Introduction by Mark Tribe I. The Price of Being Cultural Why study this stuff? What is Open Source? A 65 Mustang, the Roman      Alphabet, and 12 Bar Blues Regulatory System for Culture? Artists, Copyright,      and Status Anxiety Hip-hop and Copyright II. Antecedents: the Blues and Rock & Roll Shirley Dixon and Led Zeppelin "You Need Love" &      "Whole Lotta Love" Music Based on Shared Patterns Muddy Waters and Alan Lomax the Origin of "Country Blues" III. The Emergence of Hip-Hop "Air Music" Traditions of sharing culture Schooly D,       "The Signifying Rapper" The Cassette Tape Fear Mongering by the Media The Beastie Boys & Public Enemy Decoding Samples Over-the-top Sampling and       Lyrical Transgression Why do artists sample? IV. Legal Effects on Sampling Culture Caribbean Artistic Ethics 1991 Biz Markie Case New Song is not Parody "Thou Shall Not Steal" ruling New 'Bright Line' Kills       Unauthorized Sampling Unauthorized Creativity       at the Club Level V. Reactions Transformative Sampling Public Enemy,       "Caught, Can I Get a Witness" Racial Overtones of Ignoring Nuances The Sample Market Illegal Art Exhibit, Grey Album Creative Commons Project