Curb Your Enthusiasm
posted
to www.marxmail.org on
When Seinfeld's Executive Producer Larry David launched a
new TV show on HBO playing himself, it might have been anticipated that
"Curb Your Enthusiasm" would retain some of the characteristics of
the Seinfeld show. This it does. Not only is the character Larry David just as
self-centered and obnoxious as the Seinfeld regulars, he has the same whining
Unlike most Americans, I could not stand the Seinfeld show.
I thought the show relied too heavily on shtick, a Yiddish word meaning
gimmick--especially in the comic sense. For example, Jack Benny's cheapness was
shtick, as was
"Curb Your Enthusiasm" does incorporate the same kinds of convoluted plots as Seinfeld, usually putting one of the main characters into an excruciatingly embarrassing situation. Since they are not constrained by network requirements to keep bible belt figures like Donald Wildmon happy, these plots tend to be a lot rawer and a lot funnier. For example, in one show, Larry David performs oral sex on his wife only to get a pubic hair stuck in his throat. For most of the episode, he is seen gagging and choking in polite company trying to dislodge the troublesome hair.
But "Curb Your Enthusiasm" has many other features that were not seen on Seinfeld or any other television show on or off cable. For one thing, much of the dialogue is improvised on the spot. Larry David himself got started as an improvisational stand-up comedian in NYC. This means that the performances have few of the kind of histrionics associated with situation comedies. For example, on all network comedies the actors are always speaking in a completely unnatural manner leading up to some gag that is punctuated by a raucous laugh-track explosion. On "Curb Your Enthusiasm", you will more likely find the characters sounding like real people chatting over an awkward situation that does not lead up to a conventional punch-line.
For example, in last night's episode Larry David is in an examination room waiting for the doctor to look at a head wound (Mel Brooks has accidentally smacked him on the forehead when opening up the bathroom door in his office.) Growing bored, he picks up the doctor's phone and starts chatting with his business partner who is in the waiting room. When the doctor comes in, he tells him that patients are not allowed to use the phone. This leads to a five minute argument between David and the doctor over this practice, with David demanding to know the reason for this rule and the doctor telling him that he does not need to know. They end up calling each other pricks.
Despite its American (and Jewish) roots, the show will
remind you of British comedy. The improvised dialogue, as well as the tendency
to demonstrate human frailty and self-deception at its worst, will remind you
of Mike Leigh. In addition, the universal tendency of each show to end up in
some kind of calamity will remind you of "
Larry David and all of his big-time
The show also sends up the phony liberalism of
Cheryl: Do you think that's a good idea, for us to be apart if something did happen?
Larry (chewing gum): Then at least one of us would survive.
Cheryl: It just seems if we're gonna go we should go together.
Larry: Not necessarily. It almost seems a little selfish that you would want both of us to perish.
Cheryl: So you'd be fine going on without me.
Larry: It would be very difficult at first, sure, but hopefully at some point I could get back some semblance of a life.
Cheryl: OK. If you feel good about one of us dying and the other one surviving and you can live with that for the rest of your life, then you should go golf this weekend.
Larry: I'll think about it.
Cheryl: Think about it.
Since Larry David is notoriously reclusive and refuses to give interviews, it might be difficult to understand why he has created such a deliciously misanthropic show. Fortunately, Robert B. Weide, the show's Executive Producer and frequent director, is much more forthcoming. There's an interview with him on the "Curb Your Enthusiasm" website that I invite you to check out: http://www.hbo.com/larrydavid/interviews/ (You can also watch excerpts from the show there.) He also has a website at: http://www.duckprods.com/
Weide has a very interesting resume. He is the director of "Lenny Bruce: Swear To Tell The Truth" and cites Bruce's use of language as an inspiration for "Curb Your Enthusiasm". In the episode of the ill-fated restaurant's opening, the chef, who suffers from Tourette's Syndrome, yells out without provocation "Shit, motherfucker, cocksucker" at the top of his lungs. This inspires David and all his friends and partners to begin shouting out similar curses just to lessen the tension. Pure Lenny Bruce.
Weide was also the Executive Producer of Mastergate, a Showtime movie that is described as follows on his website:
Taking its cue from
Watergate and the Iran-Contra hearings, Mastergate
spoofs Congressional investigative committees and shows how politicians have
mastered the art of using language as a smokescreen. Hardly a sentence emerges
from anyone’s mouth that doesn’t have at least two meanings, yet almost
everything said is meaningless.
The "Mastergate" hearings uncover our government’s covert
shipment of illegal arms to a Latin American country, using a big budget
The first year's episodes of "Curb Your Enthusiasm" are now available on DVD and can be rented at your local video store or purchased from amazon.com. Highly recommended.