
9:00-9:30
·
Welcoming Remarks
9:20
Session 1 Early
Modern Machines
9:30 – 10:45
1. Shannon Clute “A
faire la guele d'un four sont trois pierres
Cornell
University necessaires”: The form of diegetic navigation
and
meta-narrative commentary in
Francois Rabelais'
2.
Zachary
Polsky Molière,
the Machine-comic and the Text-trap
3.
Martial
Poirson Les
classiques ont-ils cru à leurs machines?
Session 2 Modernization
and Mechanization in the
11:00 – 12:15 Age
of Industrial Capitalism
1.
Stacey
Loughrey William
Morris’ Mechanical Aesthetic:
U. of Southern
California Wallpaper and the Machine
2.
Eurydice
Prentoulis Zola’s
Superstore in The Ladies’ Paradise:
Columbia
University Dynamics and Paradoxes of
the Machine
3.
Stephen
Donovan The
Stop/Start Fantasy in Early 20th Century
Gothenburg
University Literature and Film
* * *
* * *
1:30 – 2:45
1.
Daniel
Leonard Animated
Statues: Going Beyond Mind and
Columbia
University Machine in the Writing of
Buffon and Condillac
2. Julie B. Napolin The
Phonograph's Horned Mouth: Voice in
3. Maria Muresan Phonographe, dictaphone, graphophone:
de la
Columbia University conservation
idéale jusqu’à la perte de l’actuel
Session 4 The
Mechanization of Method: Instruments of
3:00 – 4:15 Analysis
1.
Massimo
Leone The
Kaleidoscope
University of
Siena / École
Pratique des
Hautes Études
2.
Kalliopi
Nikolopoulou Une Conquête méthodique: Valéry’s Search
Vanderbilt
University for a Method
3.
Hans
Hartje Die Maschine de Georges Perec
4:30 – 5:45
1.
Sophie
Levy Man/Ray:
The Camera as (Bachelor) Machine
University of
Toronto in Surrealist Photography
2.
Dana
Stevens Cinema
and the Fall
3.
David
Copenhafer La Jetée: Cinema as Time Machine
.