Howard Zinn: You Can't Be Neutral on a Moving Train
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In this season of leftwing documentaries, I can't imagine
anything that will surpass "Howard Zinn: You Can't Be Neutral on a Moving
Train," which opens at the
With facial features and a long, lean frame resembling
While working in the
After WWII begins, Zinn decides to enlist into the Air Force as a bombardier even though his navy yard job would have provided an exemption. In the final weeks of the war, he and his fellow airmen are given orders to bomb a small French town where German soldiers have been spotted. Not only is the fighting virtually over, they are ordered to drop an early version of napalm on the town, which kills many citizens as well as "enemy" soldiers. From 30,000 feet, it is very difficult to avoid "collateral damage." This traumatizing event turns Zinn into a pacifist. Unlike the Communist Party that always viewed the war as a crusade against evil, Zinn would begin to question WWII and eventually all wars. He should be seen as part of an important pacifist tradition that also included Pacifica network founder Lew Hill and David Dellinger, who went to prison for refusing to serve in the military. In many ways, such figures were all-important in helping to shape the New Left.
After the war ends, Zinn returns to
Eventually Zinn ends up at
After the radical movement of the 1960s has subsided, Zinn
embarks on the most important project of his life: writing "A People's
History of the
One such person is Bruce Springsteen, who after reading
Zinn's book, sat down to record "
It was early springtime that the strike was on
They moved us miners out of doors
Out from the houses that the company owned
We moved into tents at old
I was worried bad about my children
Soldiers guarding the railroad bridge
Every once in a while a bullet would fly
Kick up gravel under my feet
We were so afraid they would kill our children
We dug us a cave that was seven foot deep
Carried our young ones and a pregnant woman
Down inside the cave to sleep
full: http://www.ukans.edu/carrie/docs/texts/ludlow.htm
Actors Matt Damon and Ben Affleck incorporated "A People's History" into their Oscar-winning "Good Will Hunting." Damon's character, a janitor at Harvard, shows up a pretentious Harvard student with his intimate understanding of American history, something that he learned from a "real book," namely Zinn's magnum opus. (Matt Damon is the narrator of the film.)
While "A People's History" has been embraced by the people who matter most to Zinn, the academic establishment has been less favorably disposed. (So has pro-Iraq war Dissent Magazine, a bland social democratic venue that finds his work one-sided. This, if anything, should serve as a stamp of approval). Oscar Handlin, a Harvard historian and Commentary Magazine contributor, hated the book. In a review for The American Scholar, he wrote that Zinn was "a stranger to evidence." Not only was the book "anti-American," but it was an "indiscriminate condemnation on all the works of man -- that is upon civilization, a word he usually encloses in quotation marks." Zinn, it should be added, was in good company since Handlin also characterized William Appleman Williams' "Contours of American History" as "farcical" and "an elaborate hoax."
While watching this wonderful movie, I reflected on what was lost in American leftwing politics when native radical traditions were abandoned in favor of a schematic imitation of Russian Bolshevism. Clearly, Zinn hearkens back to earlier traditions from Thomas Paine to Henry David Thoreau. I don't think that it would be an exaggeration to say that unless the left recovers those traditions and synthesizes them with the best of Marxist thought, we have no future.
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Gregory Pack and Howard Zinn comparison: http://www.marxmail.org/Peck_Zinn.htm