Design for Angels in America" (in Approaching the Millenium: Essays on Tony Kushner's Angels in America, University of Michigan Press, 1997).
• "The History of Design for Dance," International Encyclopedia of Dance (Oxford University Press, 1997).
• "Richard Foreman as Scenographer," Theatre Forum (Winter 1996).
• "New Homes for New Theatres" in the catalogue of Phenomena: The International Festival of Performance, Puppet and Visual Theatre (Society for the Advancement of Interdisciplinary Theatre in Jerusalem, 1996)
• "Stage Design," Encyclopedia of New York City (Yale University Press, 1995).
• Designed in the USA: Catalogue of the United States Exhibition at the 1995 Prague Quadrennial.
• "100 Jahre B�hnenbeleuchtung: Warum wir nicht wie Appia beleuchten k�nnen,"("100 Years of Stage Lighting") B�hnentechnische Rundschau (October 1994).
• "Out of Control," American Theatre (September 1994).
• "Design for Chekhov," in Chekhov on the British Stage, ed. Patrick Miles (Cambridge: Cambridge University Press, 1993).
• "Shrewd Shakespeare Takes the Measure of Sex and Society," The New York Times: Arts and Leisure, July 11, 1993.
• "The 1991 Prague Quadrennial," The Drama Review (Spring 1993)
• "A 90's Spin for B�chner's Woyzeck," The New York Times: Arts and Leisure, December 6, 1992
• Consultant on stage design to The Cambridge Guide to American Theatre (Cambridge University Press, 1992); contributor of 100+ entries.
• "Prague Notebook," Soviet and East European Performance (Fall 1991)
• "The Prague Quadrennial," American Theatre (November 1991)
• "The International Jury Process," Theatre Design & Technology (Fall 1991)
• "Contemporary American Designers: George Tsypin," Theatre Design & Technology (Summer 1991).
• "Postmodern Design," Theatre Journal (March 1991).
• "Comedy, Manners and Brickbats," The New York Times: Arts and Leisure, May 19, 1991.
• "Shakespeare's Past Is Present," The New York Times: Arts and Leisure, February 24, 1991.
• "The State of the Art," in Design Exposition '88 (U.S. Institute for Theatre Technology, 1988).
• "Design in Milwaukee," Theatre Design & Technology (Spring, 1988).
• "PQ87: Stimuli and Responses," Theatre Design & Technology (Winter 1988).
• "No More Theatres!," Theatre Design & Technology (Fall 1987).
• "The Svoboda Dimension," American Theatre (October, 1987).
• "Design and the Next Wave," Theatre Design & Technology (Winter 1986).
• Consultant on theatre design to The Cambridge Guide to World Theatre (Cambridge University Press, 1989); contributed 13,500-word essay on the history of design and architecture, and 85 short entries.
• "Contemporary American Designers: Carrie Robbins," Theatre Design & Technology (Winter 1986).
• "The Facts of Light," American Theatre (January 1986).
• "The Wooster Group's L.S.D.," The Drama Review (Summer 1985). Reprinted in The Drama Review: Thirty Years of Commentary on the Avant Garde, (UMI Research Press, 1986).
• "Vampire Lesbians of Sodom at the Limbo Lounge," The Drama Review (Spring 1985). Also reprinted in anthology.
• "Recreating Seurat: Sunday in the Park with George," Theatre Design & Technology (1984). Reprinted in Profile (June 1985, New Zealand).
• "The Adventures of Eugene Lee," American Theatre (December, 1984). (Reprinted in The Guthrie Theatre Program, June 1986)
• "Contemporary American Design," The Drama Review (Summer, 1984).
• "Drama and Dramatic Arts" and "Theatre Production"," Funk and Wagnall's New Encyclopedia (1984).
• "Shakespeare in Virginia, 1751-1863," Shakespeare in the South (University of Mississippi Press, 1983).
• "Some Recent Soviet and East German Designs," Theatre Design & Technology (Spring 1983).
• "Il teatro americano del XX secolo" (Twentieth Century American Theatre), Teatro Contemporaneo, Vol. II (Lucarini Editore, 1982).
• "Contemporary American Designers: John Lee Beatty," Theatre Design & Technology (Winter 1982).
• "Contemporary American Designers: Eugene Lee," Theatre Design & Technology (Spring 1982).
• "Theatres of the Future," Theatre Journal (December, 1981).
• "Contemporary American Designers: Santo Loquasto," Theatre Design & Technology (Fall 1981).
• "Contemporary American Designers: Douglas Schmidt," Theatre Design & Technology (Summer, 1981).
• Teatro del Novecento (Feltrinelli Editore, 1981): two chapters on American Theatre.
• Academic American Encyclopedia (Arete, 1980): 18 articles.
• "An Environment for Oedipus," Theatre Design & Technology (Summer 1978).
• "The Total Theatrical Environment," Theatre Crafts (September, 1977).
• "Joan MacIntosh," The Drama Review (September, 1976).
• "Wilson/Knowles' The Value of Man," The Drama Review (September, 1975).

Reviews:

• "The Revisionist Stage," American Studies (Summer 1997)
• "Light Fantastic," The New York Times Book Review (March 17, 1996)
• "Julie Taymor: Playing with Fire," The New York Times Book Review (March 3, 1996)
• "Scenic Design on Broadway/Lighting Design on Broadway," American Theatre (May 1992)
• "Step Right Up," The New York Times Book Review (November 25, 1990)
• "The American Circus," The New York Times Book Review (April, 1990)
• "Vivian Leigh," The New York Times Book Review (July 9, 1989).
• "Zero Mostel: A Biography," The New York Times Book Review (May 28, 1989)
• "Hullabaloo in Old Jeypore," The New York Times Book Review (February 26, 1989).
• "The Theatrical Writings of Fabrizio Carini Motta," Theatre Journal (March, 1989).
• "Just in Time," The New York Times Book Review (November 27, 1988).
• "The Theatre Art of Boris Aronson," American Theatre (April, 1988).
• "Blooded Thought" and "Take Up the Bodies," Theatre Journal (December, 1984).
• "Aline," Theatre Journal (May, 1980).
• "French Theatrical Production in the 19th Century," Theatre Journal (October, 1977).