Rembetika
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Last night the World Music Institute presented "Women
of Rembetika" as part of their 5th annual Greek
Festival.
The program notes define the genre as follows:
"The rembetika are Greek songs associated with
an urban low-life milieu frequented by rembetes or manges, street-wise characters of shady repute, may of whom smoked hashish. The genre occupies a similar
place in Greek culture to that of the tango in
Two leading vocalists were backed by a 5 piece band that included bazouki, a string instrument that is as essential to rembetika as the bandoneon, or
accordion, is to Tango. Maryo is an older singer
whose voice has a kind of hoarse urgency that is familiar in flamenco. She was
joined by Giouli Tsirou, a
younger singer who is considered a rising star.
They performed songs made famous by a group of 11 female rembetika
singers; all are deceased, but one. It is a testimony to the horrors of 20th
century ethnic strife and warfare that most of these singers were born in
Rosa Eskenazi, one of the most famous and honored of
the 11 divas, is typical of the kind of ethnic gumbo that existed in
Musically, rembetika has its roots in the popular
music of the
In the 1950s rembetika became as stylized as tango.
This is where the image of people dancing in Greek nightclubs while smashing
dishes became something of a cliché. The real thing is much more intense,
however. If you go to: http://www.greecetravel.com/music/rembetika/,
you can hear samples of rembetika as well as some
insightful commentary on Greek culture.
One of the great tragedies of bourgeois nationalism is that it drives a wedge
between peoples who have powerful affinities. Even in