Ghazal 95, Verse 5

{95,5}

gardish-e rang-e :tarab se ;Dar hai
;Gam-e ma;hruumii-e jaaved nahii;N

1) there is fear due to the revolving/revolution/change of the color/style/aspect of joy?!

2a) there is no grief of perpetual deprivation?!
2b) it's not the grief of perpetual deprivation!

Notes:

gardish : 'Going round, turning round, revolution; circulation; roll; course; period; turn, change; vicissitude; reversion; --adverse fortune, adversity; --wandering about, vagrancy'. (Platts p.903)

 

rang : 'Colour, colouring matter, pigment, paint, dye; colour, tint, hue, complexion; beauty, bloom; expression, countenance, appearance, aspect; fashion, style; character, nature; mood, mode, manner, method; kind, sort; state, condition'. (Platts p.601)

 

:tarab : 'Emotion, joyous excitement, joy, mirth, cheerfulness, hilarity'. (Platts p.752)

 

ma;hruumii : 'Prohibition; exclusion (fr. friends and well-wishers, &c.); disappointment, frustration; deprival; privation, loss'. (Platts p.1008

Nazm:

In this verse 'for me' [mujh ko] or 'for you' [tujh ko] is omitted. If we consider mujh ko to be omitted, then the meaning is that after the attainment of joy, the decline of joy is so deadly that perpetual deprivation is better than it. And if we take tujh ko to be omitted, then the meaning is that you fear the decline of the fleeting pleasures that are available in the world, and give no thought to the perpetual deprivation that is finally to come. This verse is an illustration of how supporting two meanings, or more than that, is no cause of excellence for the verse. Excellence is born from abundance of meaning [ka;srat-e ma((nii]; don't consider it to consist in bearing a number of interpretations [a;hmaalaat-e ka;siir]. (97)

== Nazm page 97

Hasrat:

We don't grieve over perpetual deprivation, because this is better than joy-- in which the fear of the revolving of color/style is always present. That is, since after ease, sorrow is extremely life-destroying, in this connection perpetual deprivation is better. (83)

Bekhud Mohani:

I don't fear eternal deprivation or ill-fortune. Indeed, I fear the changing of the color/style of enjoyment-- that is, whatever state there might be, let it be for always! Why should it be one thing today, another thing tomorrow?

[Or:] It's easy to endure eternal deprivation. But to endure suffering after enjoyment deprives one of life.

[Or:] He gives advice: alas that you fear that the enjoyment of today might be erased, and don't grieve that in place of that enjoyment, in the Lord's house you will remain deprived of all mercies and pleasures.

[Or:] You fear some disturbance in your enjoyment. But people who are deprived forever-- who are poor/strangers, who are in need-- you never think about. (191)

FWP:

SETS

On the pronunciation of the rhyme-words in this ghazal, see the discussion in {95,1}.

The first line introduces the wonderful gardish , with its evocative set of meanings that center on the wheel of fortune and the wheel of time. The 'going round' of this wheel inexorably brings sorrow to the joyful, and drags the fortunate down into the dust.

But can't we comfort ourselves a bit, when we're down at the bottom, with the thought that what goes down must come up? Sooner or later isn't the 'going round' of the wheel bound to bring us up again for another chance at joy? It would seem so, but somehow that's never on the lover's horizon. (Probably he knows he can't last that long.)

The first line is unspecific; we can't tell who fears the 'revolving'. It could be someone else, or it could be the lover himself. When we come to the second line, the 'revolving' is markedly contrasted with the 'deprivation'-- but it's up to us, as usual, to decide exactly how. The commentators prefer the reading (2a), which indeed doesn't specify for whom-- 'for me' or 'for you'-- there is no grief of perpetual deprivation. (This is the first part-- and the only coherent part-- of Nazm's really bizarre complaint.) In general, the commentators get two meanings out of (2a):

1) You fear the 'revolving', you don't fear the 'deprivation' (it's no cause for grief). And based on human experience, this is quite proper and natural; the speaker is merely offering a sage observation about the nature of life.

2) You fear the 'revolving', and you don't fear the 'deprivation'? This is folly on your part-- you should (piously, or mystically) fear the latter, and not the former.

But the third meaning, which relies on (2b), is my favorite.

3) You rightfully fear the 'revolving'-- it's not just something minor like the 'deprivation'! In other words, these two are superficially similar, but so different in degree that they are incommensurable. This kind of phrase has a vigorous colloquial punch: 'Watch out for that mastiff-- it's not a lapdog!' 'Be careful of that rifle-- it's not a BB gun!'

In this reading, the amusing part is that the dismissive second term, 'grief of perpetual deprivation', is in fact something so terrible-sounding that anybody else would quail at the very thought of it. But the lover is so much at home with it that he actually uses it as a throwaway term to get across the much greater severity of the real danger. The rhetorical pleasure of this kind of verse would of course be enhanced by the delay in hearing the second line that would be part of mushairah performance conditions.