The Twilight Zone
(posted to www.marxmail.org on Sept. 19, 2002)
From 1959 to 1964, "The Twilight Zone" appeared
weekly on CBS television in the USA. Hosted and produced by Rod Serling, who
also wrote the majority of the scripts, the show combined elements of science
fiction and fantasy in order to deliver a message about contemporary society.
Intrinsic to each episode was a morality lesson presented by Serling after the
end of each teleplay, which always concluded with an O. Henry surprise ending.
Typical was the tale of a women in a hospital bed whose face was completely
wrapped in bandages. The doctors and nurses, whose faces are never seen until
the climax of the drama, are in a last-ditch effort to make her palatable to
the rest of society through plastic surgery. Born with a monstrous congenital
birth defect, she cannot walk out on the streets without having people faint in
terror or throw stones at her. When the bandages finally come off, she is
revealed to be a stunningly beautiful woman while the doctors and nurses look
like warthogs--to put it charitably. Serling's comment went something like
this: "When a society can dictate who is beautiful and who is not in such
a topsy-turvy fashion, perhaps we need to dispense with the notion of beauty
altogether." For an alienated teenager like myself, this was an
encouraging morality tale. Only a few years later, African-Americans would draw
similar lessons and stop straightening their hair.
Serling also drew upon the talents of Richard Matheson, who has been
called "one of the most important writers of the 20th century" by Ray
Bradbury and "the author who influenced me most as a writer" by
Stephen King. The series featured actors such as Robert Redford, Robert
Duvall, and Dennis Hopper before their careers took off. It also featured
established stars such as silent-film legend Buster Keaton, Art Carney, Mickey
Rooney, Ida Lupino and John Carradine.
Rod Serling was born in Syracuse, N.Y., on
December 25, 1924, and grew up in Binghamton, the son of a wholesale meat
dealer.
After a stint in the army and graduating from Antioch College, Serling went to
work on screenplays for MGM and then as a teleplay writer.
"Patterns", written for the Kraft Television Theater, was an
excoriating attack on sleazy big businessmen. Since the witch-hunt had made Hollywood
such a sterile environment, television became an outlet for blacklistees or
serious liberals like Serling who wanted to tackle important themes. Many
of these tv shows portrayed the nihilism and growing feelings of
disillusionment of the postwar world in the same fashion as "film
noir".
Serling's next job was with CBS' Playhouse 90
(so-named for the fact that it ran for 90 minutes.) Playhouse 90 represented
television at its greatest. It was not only presented live, it tackled
important social questions. Serling's most important work for the show was
"Requiem for a Heavyweight" that was remade as a feature film. When
Serling left this show in order to start "The Twilight Zone", people
were surprised and disappointed. This was short-lived as the show's artistic
merits soon became apparent. After "The Twilight Zone" went off the
air, Serling returned to Antioch College as a professor and lectured at college
campuses across the country. Politically active, Serling spoke out against the
Vietnam War in the late '60s and early '70s.
He died on June 28, 1975, in Rochester, N.Y., of complications arising from a
coronary bypass operation.
Last night a new revival of "The Twilight Zone" appeared on
the UPN network. The last attempt at a revival occurred in 1985-1987 on the CBS
network, about which I lack even a dim memory. Hosted by Forrest Whitaker, the
African-American actor who played Charlie Parker in Clint Eastwood's
"Bird" as well as many other films, the UPN show lasted an hour with
two separate teleplays.
The first episode was titled "Evergreen". It is the story of a family
with two wayward teenaged daughters. The elder is a particular problem in her
parents' eyes, with her tattoos and spiked hair. When mom and dad can't take it
any longer, they move into a gated community that is very strict about children
keeping to the straight and narrow. When the older daughter wakes up after her
first night there, she learns that her tattoos have been removed while she was
under a drug-induced sleep. When a teenaged boy, who has set up with a tryst
with her to smoke pot, is discovered after curfew, he is zapped into
unconsciousness by a roving swat team and taken off to some undisclosed
location. When she is finally caught in some misdeed herself, we discover the fate
that befell both of them. They are turned into fertilizer that is used to
nourish an evergreen tree on their parents' finely manicured front lawn.
The second episode starred Jason Alexander (George Constanza from the Seinfeld
show) as Death, who has ended up in a hospital emergency room after
trying--unsuccessfully--to take his own life. It appears that he has become
depressed by his morbid existence. If he picks up a rose, it shrivels and dies
immediately in his hands. Although he does not succeed in ending his own
existence, he manages to go on strike, refusing to transport people or any
other living thing into the Other Realm. When the young doctor who attended to
him after his suicide attempt is shocked to see that suffering patients in his
emergency ward cannot be relieved from their pain, he persuades Death to go
back to work. Only one problem. The young doctor is in the Book of Death and he
accompanies Jason Alexander into the Other Realm in the final scene.
Definitely worth watching for US citizens and any other country which has the
mixed blessing of receiving US television fare.