descriptions[0]="Epiphany (Triptych) Hieronymus Bosch c.1450-1516"
descriptions[1]="Crucifixion of St. Julia (Triptych) Hieronymus Bosch c.1450-1516"
descriptions[2]="(scene from) The Gospel at Colonus - 1988 Broadway production"
descriptions[3]="Hrosvitha's Abraham and Maria (from the first published edition of her plays 1501)"
descriptions[4]="Conjectural reconstruction of mansions arranged within the  nave of a medieval church.  From Richard Leacroft, The development of the English Playhouse (1973)"
descriptions[5]="Reconstruction of a performance on a pageant wagon.  From Sharpe, A "
descriptions[6]="Denis van Alsoot's The Triumph of Isabella 1615"
descriptions[7]="Everyman.  Frontispiece from the edition published by John Sklot c.1530"
descriptions[8]="Mummers play in the banqueting hall of Haddon, England  A nineteenth century reconstruction"
descriptions[9]="A reconstruction of the second Blackfriars Theatre, 1597"
descriptions[10]="Columbine, Harlequin, and a Venetian, with their masks..  After F. Maggiotto (eighteenth century)"
descriptions[11]="from the 'Recueil Fossard'"
descriptions[12]="Harlequin .engraving by M.Engelbrecht, after Wachsmuth (eighteenth century)"
descriptions[13]="Brighella - sixteenth century"
descriptions[14]="Pantaloon. Watteau"
descriptions[15]="The Doctor. Seventeenth century"
descriptions[16]="The Doctor.Second half of the seventeenth century  N.Bonnart"
descriptions[17]="1. Bucco - from "De Larvis sceninis et figuricis convicis," by Ficoroni (1754)<br>2. Pulcinella - Detail from the celebrated picture in the museum of the Comedie-Francaise, representing French and Italian farceurs in the time of Moliere<br>3. Maccus - ancient bronze statuette discovered at Rome in 1727 - from Ficoroni"
descriptions[18]="Pulcinella - Seventeenth century   engraving by de Geijn"
descriptions[19]="The Captain at the Beginning of the Sixteenth Century  (this is possibly the actor Garavini)"

descriptions[20]="The Captain.engraving by de Geijn"
descriptions[21]="1.Pierrot (after M. Sand)<br>2. Perrot (beginning of the nineteenth century)"
descriptions[22]="An Inamorata.engraving by Callot"
descriptions[23]="An Inamorata of the Renaissance.probably Isabella Andreini, of te Gelosi company"
descriptions[24]="Isabella (about 1577).possibly Vittoria degli Amorevoli or Isabella Andreini"
descriptions[25]="An Inamorata of the Italian Comedy.engraving after a drawing by Watteau"
descriptions[26]="The Lover and the Soubrette (about 1577).detail from an engraving in the 'Recueil Fossard'"
descriptions[27]="Pamela Payton-Wright in a production of 'She Stoops to Conquer' at the Long Wharf Theatre in New Haven.  Costume by Linda Fischer. Wig by Paul Huntley"
descriptions[28]="Diana Rigg portaying the title character in Euripides' Medea"
descriptions[29]="Fiona Shaw in title role of the Royal Shakespeare Company of Britain production of Electra"

descriptions[30]="scene from a version of Sophocles' King Oedipus by poet and dramatist W.B. Yeats"
descriptions[31]="Jessye Norman as Jocasta in Oedipus Rex"
descriptions[32]="Creon (Bryn Terfel) has just returned  from the oracle ofApollo"
descriptions[33]="in the final scene Oedipus, blind and alone, walks throught the water in the underworld as the rains begin to fall on the chorus, cleansing them."
descriptions[34]="Oedipus recalls the events at the crossroads"
descriptions[35]="Joasta prepares to hang herself as the servants express a silent wail."
descriptions[36]="Zoe Wannamaker in the title role of Eectra by Sophocles"
descriptions[37]="The chorus in a production of Iphegenia at Aulis at the Guthrie Theater in 1992"
descriptions[38]="Two medieval devils -(left) Devil Bell and (right) Astaroth. pen drawing from a manuscript of 1539"

srcs[0] ="bosch1.gif"
srcs[1] ="bosch2.jpg"
srcs[2] ="breuer.jpg"
srcs[3] ="brockett1.jpg"
srcs[4] ="brockett2.jpg"
srcs[5] ="brockett3.jpg"
srcs[6] ="brockett4.jpg"
srcs[7] ="brockett5.jpg"
srcs[8] ="brockett6.jpg"
srcs[9] ="brockett7.jpg"
srcs[10] ="duchartre1.jpg"
srcs[11] ="duchartre2.jpg"
srcs[12] ="duchartre3.jpg"
srcs[13] ="duchartre4.jpg"
srcs[14] ="duchartre5.jpg"
srcs[15] ="duchartre6.jpg"
srcs[16] ="duchartre7.jpg"
srcs[17] ="duchartre8.jpg"
srcs[18] ="duchartre9.jpg"
srcs[19] ="duchartre10.jpg"
srcs[20] ="duchartre11.jpg"
srcs[21] ="duchartre12.jpg"
srcs[22] ="duchartre13.jpg"
srcs[23] ="duchartre14.jpg"
srcs[24] ="duchartre15.jpg"
srcs[25] ="duchartre16.jpg"
srcs[26] ="duchartre17.jpg"
srcs[27] ="livelyart1.jpg"
srcs[28] ="livelyart2.jpg"
srcs[29] ="livelyart3.jpg"
srcs[30] ="livelyart4.jpg"
srcs[31] ="oedipus1.jpg"
srcs[32] ="oedipus2.jpg"
srcs[33] ="oedipus3.jpg"
srcs[34] ="oedipus4.jpg"
srcs[35] ="oedipus5.jpg"
srcs[36] ="wilson1.jpg"
srcs[37] ="wilson2.jpg"
srcs[38] ="hartnoll1.jpg"


srcs[0] ="bosch1.gif"  1480
srcs[1] ="bosch2.jpg"  1480
srcs[2] ="breuer.jpg"  1988
srcs[3] ="brockett1.jpg"  1501
srcs[4] ="brockett2.jpg"  1450 ?
srcs[5] ="brockett3.jpg"  1825
srcs[6] ="brockett4.jpg"  1615
srcs[7] ="brockett5.jpg"1530
srcs[8] ="brockett6.jpg"  1525
srcs[9] ="brockett7.jpg"  1597
srcs[10] ="duchartre1.jpg" 1700s
srcs[11] ="duchartre2.jpg"1751
srcs[12] ="duchartre3.jpg"1700s
srcs[13] ="duchartre4.jpg"1500s
srcs[14] ="duchartre5.jpg"1577
srcs[15] ="duchartre6.jpg"1600s
srcs[16] ="duchartre7.jpg"~1675
srcs[17] ="duchartre8.jpg"
srcs[18] ="duchartre9.jpg"1600s
srcs[19] ="duchartre10.jpg"beginning 1500s
srcs[20] ="duchartre11.jpg"1650
srcs[21] ="duchartre12.jpg"beg.1800s
srcs[22] ="duchartre13.jpg"1750 ?
srcs[23] ="duchartre14.jpg"1750 ?
srcs[24] ="duchartre15.jpg"1577
srcs[25] ="duchartre16.jpg"?
srcs[26] ="duchartre17.jpg"1577
srcs[27] ="livelyart1.jpg"current
srcs[28] ="livelyart2.jpg"current
srcs[29] ="livelyart3.jpg"curr
srcs[30] ="livelyart4.jpg"curr
srcs[31] ="livelyart5.jpg"curr
srcs[32] ="oedipus1.jpg"curr
srcs[33] ="oedipus2.jpg"curr
srcs[34] ="oedipus3.jpg"curr
srcs[35] ="oedipus4.jpg"curr
srcs[36] ="oedipus5.jpg"curr
srcs[37] ="wilson1.jpg"curr
srcs[38] ="wilson2.jpg"curr
srcs[39] ="hartnoll1.jpg"1539