Last modified Jun 9 2012 (most recent at the top)
From The Conundrum by David Owen.
From The Pleasures of Reading in an Age of Distraction by Alan Jacobs.
Many of us try to console ourselves in the midst of the blooming and buzzing by claiming the powers of multitasking. But a great deal of very thorough research into multitasking has been done in recent years, and it has produced some unequivocally clear results, chief among them being:
[...] When she spotted me reading [Victor] Hugo [Les Miserables] she reacted as though I'd taken a box of Crayolas to the Book of Kells.
"What on earth are you doing here?" she said.
"Im reading a book ma'am," I said. In my high school years I was polite to the point of being oleaginous.
"I can see that. Do I look like an idiot or something?" Miss Hunter snapped. "It's against the rules for a student to use the library during lunchtime."
"Sorry, ma'am. I didn't know that," I replied.
"What's that book you're reading?" She grabbed it out of my hand and examined it as though it were pornographic contraband. She studied the book, then eyed me with a ferocious scowl.
"This book's never even been checked out. Are you reading it for the dirty parts?" she asked, as though she had cracked the mystery of this strange encounter.
"I didn't know it had dirty parts," I answered.
"If it does I'll toss it with the morning trash. If you find anything dirty report it directly to me. Hugo's a Frenchman. I don't like his books. You know what I hear about this Hugo guy?"
"His characters," she said, studying the cover of the book. "He's depressing. All the folks he writes about are just so... just so miserable. We've got another of his books. You ought to try that. It's about a football team. Do you like football?"
Eileen Hunter seemed pleased at my answer and pulled another volume of Victor Hugo from a shelf. Then she handed me a copy of The Hunchback of Notre Dame for my reading pleasure. Though she never demonstrated a shred of affection for me, I heard from other teachers that Miss Hunter thought highly of me and always admired my passion for French literature.
From My Reading Life by Pat Conroy.
Outside, tractor trailers arrived from the fields, carrying potatoes that had just been harvested. The trucks dumped their loads onto spinning rods that brought the larger potatoes into the building and let the small potatoes, dirt, and rocks fall to the ground. The rods led to a rock trap, a tank of water in which potatoes floated and the rocks sank to the bottom. The plant used water systems to float potatoes gently this way and that way, guiding different sizes out of different holding bays, then flushing them into a three-foot-deep stream that ran beneath the cement floor. [...]
Conveyer belts took the wet, clean potatoes into a machine that blasted them with steam for twelve seconds, boiled the water under their skins, and exploded their skins off. Then the potatoes were pumped into a preheat tank and shot through a Lamb Water Gun Knife. They emerged as shoestring fries. Four video cameras scrutinized them from different angles, looking for flaws. When a french fry with a blemish was detected, an optical sorting machine time-sequenced a single burst of compressed air that knocked the bad fry off the production line and onto a separate conveyor belt, which carried it to a machine with tiny automated knives that precisely removed the blemish. And then the fry was returned to the main production line.
Spray of hot water blanched the fries, gusts of hot air dried them, and 25,000 pounds of boiling oil fried them to a slight crisp. Air cooled by compressed ammonia gas quickly froze them, and a device that spun like an out-of-control lazy Susan used centrifugal force to align the french fries so that they all pointed in the same direction. The fries were sealed in brown bags, then the bags were loaded by robots into cardboard boxes, and the boxes were stacked by robots onto wooden pallets.[...]
From Fast Food Nation by Eric Schlosser.
You can't retrieve your life (unless you're on Wikipedia, in which case you can retrieve an inaccurate version of it).
But you can retrieve the name of that actor who was in that movie, the one about World War II. And the name of that writer who wrote that book, the one about her affair with that painter. Or the name of that song that was sung by that singer, the one about love.
You know the one.
From I Remember Nothing by Nora Ephron
A man with a heavy Cantonese accent interrupted her. "How about legacies?" he asked.
"What do you mean?"
"How many of class are legacies?" he said. "Their parents went to Harvard."
"Oh, I don't have that information," she said. "I'm not sure we even keep that information."
Just a guess, then, the man persisted.
"I wouldn't want to guess."
"So you have no way of knowing?" he asked, with exaggerated incredulity. "The numbers don't exist?" His wife, short and stocky, stood next to him, staring at the dean. Their son bowed his head and closed his eyes.
"Legacy is just one of many factors that Harvard considers," the dean said. "I like to say 'legacy can help the wounded, but it can't raise the dead!'" She laughed uncomfortably but the father and mother still stared.
"Answer the question," another father called out.
"Maybe I can get that information for you afterward," she said, twisting one hand with the other. She moved one foot backward.
"Come on," said another parent, with just a hint of insurrection.
She was quiet a moment before surrendering. "If I had to say," she said, "thirty, maybe thirty-five percent."
There was a moment of shock before the murmuring began. The number was hard to square with the egalitarianism of the video we had just seen. The number suggested the tradition of Ivy League primogeniture.
From Crazy U: One Dad's Crash Course in Getting His Kid Into College by Andrew Ferguson.
From New York's Fabulous Luxury Apartments by Andrew Alpern.
A couple of weeks before my lunch with [editors] Tim [Seldes] and Wendy [Weil], I had bought a paperback book of quotations edited by George Seldes, Tim's uncle. I liked books of quotations and tend to buy them when I see them. This one, however, was filled with quotations that were expressed in such turgid and unmemorable prose that (even though I agreed with virtually all the liberal sentiments) I threw the book away.
It did, however, have the Abd er-Rahman III quotation under "Happiness." It went something like this: "I have reigned fifty years at the height of prosperity and power, loved by my friends, respected by my subjects, and feared by my enemies, yet in all that time I have known but fourteen completely happy days." I noticed that quote because until that time I had thought I was the only person in the world who knew it.
At lunch I said to Tim, "I just bought your uncle's book of quotations."
"Really," said Tim, "and did you notice the mistake in the very first item?"
Well, I hadn't. I knew that Tim asked me that only to puncture the rumor that I had a photographic memory, and the fact was that I hadn't the faintest idea what the first item in the book was. Thinking rapidly, however, I recalled that in the introduction to the book (I read introductions) it stated that the paperback (which I had bought) differed from the hardcover edition in listing quotes alphabetically by subject rather than by author. If in the hardcover the listing were alphabetically by author, then the Abd er-Rahman III quote was probably first.
Thinking that through took only a few seconds, so when I said, calmly, "Yes, I did," it sounded as though there had been no pause at all.
Tim said, disdainfully, "You're bluffing. You don't even know what the first quotation was."
"Yes, I do," I said, "It was Abd er-Rahman III's statement, "I have reigned fifty year..." and I completed it with reasonable accuracy.
Both Tim and Wendy were now staring at me, and Tim said, "And what was the error?"
"Although Abd er-Rahman III is quoted as saying he reigned fifty years, they give his dates of his reign, and he died after reigning only 49 years," I said (having happened to notice everything about that fascinating quotation.) "That's not really a mistake, however. He was counting the years by the Mohammedan lunar calendar, in which there are only 354 days to the year." I then went on (remembering another item I had noticed), "The quotation is only first in the hardcover, of course. In the softcover it is on page 441 and under...."
Tim could stand no more. He leaned across the table, seized my lapel, bunched it, drew me toward him, and said loudly, "Asimov, to choose a phrase at random--you're a prick."
I couldn't have done it for any other quotation in the book, and it was sheerest luck that Tim had picked on it.
From It's Been a Good Life by Isaac Asimov & Janet Jeppson Asimov (Ed.).
Early in my Navy Yard career, I had been asked to write a letter and it was promptly brought back to me. It was not written in Navy style.
"What is Navy style?" I asked, blankly.
They took me to a large filing cabinet containing all kinds of letters written in a formal, convoluted fashion. There had to be a heading of a certain kind, and then an "in re" with a coded letter-number entry. Each paragraph had to be numbered. Every sentence had to be in the passive.
The safest thing, they said, would be to find some paragraph in some previous letter that was approximately what I wanted to say and then make use of it with minimum changes.
I could see the purpose of that. Clear, literate writers could be trusted to use their ingenuity--but what of the average employee? By using fixed paragraphs, no idiot (however deeply immersed in idiocy) could go far wrong. It was like painting with numbers. It was a little hard on the few literates in the place, but that is a small price to pay for the privilege of avoiding rapid and total collapse, so I learned how to write Navy style.
Specifications had to be written Navy style also. Every paragraph had to be numbered; so did every subparagraph and every subsubparagraph. The main paragraphs were listed as I, II, III, and so on. If anything under a particular paragraph had to be enumerated it was A, B, C.... If A included enumerated items it was 1, 2, 3.... Under any of these was a, b, c..., and under these (1), (2), (3)..., and so on.
Furthermore, if in any one sentence you have to refer to another sentence, you located the referred sentence in its position in the specification, as, for instance, II, C, 3, a, (1).
Generally, there weren't too many indentation, or too many references back and forth, and the specifications, while rather tortuous, could be understood--given several hours of close study.
When it finally came my time to prepare the specification of the seam-sealing compounds, a certain Puckishness overtook me. Writing with absolute clarity, I nevertheless managed to break everything down into enumerations, getting all the way down to [(1)] and even [(a)]. I further managed in almost every sentence to refer to some other sentence for which I duly listed a complete identification.
The result was that no one on earth could have plunged into it and come out unscathed. Brain coagulation would have set in by page 2.
Solemnly, I handed in the specification. I had done nothing wrong, so I could not be scolded or disciplined. All they could do would be to come back with some embarrassment and ask for simplification--and, of course, the joke would be over and I would simplify. I just hoped that none of my supervisors would require hospitalization. I didn't really intend things to go that far.
But the joke was on me. My supervisors were wreathed in smiles at this product of the satirist's art. They took it straight and swallowed it whole.... Years later, I was told that that specification was still preserved (under nitrogen, do you suppose?) and handed out to new employees as an example of how specifications ought to be written.
I worried, sometimes, in looking back on it, just how much, in my eagerness to play a harmless joke, I had set back the war effort.
From It's Been a Good Life by Isaac Asimov & Janet Jeppson Asimov (Ed.).
I looked around and couldn't see anything except asphalt and a few stones small enough to skip. Then I spotted a lone speedwalker racing down the sidewalk. "Excuse me," I said, chasing after him, "but where's Plymouth Rock?"
Without breaking stride, he thrust his thumb over his shoulder. "You just passed it."
Twenty yards back was a columned enclosure, between the sidewalk and shoreline. Stepping inside, I came to a rail overlooking a shallow pit. At the bottom sat a lump of granite, the wet sand around it strewn with cigarette butts and ticket stubs from the wax museum. The boulder, about five feet square, had a badly mended cleft in the middle. It looked like a fossilized potato.
A few minutes later a family arrived. As they entered the portico, the father intoned to his children, "This is where it all began." Then they peered over the rail.
"It's like, nothing."
"We've got bigger rocks than that in our yard."
Before long, the portico was packed: tour bus groups, foreign sightseers, summer campers. Their response followed the same arc, from solemnity to shock to hilarity. But Plymouth Rock was an icon of American history. So visitors dutifully snapped pictures or pointed video cameras at the static granite.
"That's going to be one heckuva home movie."
"Yeah. My Visit to Plymouth Pebble."
"The Pilgrims must have had small feet."
As a town, Plymouth also took pains to puncture the romantic myths that had grown up around its early settlers. Paintings and legend depict the Pilgrims stepping from the Mayflower straight onto the ROck, and many visitors still believe this actually happened. But a historic marker near the Rock, and a booklet sold at museum shops, spelled out in detail the amusing truth behind the boulder's enshrinement.
The first of the Mayflower passengers to step ashore at Plymouth were scouts, who arrived in a small boat. When the Mayflower followed, the ship anchored a mile out in the shallow bay, and the English were shuttled ashore. In any event, the Pilgrims never mentioned the Rock--or any coastal rock--in their copious writing about Plymouth. Rather, the story of the hallowed stepping-stone derived from oral testimony, recorded generations later, in the manner of an Icelandic saga.
"About the year 1741," the story went, a church elder named Faunce asked to be carried to the shore, where a wharf was soon to be built. Pointing to a large rock, he said it was the very stone that "had received the footsteps of our fathers on their first arrival." Faunce then "bedewed it with his tears and bid to it an everlasting adieu."
Elder Faunce was ninety-five at the time. Even if his memory was intact, he'd been born a quarter century after the Pilgrims landed. His father, from whom he'd heard the story, wasn't a witness, either; he came to Plymouth three years after the Mayflower. And the story of Faunces identification of the stone was itself based on a boyhood memory, that of a deacon who recalled, many decades later, having been "present on the interesting occasion" of the old man's teary farewell.
At the time of Faunce's adieu, no one else much cared about the Rock, which was promptly buried beneath the wharf. But on the eve of the American Revolution, "animated by the glorious spirit of liberty," Plymoutheans tried to free the stone with thirty yoke of oxen. In so doing, they split it. Unable to pry loose the bottom half, they toted the top part to the town square, where it became a venerated and much vandalized symbol of liberty, with souvenir-seekers chipping off pieces to carry home.
When locals later moved the mutilated stone to safer ground, behind a fence at Pilgrim Hall, they dropped it from a cart, adding a fresh crack. Eventually, the wandering slab was reunited with its other half at the waterfront and cemented to it. The wharf was torn down and the Greek Outhouse erected, creating the venue where tourists have looked down at the much-abused Rock ever since.
From A Voyage Long and Strange: Rediscovering the New World by Tony Horwitz.
From Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future by Cory Doctorow.
I was impressed. Most people think the capital of Australia is Sydney.
"I'm very good at capitals," Winston said proudly. "Ask me any and if I get it right you can buy me a beer."
"Okay," I said. "What's the capital of Burundi?"
After a few minutes of thinking he looked at me with a pained look on his face and whined, "I don't know!" The thought of the beer he'd just missed out on was almost too much for him to bear.
"Oh, don't be mean!" said the GND. "How would he know that? Give him an easy one!"
"Okay," I said, a little chastened. I'd thought the exercise had been to test his knowledge, but it seemed the GND saw it merely as a pretext to hand the guy money. "What's the capital of India?"
"Bombay?" he said hopefully.
"New Delhi, I'm afraid" I went to walk off but the GND hit me.
"Ask him another one. And make it easy!"
"Okay," I said. "What's the capital of the USA?"
"Oh, I know that one," Winston said excitedly, jumping up and down. "New York!"
"That's right," I lied, handing him a dollar.
From The Full Montezuma: Around Central America with the Girl Next Door by Peter Moore.
"Let me see," I say. "2001? Thirteenth of July?" I close my eyes and wait a few seconds, as if I'm concentrating. "Ah, right. Okay. Yes. July 13, 2001. It was a Tuesday. We went to Il Fornaio in Palo Alto. I had a Waldorf salad and a bottle of San Pellegrino. I sent the salad back because there was mayonnaise in the dressing and had them make it again with a vinaigrette dressing, and the waiter said then it won't be a Waldorf salad and I said that's fine, bring me what I want. Waiter's name was Anton. Six-one, slender, brown curly hair. Wore a silver ring on his right hand, middle finger. Timex sport watch on his left wrist. Sonya had a turkey club sandwich, no bacon, light mayo, and a Diet Coke with a wedge of lemon. No, strike that. Wedge of lime. The bill came to twenty-tree dollars and nineteen cents. I left a two-dollar tip. Paid with a Visa card."
Chip scowls. "So, that's a no?"
"Do you remember where you were on some random day five years ago? Come one."
From oPtion$: The Secret Life of Steve Jobs by Fake Steve Jobs (Daniel Lyons).
"They're not called crests, Short."
"Tut-tut. How long have you worked here? The preferred term is coat of arms."
The world of books has no shortage of prigs, which may be why Finster Dapples decided to distinguish himself by slipcasing commonplace pretension in Anglo speech. (How many native New Yorkers say "Tut-tut"?) Finster, far from tracing his roots to a twelfth-century Lincolnshire leasehold, grew up in a Brooklyn housing project. His own coat of arms might well have been crossed stickball bats and cockroaches rampant on a field of cracked concrete.
From The Grand Complication by Allen Kurzweil.
But who puts the neat deck in order? A little experimenting with people of modest card dexterity shows that on average it takes 140 seconds to order a deck, plus another 16 seconds to find four cards in the ordered deck for a total of 156 seconds; it takes about 35 seconds to find four cards in an unsorted deck. One could argue that you only have to order the deck once, and then you can find cards more quickly many times. But in that case, you also need to account for the time it takes to replace the four cards in an ordered deck, about 16 seconds--with cards, as with most things in life, it requires repeated effort to maintain order--compared to the fraction of a second it takes to stick four cards anywhere in an unordered deck. Thus, with a preordered deck, it takes 32 seconds to find and replace four cards, versus 36 seconds with a shuffled deck, giving the preordered deck a 4-second advantage. But since it requires 140 seconds to order the deck, taking that trouble wouldn't pay off unless you need to repeat the task at least thirty-five times, and you're meticulous about maintaining the deck's order between each attempt. In real life, decks tend to get shuffled sooner or later, requiring 140 seconds each time to restore order.
Indeed, organizers freely admit that ongoing maintenance is critical to being organized, and many concede that most clients they organize fail to stick with the program and lapse back into disorder. But that's okay--you just need to have the organizer come back every so often to get back on track.
From A Perfect Mess by Eric Abrahamson and David H. Freedman.
From The Writer's Idea Book by Jack Heffron.
As many as four nuclear detonations a month were conducted in Nevada in the peak years. The mushroom clouds were visible from any parking lot in the city, but most visitors went to the edge of the blast zone itself, often with picnic lunches, to watch the tests and enjoy the fallout afterward. And these were big blasts. Some were seen by airline pilots hundreds of miles out over the Pacific Ocean. Radioactive dust often drifted across Las Vegas, leaving a visible coating on every horizontal surface. After some of the early tests, government technicians in white lab coats went through the city running Geiger counters over everything. People lined up to see how radioactive they were. It was all part of the fun. What a joy it was to be indestructible.
From The Life and Times of the Thunderbolt Kid: A Memoir by Bill Bryson.
"Hiya, Eddie," Mike Shanahan said to the policeman, as he got out picture ID that showed him to be a consultant to the mayor's office.
"How you doin', Mikey," the policeman said. The bar remained across the turnstile.
"You want to let me in, Eddie, so I can serve the people of this great city to the best of my ability?"
"We got a security check goin' today, Mike," the policeman said.
He began typing with two fingers on a computer keyboard in order to bring Shanahan's security form up on a monitor that only he could see.
"Didn't we have a security check yesterday?" Shanahan asked.
"That's right. So far, we've had a security check every day this week."
"The mayor particularly worried about the forces of disorder this week?"
"You got it," the policeman said. "Okay. Here we are. Grandmother's maiden name?"
"Eddie, listen: We grew up together. You actually knew my grandmother. Do I really have to tell you her maiden name every day?"
Eddie waited at the computer. Neither he nor Shanahan said anything for a few moments. Finally, Eddie said, "It's a job, Mikey."
"Houlihan," Shanahan said. My grandmother's maiden name was Kate Houlihan."
"And an old dear she was, too," the policeman said, smiling at the memory. "I can still taste those molasses cookies of hers."
He asked Shanahan four more questions that were answered correctly, and then pressed a button to lower the bar on the turnstile. "Take her easy, Mikey," he said, as Shanahan walked toward the building.
Shanahan, showing his pass two or three more times to the people he'd worked with for three years, finally made his way to the mayor's outer office, where Teresa, a secretary he'd slept with off and on for a period of four months earlier in the administration, informed him that any visitor to the mayor's office was now required to peer into a machine that would determine by the iris of his right eye whether or not he was who he said he was.
Shanahan looked at Teresa for a while without saying anything.
Teresa broke the silence. "If what I am witnessing constitutes being rendered speechless by news of this security device," she said, "you should know that being speechless is not a valid excuse. You will have to look into the machine."
"Do you have reason to believe I'm not me?" Shanahan asked.
"I'm pretty sure you're you," Teresa said. "How many people could look that much like the farmer driven out of Ireland by the potato famine? But if you don't let the machine check the iris of your right eye you can't go into the mayor's office."
From Tepper Isn't Going Out by Calvin Trillin.
Sunny [Zoe's mother] laughed. "Stop being a flirt. Honestly, Zoe."
Zoe wheeled on her mother. "You're the one who said it!" The kid could see she'd hit the mark and she pressed her advantage. "You said yourself, Mom. 'Look at that fine spaceman! Don't we know him?' You said that."
"Spaceman?" I said.
"Specimen," Sunny murmured. She was blushing sweetly.
From Which Brings Me to You by Steve Almond and Julianna Baggott.
These studio workers are actually following a long tradition of people who have paid money to have stories read to them. In the mid-nineteenth century, Cuban cigar makers hired a lector de tabaqueria to read to them while they worked. One of the most popular books was Alexander Dumas's Count of Monte Cristo. Visions of Mediterranean islands, lost love, and clashing swords so entranced the cigar workers that they ordered the book read again and again. In 1870, the workers wrote to the author and asked his permission to name their cigars in the book's honor, which Dumas granted that year of his death. Thus was born the Montecristo cigar.
From The Little Guide to Your Well-Read Life by Steve Leveen.
From My Name is Red by Orhan Pamuk.
Well, on the blackest Friday I ever want to see, I was summoned to Monograph [the fictionalized name of the studio] and handed three outsized paperback volumes of an English book which was about to be published here. I was to read all three volumes over the weekend, and since each volume was double the length of the usual novel I was invited to charge double money for each. I hurried home with the three volumes and after dinner began to read Volume I. And if Monograph's office had been open at that hour, I'd have phoned and quit my job.
What I had to read, during that nightmare weekend--taking notes on all place names, characters' names and events therein--was fifteen hundred stupefying pages of the sticky mythology of J. R. R. Tolkein. (I hope I'm spelling his name wrong.) I remember opening one volume to a first line which read
Mr. Bilbo Baggins of Bag End announced that he would shortly be celebrating his eleventy-first birthday...
and phoning several friends to say good-bye because suicide seemed so obviously preferable to five hundred more pages of that.
I also remember the bill I turned in:
They paid it.
From Underfoot in Show Business by Helene Hanff.
Then there are invented names. Roland G. Fryer, Jr., while discussing his names research on a radio show, took a call from a black woman who was upset with the name just given to her baby niece. It was pronounced shuh-TEED but was in fact spelled "Shithead." Or consider the twin boys OrangeJello and LemonJello, also black, whose parents futher dignified their choice by instituting the pronunciations a-RON-zhello and le-MON-zhello.
From Freakonomics : A Rogue Economist Explores the Hidden Side of Everything by Steven D. Levitt and Stephen J. Dubner
From The Lyttelton-Hart-Davis Letters: A Selection: Correspondence of George Lyttelton and Rupert Hart-Davis, 1955-1962 edited by Roger Hudson
--Marcus du Sautoy
From Science, Not Art: Ten Scientists' Diaries edited by Jon Turney
From He Died with a Felafel in His Hand by John Birmingham
From "The Old Stone Fence" in The Spirit of the Bush by Bruce Venables
Just before I got there I could feel my mobile vibrating in my pocket. Ian's number came up. He was probably ringing to tell me he'd be late.
"Dan... guess where I am?"
"Somewhere that means you'll be late?"
"I'm nearer than you think."
Ian was being mysterious. It's not good when Ian's being mysterious.
"Where are you? And why are you being mysterious?"
I scanned the road, but couldn't see him anywhere.
"What's the most unlikely vehicle for me to be in right now?"
I re-scanned the road. Virtually opposite me was a huge, white stretch limousine. The type you see over and over again on a Saturday night cruising down Charing Cross Road, and despite knowing that it's either a debauched hen night or some kind of local radio winner, part of you always wonders whether Leo Sayer might pop his head out the door, or you might catch a glimpse of Gary Coleman on his way to some audition or other.
"You're not in the limo, are you?"
"Is Gary Coleman in there?"
"What are you doing in the limo?"
"Waving at you!"
I couldn't believe it. I crossed the road, smiling, and stood next to the limousine, studying my own reflection in its blacked-out windows.
"I don't understand!" I said. And I didn't. This wasn't his car. I've been in his car lots of times. I would've remembered it this was it.
"I'm still waving at you, you rude bastard."
I stood there, an incredulous look on my face, and started to wave at the general area where I thought Ian would be sitting. I knocked on the glass, smiling.
"Peter the driver is waving at you now!"
I stepped back and started to wave at Peter the driver. His window wasn't blacked-out, and I continued waving while he just stared at me, a rather worried smile on his face.
"Hello, Peter the driver!" I tried.
"Why don't you come in?" said Ian.
"Okay!" This was exciting. I'd never been in a stretch limo before. I reached for the door handle and tried to open the door. The limo started up and inched away from me slowly. I heard the central locking chunk-click.
"What are you doing?" I said.
"Just standing about."
"In a limo?"
"No, outside Starbucks."
I looked up. Ian was grinning at me, mobile in hand, while I, his supposed friend, was apparently attempting to break into a parked limousine, and waving at God knows who. Maybe one day I'd see Gary Coleman talking about that moment on some confessional chat show as one of the most frightening of his life.
"You tit," I said, as I sat down with my tea.
"I'm sorry. You should have seen your face. I'll pay for your tea by way of apology."
From Join Me by Danny Wallace
From Join Me by Danny Wallace
From The Burglar in the Rye by Lawrence Block
From A Hidden Magic by Vivian Vande Velde
From Within a Budding Grove (In Search of Lost Time, Volume II) by Marcel Proust, C.K. Scott Moncrieff, Terence Kilmartin (trans.)
Now, thanks to maturity, or psychotherapy, or the simple fact that as I get older I have a lot less time and even less patience, I have given up my membership in the book equivalent of the Clean Plate Club. If I don't like it, I stop reading.
Letting myself off the hook has been beneficial in any number of ways, not the least of which is that it gives me more time to devote to books I actually do like. And, I suppose, knowing I don't have to finish everything I start makes me braver in making out-of-the-mainstream choices in the first place. If I were still laboring under the assumption that an unfinished book would screw up my reading GPA, I might never have tried to fathom Vaclav Havel, for instance. (Never mind that that 'tried' comes with an elliptical but understood 'and failed.)'
From So Many Books, So Little Time: A Year of Passionate Reading by Sara Nelson
Tourist: 'Waiter, there's a fly in my soup.'
Tourist: 'In my soup. A fly. Un mouche.'
Waiter: 'Une mouche, m'sieur. It's feminine.'
Tourist (peering): 'Blimey, you've got good eyesight.'
From A Pound of Paper by John Baxter