Ghazal 97, Verse 5

{97,5}*

mujh tak kab un kii bazm me;N aataa thaa daur-e jaam
saaqii ne kuchh milaa nah diyaa ho sharaab me;N

1) when did the going-round of the cup, in her/his gathering, come as far as to me?

2a) may the Cupbearer not have mixed something into the wine!
2b) might the Cupbearer not have mixed something into the wine?

Notes:

Ghalib:

[Writing in 1854:] That is to say, 'Now that the rounds of the cup have come to me, I’m fearful'. This whole sentence is implied [muqaddar]. Anyone who looks at my Persian divan will realize that I leave sentence upon sentence implied. But [as Hafiz says] 'every utterance has a [suitable] time and every point has a [suitable] place' [har su;xan vaqte-o-har nukte makaane daarad]. This difference is indeed intuitively perceptible [vajdaanii], not expressible in words [bayaanii]. (Arshi p. 234)
==Khaliq Anjum vol. 1, pp. 262-63
==(translated with interpretive help from S. R. Faruqi, Feb. 2000)

Hali:

In this verse after the first line this much of a phrase is omitted: 'then today since contrary to custom the rounds of the cup have reached to me'. This omission has made the verse of a very high order. The kind of omission in which context provides the evidence, and the omitted words, without being mentioned, are speaking between the two lines-- this is counted among the beauties of a verse.
==Urdu text: p. 148 in Hali, Yadgar-e Ghalib

Nazm:

The un kii gathering-- that is, the Rival's. If the Cupbearer had mixed poison in, then it would hardly be strange. (99)

== Nazm page 99

FWP:

SETS == HUMOR; MUSHAIRAH
GATHERINGS: {6,3}
WINE: {49,1}

Apparently people asked for explanations of this verse, so that both Ghalib and Hali have dutifully provided them. That's surprising, since it doesn't seem to be one of his difficult ones at all. The grammar of the first line itself colloquially implies a negative rhetorical question-- literally, 'when did the going-round of the cup [habitually] come as far as me?' (It never did, of course, so I'm skeptical and suspicious of the change.) There's a similar form in English: 'Since when have they started passing me the wine?' (Only this once, of course, so that the question conveys strong overtones of skepticism and suspicion on my part.)

Whose gathering is it? Nazm thinks it's the Rival's; that's an unduly literal-minded choice, but it can't be ruled out. Most other commentators don't say whose, but the obvious candidate is the beloved herself. Perhaps it doesn't really matter.

I see this as a verse of implication, like the last one, {97,4}. Look at all the unstated things we known about the lover: (1) that he habitually attends someone's parties; (2) that he's always very rudely treated there; (3) that he accepts and expects this rude treatment; (4) that when he is suddenly treated properly, his first thought is of foul play.

Either we have here a case of advanced paranoia, or we have someone subject to constant minor harassment, varied only with probable major persecution (perhaps to the point of death). Or both, of course ('paranoids have enemies too'). And they both sound like the lover, don't they? He is paranoid (think of {97,3}, in which he blames the beloved for his dreams), and he is persecuted too (as we know from all too many examples).

This would have been a wonderful mushairah verse, too. The first line leaves us wondering where the poet is going with this. Maybe the lover is just reminiscing about the bad old days? ('When I went to her parties, she never even used to pass me the wine!') Maybe she's now asking for some extravagant favor? ('And after the way she treated me-- why, when I went, etc.'). Under mushairah performance conditions, we of course have to wait for some time, until the reciter is pleased to offer us the second line.

And even then, not until we hear the word sharaab , at the end of the line, do we learn what all this anxiety is about. They've offered him a glass of wine! And the effect is to throw him into fits of anxiety and paranoia. How likely is it that a gentleman visitor at an elegant evening gathering will be poisoned by arsenic in the wine? Not likely at all, of course, even in the ghazal world; this is not a common trope. And yet the lover's whole life is uncommon-- uncommonly wretched. The way some people are accident-prone, he's persecution-prone. Just think of {22,1}.