NINETEENTH-CENTURY AMERICAN WOMEN WRITERS
SCHEDULE OF READINGS
FALL 2003

DATE ASSIGNMENT RESOURCES
M 9/8 INTRODUCTION: Women’s rights and women’s writinG

REQUIRED READING:

OPTIONAL READING:

  • Judith Fetterley, "Elizabeth Stuart Phelps," in Provisions, 203-209 (reserve)
  • Stanton, The Concise History of Woman Suffrage, pp.xvii-370 (reserve)

     

M 9/15 Tears, love, and Christian submission

REQUIRED READING:

  • Susan Warner, The Wide, Wide World (1850)
  • Ann Douglas, "The Legacy of American Victorianism: The Meaning of Little Eva," in The Feminization of American Culture, 3-13 (reserve)

OPTIONAL READING

 
 
W 9/17 * DUE: Greeting message posted to on-line discussion under heading "meet the scribbling women"  
M 9/22 Women's work

REQUIRED READING:

  • Benita Eisler, ed. The Lowell Offering (1840-45)
  • Alcott, excerpts from Work: A Story of Experience (1873), chapters 1-6 and 20 (in Alternative Alcott, 239-349)
  • Alcott, "How I Went out to Service" (1874) (in Alternative Alcott, 351-363)
  • Nancy F. Cott, "Domesticity," in The Bonds of Womanhood: "Woman's Sphere" in New England, 63-100 (reserve)

OPTIONAL READING:

  • Cathy N. Davidson, "Preface:  No More Separate Spheres!" American Literature 70.3 (September 1998):  443-463.  (Note:  This link may not work from computers outside of the Columbia network.)
  • Note also that the issue of American Literature to which Davidson's essay serves as preface may be of interest to you, either now or later in the semester.
 
M 9/29 Writing as work

REQUIRED READING:

  • Fanny Fern (Sara Payson Willis Parton), Ruth Hall (1855)
  • Hawthorne on women writers and Fanny Fern (handout)
  • Susan Coultrap-McQuin, "Gentlemen and Ladies: Ideals and Economics in the Literary Marketplace," in Doing Literary Business: American Women Writers in the Nineteenth Century, 27-48

OPTIONAL READING:

  • Sandra M. Gilbert and Susan Gubar, "Infection in the Sentence: The Woman Writer and the Anxiety of Authorship," in Feminisms, 289-300 (reserve)
Fanny Fern at PAL
F 10/3 * DUE: ONE-PARAGRAPH THESIS TOPIC PROPOSAL HANDED IN TO MY MAILBOX IN BARNARD 417 AND POSTED TO THE ON-LINE DISCUSSION UNDER THE HEADING “TENTATIVE THESIS TOPICS”  
M 10/6 YOM KIPPUR--NO CLASS (conferences this week with Professor Gordis)
M 10/13 Reform as women's work

REQUIRED READING:

OPTIONAL READING:

  • Jane Tompkins, "Sentimental Power: Uncle Tom's Cabin and the Politics of Literary History," in the Norton Critical Edition of Uncle Tom's Cabin, 501-522.  (For those who have other editions of the novel, the essay is also reprinted in Feminisms, ed. Warhol and Herndl, 20-39, on reserve.)
  • Lauren Berlant, "Poor Eliza," American Literature 70.3 (September 1998): 635-668.

 

W 10/15 *DUE: POST INFORMATION ABOUT A PROMISING SOURCE OR RESEARCH TOOL TO THE ON-LINE DISCUSSION, UNDER THE HEADING "RESEARCH TIPS"  
F 10/17 *ANNOTATED PRELIMINARY BIBLIOGRAPHY DUE  
M 10/21 Women and slavery

REQUIRED READING:

  • Harriet Jacobs, Incidents in the Life of a Slave Girl (1861); see also letters pp. 253-9, 266-7 of the Harvard University Press enlarged edition.
  • Hazel V. Carby, "Slave and Mistress: Ideologies of Womanhood under Slavery," in Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist, 20-39 (reserve)

OPTIONAL READING:

M 10/27 Emancipation

REQUIRED READING:

  • Frances E. W. Harper, Iola Leroy (1893)
  • Frances Smith Foster, Introduction, in Iola Leroy (xxvii-xxxix)

OPTIONAL READING:

 

 
M 11/3 ACADEMIC HOLIDAY--NO CLASS (conferences this week with Professor Gordis)
Th 11/6 *THESIS PROSPECTUS DUE  
M 11/10 "Little Women" become "Good Wives"

REQUIRED READING:

OPTIONAL READING:

  • Karen Halttunen, "Disguises, Masks, and Parlor Theatricals: The Decline of Sentimental Culture in the 1850s," in Confidence Men and Painted Women: A Study of Middle-class Culture in America, 1830-1870, 153-190 (reserve)
  • Sheryl A. Englund, "Reading the Author in Little Women: A Biography of a Book," American Transcendental Quarterly: 12.3m (September 1998): 199-219.
  • Nina Auerbach, "Waiting Together: Two Families," in Communities of Women: An Idea in Fiction, 33-73 (reserve)

*POSSIBLE OPTIONAL SCREENING OF "LITTLE WOMEN" (1933) at 7:30 pm in Barnard 409

 

 
M 11/17

Art and marriage

REQUIRED READING:

  • Elizabeth Stuart Phelps (1844-1911), The Story of Avis (1877)
  • Susan Stanford Friedman, "Creativity and the Childbirth Metaphor," in Feminisms, ed. Warhol and Herndl 371-396 (reserve)

OPTIONAL READING:

  • Julia Kristeva, "Women's Time," in Feminisms, 443-462.
  • Susan Coultrap-McQuin, "The Demise of Feminine Strength: The Career of Elizabeth Stuart Phelps (Ward)," in Doing Literary Business: American Women Writers in the Nineteenth Century, 167-192 (reserve)

*OPTIONAL SCREENING OF "LITTLE WOMEN" (1994)
7:30 pm in Barnard 409

* WORKING DRAFT DUE

 
M 11/24

Seduction and power

REQUIRED READING: 

  • Elizabeth Drew Stoddard, The Morgesons (1862)
  • Karen Lystra, "Secrecy, Sin, and Sexual Enticement: The Integration of Public and Private Life Worlds," in Searching the Heart: Women, Men, and Romantic Love in Nineteenth-Century America, 88-120 (reserve)

OPTIONAL READING: 

  • Susan K. Harris, "Projection the 'I'/Conoclast: First-Person Narration in The Morgesons," in 19th-Century American Women's Novels: Interpretive Strategies, 152-170 (reserve)

 

 

 
M 12/1 "She dealt her pretty words like Blades--"

REQUIRED READING:

  • Emily Dickinson, Poems 126, 187, 249, 271, 277, 280, 288, 313, 315, 324, 326, 327, 338, 351, 436, 441, 443, 444, 448, 486, 501, 512, 524, 569, 578, 613, 621, 632, 636, 642, 652, 657, 670, 728, 745, 747, 754, 1072, 1090, 1129, 1182, 1261, 1317, 1545, 1651, 1657, 1670 (Note: These numbers refer to the Thomas Johnson edition of The Complete Poems of Emily Dickinson. If you've got another edition, spend a few minutes at the reserve room checking first lines.)
  • Cristanne Miller,"Names and Verbs: Influences on the Poet's Language," in Emily Dickinson: A Poet's Grammar 131-159 (reserve)

OPTIONAL READING:

  • Selections from Cristanne Miller, "A Grammar," in Emily Dickinson: A Poet's Grammar, 20-112 (Choose the sections that seem useful to you.) (reserve)
  • Karen Sánchez-Eppler, "At Home in the Body: The Internal Politics of Emily Dickinson’s Poetry," in Touching Liberty: Abolition, Feminism, and the Politics of the Body, 105-131.
  • Domhall Mitchell, "Revising the Script: Emily Dickinson's Manuscripts," American Literature 70.4 (December 1998): 705-37.
  • Sandra M. Gilbert and Susan Gubar, "A Woman--White: Emily Dickinson's Yarn of Pearl," in The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, 581-650 (reserve)
F 12/5 *THESIS DUE  
M 12/8

Constraint and triumph

REQUIRED READING:

  • Mary E. Wilkins Freeman, "On the Walpole Road," "The Revolt of 'Mother,'" "A Poetess," "A Village Singer," "A Gala Dress," in Selected Stories of Mary E. Wilkins Freeman; "Old Woman Magoun" (online or handout)
  • Delores Hayden, "The Grand Domestic Revolution," in The Grand Domestic Revolution: A History of Feminist Designs for American Homes, Neighborhoods, and Cities, 1-29 (reserve)

OPTIONAL READING:  

* PRESENTATION OF THESIS & CELEBRATION!

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