Whale Rider
posted
to www.marxmail.org on
Considering all the hype surrounding "Lord of the Rings", one might have missed another New Zealand export that is now available in DVD/Video and whose 13 year old star was nominated as Best Actress in 2004. I am speaking of "Whale Rider", a Maori coming of age story with a twist--in this case the protagonist is a teenage girl rather than a boy.
Although Keisha Castle-Hughes is
an Australian Aboriginal, she clearly has an exceptional ability to make her
character Pai come to life. When Pai
is born, her twin brother and mother die at the same time. Her grief-stricken
father Porourangi (Cliff Curtis) leaves
He is entrusted with teaching Maori traditions that go back
for millennia to the 12 year old boys in the village. This consists of lessons in
how to chant, dance, wield a club and make fearsome warrior faces. Like any
other 12 year olds, their attention span is limited. In many ways, their
training reminded me of what it was like to go to
As it turns out, Pai is much more avid to learn Maori skills than any of the boys. In some ways, she is overly zealous. When she encounters Maori women smoking during a card game, she warns them that smoking will weaken their Maori child-bearing properties. Like Lisa Simpson, her conscientiousness goes against the grain of a village as laid-back as Homer and Bart.
Although she and her grandfather seem to be on the same wave-length temperamentally, he is dead-set opposed to her learning Maori skills. Over and over he reprimands her for eavesdropping on training sessions for the village boys in hopes of achieving a station that her gender does not permit. Despite obvious differences with western industrial societies, it is reminiscent of the kind of sexism a young girl who aspires to be a football player might encounter.
Fortunately, Pai has her grandmother Nanny's (Vicky Haughton) support, who views her husband as hopelessly backward. She refers to him contemptuously as "old Paka" and intercedes on Pai's behalf throughout this marvelous story.
The title of the film is derived from the climactic scene in which the villagers struggle in vain to get a group of beached whales to return to the ocean. Since the animals are their totem, this is a matter of life-and-death. Suffice it to say that Pai becomes chief of her people through her heroic intervention.
This Sunday's NY Times Magazine had an article on
"dying languages" that takes a light-hearted attitude toward the
efforts of such people to preserve their cultural identity. From a paper on the
"The Maori people of
http://jan.ucc.nau.edu/~jar/TIL_21.html
"Whale Rider" is a very convincing account of the
Maori people to resist assimilation. The public meeting house of Pai's village is where most of the dramatic scenes take
place. This is a film for anybody with a young daughter who might be
encountering confining sexual roles in school or in the neighborhood. It is also
for anybody who wants to see fine performances in an uplifting film. Strongly recommended.