Ghazal 161, Verse 10


ka((be kis mu;Nh se jaa))oge ;Gaalib
sharm tum ko magar nahii;N aatii

1) {with what 'face' will you / how will you have the nerve to} go to the Ka'bah, Ghalib?
2) but/perhaps shame does not come to you



Your whole lifetime passed in idol-houses and churches-- now, if you go to the Ka'bah, how will you show your face to the Lord [;xudaa ko kyaa mu;Nh dikhaa))oge]? (174)

== Nazm page 174

Bekhud Dihlavi:

He says, oh Ghalib, your whole life long you kept worshipping beautiful ones and drinking wine. Now, how do you have the 'face' [kyaa mu;Nh le kar] to decide to go to the house of the Ka'bah? {You have no sense of shame. / Don't you have a sense of shame?} [tum ko sharm nahii;N aatii]. (232)

Bekhud Mohani:

He intends to go to the Ka'bah, but his heart reproaches him: you are completely shameless, your whole life was spent in idol-temples, how will you have the 'face' [kyaa mu;Nh le kar] to go before the Lord? (311)



There's a line of scolding or reproach in English that consists of phrases like, You have some nerve to... ! Do you have the gall to...? And then you have the face to... ! Of all these similar idioms, 'to have the face to'-- meaning, 'to be sufficiently brazen or impudent or shameless as to'-- seems nowadays, alas, to be archaic. If it could have been kept on life support long enough, it would have provided the best translation for the first line. A delightfully lively and colloquially energetic scolding, administered of course either by oneself or by some companion. (Compare the very different use of the idiom in {91,2}.)

And then the second line is a magnificent, classic case of the uses of magar . If we take it as meaning 'perhaps', then we have the wonderfully withering effect of 'Perhaps you have no sense of shame?' And if we take it as meaning 'but', then we have the equally scathing 'But then, you never did have any sense of shame!'. What an irresistibly witty (and complex) note on which to end the ghazal.