Lecture Table of Contents I. Introduction by Mark Tribe of Jeffrey Cunard II. Freedom v. License Legal Principles behind Joy Garnett Open Source Art-making Practices Digital Sound Sampling v. Pirating Thesis Question Brancusi III. Forgery and Plagiarism v. Appropriation and Sampling Definitions Examples: Chinese Paintings Examples: Vermeer Artistic Appropriation Summary of Joy Garnett Situation Transforming the Original IV. Copyright in a Nutshell V. 'Style' v. 'Expression' VI. Fair Use VII. Artistic Inspiration VIII. Transformation: Addition IX. Special Case of Photographs X. Image Manipulation XI. Scene Stealing XII. Transformation: Media Conversion XIII. Appropriation by Incorporation Examples: Picasso Collages 12 Monkeys Faith Ringgold's Quilt Rauschenberg Whitney Student Thomas Hoepker v. Barbara Kruger Marclay XIV. Appropriation by Copying Examples: 24-hour Psycho Pfeiffer's Shower Scene Duchamp & Bidlo Evans & Levine & Mandiburg XV. Special Cases of Parody Leibovitz Duchamp XVI. Koons in a Major Collision Court Influences Parallel Cases: Forsythe's Mattel XVII. Copyright and Culture Wars XVIII. Making Art: Trademark Law Warhol and Cambell XIX. Appropriation of Personalities XX. Publication: Clearing House Fair Use and Self Censorship E-Publishing XXI. Conclusion Audience Questions