Our method will involve looking at contemporary
Tibet. We will study some of the ways in which texts and images
of Tibet are interpreted, and try to form our own interpretations
in terms of the historical and cultural context of Tibet and of
the wider region. In particular, we will try to look beyond the
question of representation of places in foreign writings to questions
of modernity and tradition, and to the role of earlier cultural
and religious ideas within modern Tibet.
The course should be useful for those with general
interest in the East-South-Central Asian interface, in China’s nationality
policies, in Tibet, or in regional affairs and development, as well
as for students with general interest in history, religion or the
social sciences. It will be open to both undergraduates and graduates.
Classes will consist generally of a lecture followed by a discussion,
with some sessions devoted wholly to class discussions and others
to films, slides or videos.
|
Course
Description
The course is divided into five sections.
Part I: Representations of Tibet. This looks at some of
the ways in which both foreigners and Tibetans have depicted themselves,
and in particular at key ideas of their history.
Part II: The Question of Modernity and Tradition: Tibet
Before 1950 Was the 1950 arrival of the Chinese army and administration
in Tibet the beginning of modern Tibet, or were there already signs
of a "modern" society there?
Part III: Problems in Tibetan History Since 1950 - looking
at some of the choices and controversies faced by China's leaders
in their Tibet policies since 1950, and especially at the ways in
which Tibetan leaders responded to these policies.
Part IV: Conflict and Resistance - using original documentation
and visual images to look at questions surrounding political protest
in the 1980s and 1990s, and studying in particular the role of women
in this movement Part V: Contemporary Culture and Identity - "identity",
like culture, can be formed from outside as well as from inside,
and we look at Chinese views of Tibetans, and at some western ideas
of Tibetan Buddhism as compared with actual religious practices.
Are modern literature, popular writings, music, art, and film signs
of a modern Tibetan culture? And what places and which people are
included in this modern Tibet? Are the exile communities part of
"modern Tibet"? And finally, what kinds of development
options are being offered to Tibetans, and are there any indications
in writing or in films as to the futures Tibetans themselves are
considering?
Part V: Contemporary Culture and Identity - "identity",
like culture, can be formed from outside as well as from inside,
and we look at Chinese views of Tibetans, and at some western ideas
of Tibetan Buddhism as compared with actual religious practices.
Are modern literature, popular writings, music, art, and film signs
of a modern Tibetan culture? And what places and which people are
included in this modern Tibet? Are the exile communities part of
"modern Tibet"? And finally, what kinds of development
options are being offered to Tibetans, and are there any indications
in writing or in films as to the futures Tibetans themselves are
considering?
|