Current Students & Alumni

Current Students

(Elfriede) Michi Barall: A.B., Humanities Honors, Stanford University; M.F.A, Graduate Acting Program, New York University; M.A., Theatre, Hunter College, City University of New York.
Areas of specialization: commercial theatre and spectacle; theories of transnationalism and globalization; consumer identities.
Research interests: Asian American studies; critical race theory, alterity and multiculturalism; East Asian modern theatre; political anthropology of the body; contemporary adaptations of Greek theatre.

Emily Ciavarella, B.A., Theatre and Philosophy, Williams College.
Areas of specialization: medieval drama and performance; religious drama
Research interests: philosophy of theatre; theatre and religion; early modern Spanish and French drama; popular theatre traditions; phenomenology

Amanda Culp, B.A., Drama, Vassar College; M.A.R., Asian Religion, Yale University Divinity School.
Areas of specialization: Sanskrit theatre; Indian performance; classical theatre and adaptation.
Research interests: Intercultural dramaturgy; performance studies; translation theory; performed mythologies; theatre and religion; contemporary Indian theatre; Bollywood and Indian film; duration theatre.

Emma de Beus, B.A., English with a concentration in Theatre, Barnard College; M.A. Shakespeare and Theatre, The Shakespeare Institute, University of Birmingham.
Areas of specialization: early modern English theatre; female performance; history plays.
Research interests: performance studies, Renaissance drama, dance studies, female playwrights, adaptation studies, genre studies, political theatre.

Danielle Drees, A.B., English, Harvard University; M.Phil., Renaissance Literature, University of Cambridge.
Area of specialization: contemporary performance, political economy, feminist theory.
Research interests: theatrical production, sleep cultures, early modern drama, performance art, Marxism.

Ilana Gilovich, B.A., English (major) and Theatre (minor), Cornell University; M.A., English Literary Studies, Queen's University Belfast.
Areas of specialization: Shakespeare, theatre, dance, world cinema adaptations of Shakespeare, prison education initiatives.
Research interests: Global Shakespeares, translation, dance, prison theatre, theories of movement and the body, film studies, performance studies, adaptation.

Warren Kluber, B.A., English, Lewis & Clark College.
Areas of Specialization: Modern Drama; War Plays
Research Interests: Theatre and Violence; Medicine and Disease in Theatre; Dramatic Character; Performance Theory.

Emily Madison, B.A., English & Theatre, Washington University in St. Louis; M.F.A., Dramaturgy, Columbia University.
Areas of specialization: Shakespeare and performance, contemporary drama
Research interests: tragedy, affect and emotion, theatre criticism/reviews, reception theory, melodrama, early modern drama, theatrical modernism
Dissertation:Tragic contestations: Shakespeare, tragedy, and affect in modern British and American theatre

Meadhbh McHugh, B.A. Drama and English, Trinity College Dublin; M.F.A. (Playwriting), The Lir Academy at Trinity College Dublin.
Areas of specialization: Irish theatre, culture, literature and society; modern drama; contemporary playwriting.
Research interests: Modern Irish drama; women in theatre; theatre and nation; music, sound, poetics and drama; playwriting in contemporary theatre culture.

Sarah Ina Meyers, B.A., Music and Philosophy, Harvard University.
Area of specialization: opera, directing.
Research interests: theories of the uncanny/fantastic, cognitive science, performance theory, scenography, spatiality, embodiment, spectatorship, memory, film theory, the baroque.
Dissertation: "Stages of Death: The Theatrical Uncanny in Contemporary Performance."

Anne Potter, B.A., Drama and History, University of California, Irvine; M.Phil., Modern European History, University of Cambridge; M.A., Drama, San Francisco State University.
Area of Specialization: Seventeenth, eighteenth, and nineteenth century European drama.
Research Interests: Performance of history, adaptation, gender in the theatre, music theatre

Olivia Rutigliano, B.A. English and Cinema Studies, University of Pennsylvania; M.A. English, University of Pennsylvania
Areas of specialization: Shakespeare performance history; Adaptation studies; cinema studies
Research interests: Early modern drama; history of popular entertainment/genres; costume and set design; Book history and material texts.

Rosa Schneider, B.A, English Literature, Reed College.
Areas of Specialization: modern drama and performance
Research Interests: American and Anglophone Caribbean drama; performance of history and historiography; theatre and nation formation; political theatre and dramaturgy; documentary theatre; meta-theatricality; cultural memory and embodiment
Dissertation: "Making History: Performative Historiography, Race, and the Creation of the American History Play, 1975-2014."

Abby Schroering, B.A. Theatre and English, University of Kentucky
Research Interests: modern drama, contemporary drama, religion/ritual, war/political theatre.

Julia Sirmons
Areas of specialization: media and live performance, opera & musical theater, media theory, history of spectacle in modern European theater, 20th century Italian drama.
Areas of interest: melodrama, stardom & performance, remediation & adaptation.

Catherine (Kate) Suffern, B.A., Theatre & Drama and Classical Studies: Latin & Greek, Indiana University; M.A., Theatre Lab, Royal Academy of Dramatic Art.
Areas of specialization: acting theory and styles, devised theatre, Shakespeare performance.
Research interests: medieval drama, early modern drama, mask, Jacques Copeau, theatre and religion, cultural memory and embodiment.

Buck Wanner, B.A., Dance, Columbia University; M.A. Performance Studies, New York University.
Areas of specialization: 20th century dance history, theory and criticism; New York dance and the arts.
Areas of interest: Digital Humanities, mapping, and experimental methods in humanities research.

Anna Waller, B.A., Dance and Comparative Literature, University of Oregon. Areas of specialization: media and live performance, opera & musical theater, media theory, history of spectacle in modern European theater, 20th century Italian drama
Research Interests: Dance history; ballet history; literary studies; gender and performance

Ali Yalgin, B.A., Political Science and Theater Studies, Duke University; M.A. Text and Performance, RADA & Birkbeck College, University of London; M.A. Film and Drama, Kadir Has University Areas of specialization: modern drama, Ibsen, Turkish theatre, contemporary performance, directing
Research interests: space and scenography, Scandinavian theatre, theories of directing, film studies, ideology, tragedy, performance studies, adaptation

Recent Publications by Ph.D. Students

Danielle Drees
"The Sleeping Spectator: A Sleep Cultures Critique of Punchdrunk's Sleep No More" forthcoming in Performance Research 21.1 (2016).

Jason Fitzgerald
The Lesson of David Greenspan,” PAJ 103 (2013): 119-23
Performance Reviews: Taylor Mac's The Lily's Revenge (Theatre Journal); Standing on Ceremony: The Gay Marriage Plays (Theatre Journal).
Book Reviews: Theatre, Communication, Critical Realism, by Tobin Nellhaus (Theatre Survey); Finishing the Hat/Look I Made a Hat, by Stephen Sondheim (forthcoming, Theatre Survey), "Journeys into the South African Psyche: Brett Bailey and Third World Bunfight," Theater 39.1 (2009).
Performance reviews for trade presses: The Village Voice (2014-present), Slant (2013-15), Backstage (2008-13)

Emily Madison
Reading Rehearsal Toward a Theory of Shakespeare "Activity." Journal of the Wooden O Symposium 12 (2012).

Meadhbh McHugh
“The Glass Ceiling and the Gag: Fifth Wave Feminism & Ireland’s National Theatre, 2010-2014,” For the Sake of Sanity: Doing things with humour in Irish performance, ed. Eric Weitz (Dublin: Carysfort Press, 2014).

Noémie Ndiaye
“Everyone Breeds in His Own Image”: Staging the Aethiopica across the Channel”, forthcoming in Renaissance Drama 44. 2 (Fall 2016).
“Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus”, forthcoming in Early Theatre 19. 2 (Fall 2016).

Olivia Rutigliano
“Stolen Oscars.” Politics/Letters, February 2016.

“Six Amazing Oscar Heists, and Five Happy Endings” Vanity Fair, February, 2016.

Rosa Schneider
“Anyway, the Whole Point of This Was to Make You Feel Something: Branden Jacobs-Jenkins and the Reconstruction of Melodrama.” Forthcoming in The Journal of American Drama and Theatre 30.3, (Fall 2018).

Julia Sirmons
“'These People': On Sebastian Baumgarten's Don Giovanni," Opera Quarterly 29: 3-4 (Summer-Autumn 2013): 368-376.

"Immersive Space, Digital Intimacy," PAJ 109.1 (2015): 71-77.

Recent Artistic Work by Ph.D. Students

Meadhbh McHugh
Playwright, Helen and I, Druid Theatre Company. The Mick Lally Theatre, Galway and Civic Theatre, Dublin as part of Dublin Theatre Festival (September/ October 2016).

Sarah Ina Meyers
Stage Director, The Magic Flute, Carmen, Crested Butte Music Festival; Stage Director, Dido and Aeneas, Juilliard; Stage Director, Lucia di Lammermoor (Japan Tour), La Traviata, Metropolitan Opera; Assistant Director, The Enchanted Island (production by Phelim McDermott and Julian Crouch), The Nose (production by William Kentridge), Metropolitan Opera.

Noémie Ndiaye
Dramaturge, The Miser, by Molière, Brave New World Rep. Grand Prospect Hall, Brooklyn (January 2015).

Rosa Schneider
This England: The Complete Kings 1377-1485 (Abridged) By William Shakespeare, Strange Harbor, The Brick and IRT, Brooklyn and Manhattan. (Summer 2016).

Ph.D. Placement

Ehren Fordyce (2002) Stanford University

Tamsen Wolff (2002) Princeton University

Matthew Smith (2003) Boston University, Stanford University

Peter Campbell (2003) Penn State-Berks; Ramapo College of New Jersey

Ellen MacKay (2003) Indiana University, University of Chicago

Lisa Brenner (2004) Montclair State University

Nina Hein (2005) American University in Dubai

Miranda Lundskaer-Nielsen (2005) Bath Spa University, England

Elizabeth Ruf-Maldonado (2006) Boricua College, NY

Kelina Gotman (2008) King's College, London

David Kornhaber (2009) University of Texas

Donna Fusco Kornhaber (2009) University of Texas

Daniel Larlham (2012) St. Mary's College

Timothy Youker
(2012) University of Toronto, Mississauga

Minou Arjomand (2013) Boston University, University of Texas at Austin

Nathaniel Nesmith (2013) C3 Postdoctoral Fellow, Middlebury College

Shilarna Stokes (2013) Ohio State University

Annie Holt (2014), Core Postdoctoral Lectureship, Columbia University

Joseph Cermatori (2016), Skidmore College