Ghazal 196, Verse 6


kyuu;N radd-e qada;h kare hai zaahid
mai hai yih magas kii qai nahii;N hai

1) why does the Ascetic reject/('vomit) the flagon?
2) this is wine-- it's not the vomit/vomiting of a fly!


radd : 'Returning; restitution; rejection, repulsion; casting off, turning back, averting; resistance, opposition; disproving, refutation; --vomiting'. (Platts p.590)


kare hai is an archaic form of kartaa hai (GRAMMAR)


The vomit of a fly-- that is, honey. To the Ascetic, who considers it in accordance with religious merit to drink honey and despises wine, he offers temptation toward wine, and emphasizes that the detestable thing is not wine, but rather that thing which is obtained from the vomiting of a fly.
==Urdu text: p. 161 in Hali, Yadgar-e Ghalib


Oh Ascetic, don't reject the flagon of wine! This isn't the vomit of a bee, which you consider a great boon. (222)

== Nazm page 222

Bekhud Mohani:

In saying radd-e qada;h one more pleasure is that it is an extremely famous idiom of which the meaning is 'objection'. (387)


WINE: {49,1}

Well, as they say in the Urdu proverb, 'where is Ghalib, and where is fly vomit?' (On this idiomatic expression see {219,9}.) Who could think of a verse like this, except a highly unconventional poetic genius? Can't you just feel that he must have started, in the classic way, with the rhyme-word qai , and then gone on from there? (And indeed, mai itself rhymes with qai .) This verse certainly belongs to what I call the 'grotesquerie' set. But there's much more to it than that.

For this is a delightful, highly amusing mushairah-verse. The first line is unexceptionable: the ghazal world is full of protests by the rakish lover/drinker about the way pious people reject wine. The word radd has a whole set of suitable meanings that well describe the way the Ascetic might be expected to react to wine (see the definition above). How exactly, we wonder, will the second line rebuke his rejection? After a suitably long delay, we get to hear the second line; but in proper mushairah-verse style, it withholds its punch-word until the last possible moment-- and what a shocker that word is! Only after we've heard the word qai do we go back in our minds and recall that one of the secondary or tertiary meanings of radd is also 'vomit'. (This is an iihaam in at least an expanded sense, since both meanings are intended.) In effect, we now 'get' a whole different first line. Here too, as so often, Ghalib gives us three or four lines' worth of poetic enjoyment, within two lines' worth of words.

Sura 16 of the Qur'an is called 'The Bee'; its two relevant verses are these: 'And thy Lord taught the Bee to build its cells in hills, on trees, and in (men's) habitations; Then to eat of all the produce (of the earth), and find with skill the spacious paths of its Lord: there issues from within their bodies a drink of varying colours, wherein is healing for men: verily in this is a Sign for those who give thought.' (Qur'an 16:68-69)

Thus, as Hali and Nazm emphasize, honey is considered not just neutral, but an especially blessed substance, while wine of course is forbidden. Ghalib mischievously reverses these valuations by calling honey the 'vomit' or 'vomiting' of a bee. (The word magas is cognate to makkhii , and literally means a 'fly'; a bee is normally called a 'honey-fly' [shahad kii makkhii].) This description actually isn't so far from the words of the Qur'an-- except that through the word 'vomit' the idea has been made to seem deliberately disgusting.

Yet it has also been linked with the activity of the Ascetic toward wine, so now we subliminally feel that his act too a certain off-putting association. The verse vigorously defends wine-- not in any elaborate or rational way, but simply by naming it: it's wine, you foolish Ascetic! To say and hear its name is enough to justify it. What more could we need?