Graduate Alumni

Emogene Schilling Cataldo: “Living Stones: Sculpted Foliage in Gothic Architecture, c.1140-1300” (S. Murray)

Xiaohan Du: “On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan” (R. Harrist)

Nina Horisaki-Christens: “VIDEO HIROBA: Contingent Publics and Video Communication in Japan, 1966-1981” (J. Reynolds)

Nicholas Fitch: “Institutional critique and autobiography in the post-1968 work of Clorindo Testa” (B. Bergdoll)

Courtney Fiske: “Requestioning” Postminimalism: Gordon Matta-Clark’s Creative Energetics, 1968–72” (B. Joseph)

Tiffany Floyd: "Dreaming of Ancient Times: Mesopotamia and the Temporal Topography of Iraqi Modern Art, 1958-2003" (A. Alberro and Z. Bahrani)

Natasha Marie Llorens: “Specters of Liberation, Children of Violence: Experimental Film in Algeria 1965-1979” (A. Alberro)

David Schneller: “Crafting Across Time and Space: Artistic Exchange and Archaic Greek Sanctuaries in the Eastern Mediterranean” (I. Mylonopoulos)

Brian Van Oppen: “Radiant Bodies: Living with Etruscan Bronze Candelabra” (F. de Angelis)

Leah Werier: “From Vitrine to Screen: Art and the Architecture of Commodity Display” (A. Alberro)

Margot Bernstein: “Carmontelle's Profile Pictures and the Things that Made Them Modern” (A. Higonnet)

Rachel Boyd: “Invention, Collaboration, and Authorship in the Renaissance Workshop: The Della Robbia Family and Italian Glazed Terracotta Sculpture, ca. 1430–1566” (M. Cole)

Raymond Carlson: "Michelangelo between Florence and Rome: Art and Literary Culture in Sixteenth-Century Italy" (M. Cole)

Lucas Cohen: “Port of Flanders: Jef Geys and Belgium in the 1970s” (R. Krauss)

Sophia D’Addio: “Painted Organ Shutters in Renaissance Italy” (M. Cole)

Yasmine Espert: “The Cinema of Social Dreamers: Artists and Their Imaginations Return to the Caribbean” (K. Jones)

Daria Foner: "Collaborative Endeavors in the Career of Andrea del Sarto" (M. Cole)

Changduk Kang: “Before the Reality Effect: Wax Representations in Eighteenth-Century France” (A. Higonnet)

Clare Kobasa: “Sacred Impressions in Seventeenth-Century Sicily” (M. Cole)

Kathryn Kremnitzer: "Manet's Watercolors: Transition and Translation in the 1860s" (A. Higonnet)

Francesca Marzullo: “Devotional Overdoors in Medieval and Renaissance Italy” (M. Cole)

Nicholas C. Morgan: "Displaying Queerness: Art and Identity, 1989-1993" (A. Alberro)

Mikael Muehlbauer: ““Bastions of the Cross:” Medieval Rock-Cut Cruciform Churches of Tigray, Ethiopia” (S. Murray)

Steven Niedbala: "Techniques of Carceral Reproduction: Architecture and the Prison System in the United States, 1799-1978" (B. Bergdoll)

Abbe Schriber: "For a Politics of Obscurity: David Hammons and Black Experimentalism, 1974-1989" (K. Jones)

Jacob Stavis: "The Formation of Achaemenid Art: Beyond Iconography and Attribution" (Z. Bahrani)

Julia Vázquez: “The Artist as Curator: Diego Velázquez, 1623-1660” (D. Bodart)

Andrea Fabiola Vázquez de Arthur: “Clay Bodies, Powerful Pots: On the Imagery and Ontology of Wari Faceneck Vessels” (E. Pasztory)

Brigid Von Preussen: “Manufactories of Virtù: Classicism, Commerce, and Authorship in Georgian Britain, c. 1759-1800” (A. Higonnet)

Jens Bartel: “Style, space and meaning in the large-scale landscape paintings of Maruyama Ōkyo (1733-1795)” (M. McKelway)

Connie Choi: ““A matter of building bridges”: Photography and African American Education, 1957-1972” (K. Jones)

Michael Anthony Fowler: “Human Sacrifice in Greek Antiquity: Between Myth, Image, and Reality” (I. Mylonopoulos)

William Gassaway: “Extraordinary bodies: Death, divinity, and distortion in the art of post-classic Mexico” ( E. Pasztory)

Álvaro Luís Lima: “Art in Mozambique at the End of Socialism” (Z. Strother)

Arathi Menon: “Hipped and gabled: Similitude and vicissitude in Kerala’s sacred art and architecture” (V. Dehejia)

Michaëla Mohrman: “Populist counter-spectacles and the inception of mass media art in Argentina: Marta Minujín's happenings, performances, and environments of the 1960s” (A. Alberro)

Matthew Peebles: “Act as Attribute: The Attacking Body in Ancient Greek Art” (I. Mylonopoulos)

Leah Pires: “Finesse: Louise Lawler’s Pictures” (A. Alberro)

Irina Tolstoy: “Camillo Trevisan’s palace and villa culture on the island of Murano” (M. Cole)

Siddhartha Shah: “Ornamenting the Raj: Opulence and spectacle in Victorian India” (V. Dehejia)

Lorenzo Vigotti: “The origin of the Renaissance palace: Domestic architecture during the Florentine oligarchy, 1378-1432” (F. Benelli)

Alex Weintraub: “Authoring art in nineteenth-century France, 1793-1902” (J. Crary)

Caitlin Beach: “Sculpture, Slavery, and Commerce in the Nineteenth-Century Atlantic World” (E. Hutchinson)

Thomas Campbell: “Picturing the system: Counter-institutional practices in British art of the 1970s” (B. Joseph)

Sonia Coman: “New Values in Art: Japanese and Japoniste Ceramics, 1866-1904” (A. Higonnet)

Emily Cook: “Legacies of Matter: Tradition, Innovation, and Remediation in the Materials of Roman Ideal Sculpture” (F. de Angelis)

Lindsay Cook: “Architectural Citation of Notre-Dame of Paris in the Land of the Paris Cathedral Chapter” (S. Murray)

Carrie Cushman: “Temporary Ruins: Miyamoto Ryûji's Architectural Photography in Postmodern Japan” (J. Reynolds)

Catherine Damman: “Unreliable Narrators: Staging Performance in the 1970s” (B. Joseph)

Robert Fucci: “Landscape into History: The Early Printed Landscape Series by Jan van de Velde II (1593-1641)” (D. Freedberg)

Sofia Gans: ““a whole chapel cast and engraved with images”: the Many Meanings of the Tomb of Saint Sebald in Nuremberg” (S. Murray)

Beth Gollnick: “Diffusion: Women Light Artists in Postwar California” (B. Joseph)

Maggie Mustard: “Atlas Novus: Kawada Kikuti’s Chizu (The Map) and Postwar Japanese Photography” (J. Reynolds)

Joseph Scheier-Dolberg: “Yu Zhiding (ca. 1646-ca. 1716) and the Envisioning of the Early Qing World” (R. Harrist)

Matthew Teti: “From Minimalism to Performance Art, 1967-1971” (B. Joseph)

Robert Wiesenberger: “Print and Screen, Muriel Cooper at MIT” (B. Bergdoll)

Yu Yang: “At the crossroads of Japanese modernism and colonialism: Architecture and urban space in Manchuria, 1900-1945” (J. Reynolds)

Gillian Young: “Telepresence: Joan Jonas and the Emergence of Performance and Video Art in the 1970s” (B. Joseph)

Marta Becherini: “Staging the Foreign: Niccolò Manucci (1638-ca. 1720) and Early Modern European Collections of Indian Painting” (V. Dehejia)

Eliza Butler: “The Civic Art of Francis Davis Millet” (E. Hutchinson)

Carla D’Arista: “Building Blocks of Power: The Architectural Commissions and Decorative Projects of the Pucci Family in the Renaissance” (F. Benelli)

Alessandra Di Croce: “Sacred Fragments: The Reception of Christian Antiquity in post-Tridentine Rome” (H. Klein)

Kevin Dumouchelle: “Traditions of Modernity in an African City: Continuity and Change in the Architecture of Kumasi” (S. Vogel)

Nicole Griggs: “Reconsidering the Tribune in Early Gothic Architecture of Twelfth-Century Northern France” (S. Murray)

Alexandra Helprin: “The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth-Century Russia” (A. Higonnet)

Türkan Pilavci: “Drinking a God and Sacrificing a Drink: Agency of the Hittite Libation Vessels” (Z. Bahrani)

Eszter Polonyi: “Ghost Writer: Béla Balázs's Hauntology of Film” (N. Elcott)

Rachel Silveri: “The Art of Living in the Historical Avant-Garde” (B. Joseph)

Talia Andrei: "Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara" (M. McKelway)

Emily Beeny: “Poussin, Ballet, and the Birth of French Classicism” (D. Freedberg)

Colby Chamberlain: “George Maciunas and the Art of Paperwork” (B. Joseph)

Heather Clydesdale: “The Jiuquan Tombs: Reordering Art and Ideas on China’s Frontier” (R. Harrist)

Sandrine Colard: "Photography in the Colonial Congo (1885-1960)" (Z. Strother)

Jessamyn Conrad: “The Meanings of Duccio’s Maesta: Architecture, Painting, Politics and the Construction of Narrative Time in the Trecento Altarpieces for Siena Cathedral” (H. Klein)

Adam Eaker: “Lore of the Studio: Van Dyck, Rubens, and the Status of Portraiture” (D. Freedberg)

Frank Feltens: “Ogata Kōrin (1658-1716) and the Possibilities of Painting in Early Modern Japan” (M. McKelway)

Huffa Frobes-Cross: “Various Representational Tasks: Art and Activism in the Early Work of Martha Roster, Allan Sekula and Fred Lonidier, 1967-1976” (B. Joseph)

Stephanie O'Rourke: “Bodies of Knowledge: Fuseli and Girodet at the turn of the Nineteenth Century” (J. Crary)

Tina Rivers Ryan: "McLuhan's Bulbs: Light Art and the Dawn of New Media" (B. Joseph)

Michael Sanchez: “The Rhine System: Konrad Fischer and the Logistics of Artists, 1967-1974” (R. Krauss, B. Joseph)

Andrew Sawyer: “Frame Work: The Contexts of Walker Evans” (E. Hutchinson)

Taryn Marie Zarrillo: “Artistic Patrimony and Cultural Politics in Early Seicento Venice” (D. Rosand, D. Bodart)

Christina Charuhas: “The Disobedient Isle: Bermudian Aesthetic and Material Culture in the British Atlantic, 1609-1753” (E. Hutchinson)

Amanda Gannaway: “Visualizing Divine Authority: An Iconography of Rulership on the Late Middle Horizon and Late Intermediate Period North Coast of Peru” (E. Pasztory)

Jennifer E. Jones: “A Discourse on Drawings: Amateurs and Connoisseurs and the Graphic Arts in Early Eighteenth-century Paris” (R. Brilliant)

Subhashini Kaligotla: “Shiva's Waterfront Temples: Reimagining the Sacred Architecture of India's Deccan Region” (V. Dehejia)

Sandrine Larrive-Bass: “Embodied Materials: The Emergence of Figural Imagery in Prehistoric China” (R. Harrist)

Risham Majeed: “Primitive before Primitivism: Medieval and African Art in the 19th Century” (S. Murray)

Andrew Manson: “Rationalism and Ruins in Roma Mussoliniana: The 1934 Palazzo del Littorio Competition” (M. McLeod)

Megan McCarthy: “The Empire on Display: Exhibitions of Germanic Art and Design in America, 1890-1914” (E. Hutchinson)

Rory O'Neill: “Gothic on the Edge: Light, Leviation and Seismic Culture on the Evolution of Medieval Religious Architecture of the Eastern Mediterranean” (S. Murray)

Giulia Paoletti: “Un Nouveau Besoin: Photography and Portraiture in Senegal (1860-1960)” (Z. Strother)

Elizabeth Perkins: “Antonello da Messina and the Independent Portrait in Fifteenth-Century Italy” (D.Freedberg)

Aaron Rio: “Ink Painting in Medieval Kamakura” (M. McKelway)

Julia Siemon: “Bronzino, Politics and Portraiture in 1530s Florence” (M. Cole, D. Freedberg)

Therese Sjovoll: “Queen Christina of Sweden’s Musaeum: Collecting and Display in the Palazzo Riario” (D. Freedberg)

Zachary Stewart: “The Integrated Interior: Parish Church Architecture in Eastern England, c.1330–c.1550” (S. Murray)

Chun-Yi Tsai: “Imagining the Supernatural Grotesque: Paintings of Zhong Kui and Demons in the Late Southern Song (1127-1279) and Yuan (1271-1368) Dynasties” (R. Harrist)

Alexandra Tunstall: “Woven Paintings, Woven Writing: Intermediality in Kesi Silk Tapestries in the Ming (1368-1644) and Qing (1644-1912) Dynasties” (R. Harrist)

Susan Wager: “Boucher's Bijoux: Luxury Reproduction in the Age of Enlightenment” (A. Higonnet)

Heidi Applegate: “Staging Modernism at the 1915 San Francisco World's Fair” (E. Hutchinson)

Ellen Belcher: “Embodiment of the Halaf: Sixth Millennium Figurines from Northern Mesopotamia” (B. Boyd)

Lorenzo Buonanno: “Stone Mediators: Sculpted Altarpieces in Early Renaissance Venice” (D. Rosand)

Diana Bush: "The Dialectical Object: John Heartfield, 1915-1933" (A. Alberro)

Anne Chen: "From the Seed of the Gods: Art, Ideology and Cultural Exchange with the Persian Court under the Roman Tetrarchs, 284-324 CE" (F. de Angelis)

Joshua Cohen: “Masks and the Modern: African/European Encounters in 20th-Century Art” (Z. Strother)

Christopher Dueker: "The Entangled Aesthetics of Alex Janvier" (E. Hutchinson)

Frederick Ilchman: "Jacopo Tintoretto in Process: The Making of a Venetian Master, 1540-1560 (D. Rosand)

Kate Isard: "The Practice of Architectural Theory in Vincenzo Scamozzi's Annotated Books" (F. Benelli)

SeungJung Kim: “Concepts of Time and Temporality in the Visual Tradition of Late Archaic and Classical Greece” (I. Mylonopoulos)

Soyoung Lee: “Interregional Reception and Invention in Korean and Japanese Ceramics, 1400-1800” (M. McKelway)

Jessica Maratsos: "The Devotional Imagination of Jacopo Pontormo" (D. Rosand)

Heather McStay: "Viva Bacco e Viva Amore: Bacchic Imagery in the Renaissance" (D. Rosand)

Debra Nagao: “An Interconnected World? Evidence of Interaction in the Arts of Epiclassic Cacaxtla and Xochicalco, Mexico” (E. Pasztory)

Neeraja Poddar: "Krishna in His Myriad Forms: Narration, Translation, and Variation in Illustrated Manuscripts of the Latter Half of the Tenth Book of the Bhagavata Purana" (V. Dehejia)

Sarah Schaefer: "From Sacred to Spectacular: Gustave Doré's Biblical Imagery" (A. Higonnet)

Anna Spiro: "Reconsidering the Career of Nicholaus Artifex (active c. 1122-1164) in the Context of Later Twelfth-Century North Italian Politics" (H. Klein)

Alena Williams: "Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933" (J. Crary)

Serdar Yalcin: “Seals, Identity and Patronage in the Ancient Near East (ca. 1550-1050 BC)” (Z. Bahrani)

Kim Benzel: "Pu-abi's Adornment for the Afterlife: Materials and Technologies of Jewelry at Ur in Mesopotamia" (Z. Bahrani)

Kathryn Chiong: "Words Matter: The Work of Lawrence Weiner" (R. Krauss)

Katherine Morris Boivin: "Holy Blood, Holy Cross: Architecture and Devotion in the Parochial Complex of Rothenburg ob der Tauber" (S. Murray)

Susanna Cole: "Space into Time: English Canals and English Landscape Painting 1760-1835" (J. Crary)

Marie-Stéphanie Delamaire: "An Art of Translation: French Prints and American Art (1848-1876)" (E. Hutchinson)

Anna Hetherington: "Melancholy Illusions: From Bosch to Titian" (D. Rosand)

Susan Kart: "From Direct Carving to Recuperation: The Art of Moustapha Dime in Post-Independence Senegal 1974-1997" (E. Hutchinson, B. Lawal)

Katherine Kasdorf: "Forming Dorasamudra: Temples of the Hoysala Capital in Context" (V. Dehejia)

Dipti Khera: "Picturing India's 'Land of Princes' Between the Mughal and British Empires: Topographical Imaginings of Udaipur and its Environs" (V. Dehejia)

Emily Liebert: "Roles Recast: Eleanor Antin and the 1970s" (A. Alberro)

Joseph Loh: "When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan" (R. Harrist)

Martina Mims: "August Endell's Construction of Feeling" (B. Bergdoll)

Denise Murrell: "Seeing Laure: Race and Modernity from Manet's Olympia to Matisse, Bearden, and Beyond" (A. Higonnet)

Arianna Packard: "The Catafalque of Paul V: Architecture, Sculpture and Iconography" (D. Rosand)

Nassim Rossi: "Italian Renaissance Depictions of the Ottoman Sultan: Nuances in the Function of Early Modern Portraiture" (D. Rosand)

Anna Seastrand: "Praise, Politics and Language: South Indian Paintings 1500-1800" (V. Dehejia)

Yuthika Sharma: "Art in between Empires: Visual Culture & Artistic Knowledge in Late Mughal Delhi 1748-1857" (V. Dehejia)

Jessica Basciano: "Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth Century" (B. Bergdoll)

Roberta Casagrande-Kim: "The Journey to the Underworld: Topography, Landscape, and Divine Inhabitants of the Roman Hades" (R. Brilliant)

Andrew Finegold: "Dramatic Renditions: Battle Murals and the Struggle for Elite Legitimacy in Epiclassic Mesoamerica" (E. Pasztory)

Meredith Fluke: "Building across the Sacred Landscape: The Romanesque Churches of Verona and their Urban Context" (H. Klein)

Teresa Harris: "The Transformation of the City: The Kampffmeyer Family and the German Garden City Association" (B. Bergdoll)

Page Knox: "Scribner's Monthly 1870-1881: Illustrating a New American Art World" (E. Hutchinson)

Risha Lee: "Constructing Communities: Tamil Merchant Temples in India and China (850-1281)" (V. Dehejia, R. Harrist)

M. Jordan Love: "'On Earth as It is in Heaven?': The Creation of the Bastide Towns of Southwest France" (S. Murray)

Jeffrey Miller: "The Building Program of Archbishop Walter de Gray: Architectural Production and Reform in the Archdiocese of York, 1215-1255" (S. Murray)

Kim-Ly Moynihan: "Comedy, Science, and the Reform of Description in Lombard Painting of the Late Renaissance: Arcimboldo, Vincenzo Campi, and Bartolomeo Passerotti" (D. Freedberg, D. Rosand)

Aimee Ng: "Ruptures in Painting after the Sack of Rome: Parmigianino, Rosso, Sebastiano" (D. Freedberg, D. Rosand)

Olivia Powell: "The Choreographic Imagination in Renaissance Art" (D. Rosand)

Sara Switzer: "Correggio and the Sacred Image" (D. Freedberg, D. Rosand)

Mark Watson: "Diplomatic Aesthetics: Globalization and Contemporary Native American Art" (E. Hutchinson)

Carolyn Yerkes: "Drawing as a Way of Knowing: Architectural Survey in the Late Renaissance" (H. Ballon, D. Freedberg)

Fabio Barry: "Painting in Stone: The Symbolic Identity of Coloured Marbles from Antiquity until the Age of Enlightenment" (J. Connors)

Patrick Crowley: "Forms of Spectrality in Ancient Rome" (F. de Angelis, N. Kampen, R. Brilliant)

Sonja Drimmer: "The Visual Language of Vernacular Manuscript Illumination: John Gower's Confessio Amantis (Pierpont Morgan MSM126)" (S. Murray)

Christina Ferando: "Staging Canova: Sculpture, Connoisseurship, and Display: 1780-1843" (A. Higonnet, J. Crary)

Ellen Hoobler: "The Limits of Memory: Alfonso Caso and Narratives of Tomb Assemblage from Monte Alban, Oaxaca, Mexico, 500-800 and 1931-49 CE" (E. Pasztory)

Albert Narath: "The Baroque Effect: Architecture and Art History in Berlin, 1886-1900" (B. Bergdoll)

Andrea Renner: "Housing Diplomacy: The Rise and Fall of U.S. International Housing in Latin America, 1949-1973" (H. Ballon)

Susan Sivard: "Upheaval and Transformation: The Volcano in American and European Art, 1765-1865" (E. Hutchinson)

Anna Vallye: "Design and the Politics of Knowledge in America, 1937-1967: Walter Gropius, Gyorgy Kepes" (B. Bergdoll)

Laura Weinstein: "Variations on a Persian Theme: Adaptation and Innovation in the Early Manuscripts of Golconda" (V. Dehejia)

Richard Anderson: "The Future of History: The Cultural Politics of Soviet Architecture, 1928-1941" (B. Bergdoll)

Masha Chlenova: "On Display: Transformations of the Avant-Garde in Soviet Public Culture, 1928-1933" (C. Kiaer)

Sarah E. Kelly: "Camera's Lens and Mind's Eye: James McNeill Whistler and the Science of Art" (D. Rosand)

Il Kim: "The Cult of Light in Fifteenth-Century Italian Renaissance Architecture" (J. Connors)

Geoff Lehman: "Perspective and the Renaissance Landscape" (D. Rosand)

Victoria Sancho Lobis: "Artistic Training and Print Culture in the Time of Rubens" (D. Freedberg, D. Rosand)

Evan Neely: "Cy Twombly and the Ethics of Painting" (D. Freedberg, D. Rosand, B. Joseph)

Jonathan Neil: "Carl Andre, Richard Serra, the Problem of Materials and the Picture of Matter" (B. Buchloh, R. Krauss)

Ian Pepper: "On the Difference Between Serialism and Seriality" (R. Krauss)

Kristin Romberg: "Aleksei Gan's Constructivism, 1917-1928" (C. Kiaer)

Johanna Seasonwein: "The Nursing Queen: Sculptures of the Virgo Lactans in Late Medieval France" (S. Murray)

Erin Thompson: "Images of Ritual Mockery on Greek Vases" (D. Freedberg)

Lee Ullman: "Movement and the Making of Place in the Hittite Landscape" (J. Smith, Z. Bahrani)

Lara Allison: "Perception and Pedagogy: Design, Advertising and Education in Chicago, c.1935-1955" (H. Ballon)

Eric Anderson: "Beyond Historicism: Jakob von Falke and the Reform of the Viennese Interior" (B. Bergdoll, M. McLeod)

Jordan Bear: "Without a Trace: Early Photography and the History of Visual Objectivity" (J. Crary, A. Higonnet)

Susan Beningson: "Shaping Sacred Space: Early Buddhist Caves and their Interaction with Ritual Architecture and Artistic Programs of Tombs in Fifth Century China" (R. Harrist)

Juan Ledezma: "Gustav Klutsis, El Lissitzky and the October Group: Montage and the post-history of the constructivist object in Russia's 'Reconstruction Period' (1928-1932)" (C. Kiaer, B. Buchloh)

Catherine Roach: "Frame Works: Paintings-within-Paintings in Nineteenth-Century Britain" (A. Higonnet)

Nadja Rottner: "Claes Oldenburg and the Emergence of the 'Happening'" (J. Rajchman, R. Krauss, B. Joseph)

Margaret Sundell: "From Fine Art to Fashion: Man Ray's Ambivalent Avant-Garde" (R. Krauss, B. Buchloh)

Abigail Susik: "The Vertigo of the Modern: Surrealism and the Outmoded" (R. Krauss, A. Higonnet)

Yasuko Tsuchikane: "Art, Crafts, Architecture and Modern Society: Buddhist Temple Decorations in 20th Century Japan by Domôto Inshô (1891-1975)" (M. McCormick)

Veronica White: "Sero Ludere: Baroque Invenzione and the Development of the Capriccio" (D. Freedberg, D. Rosand)

Lei Xue: "The Elusive Crane: Memory, Metaphor and a Stone Monument from Sixth Century China" (R. Harrist)

Colleen Becker: "Competing Representations: The "Volk" in German Visual Culture, 1890-1900" (A. Higonnet)

Alexander Bartolot: "A Language for Change: Creativity and Power in Mozambican Makonde Masked Performance, circa 1900-2004" (N. Kampen)

Chelsea Foxwell: "Kano Hōgai (1828-88) and the Making of Modern Japanese Painting" (M. McCormick)

Paul Galvez: "The Landscape-as-Body in Modernist Painting" (J. Crary)

Beth Hinderliter: "The Space of Painting: Kurt Schwitters and El Lissitzky" (B. Buchloh, R. Krauss)

Kyle Killian: "The Landscapes of Saint-Pierre d'Orbais: an Anthropology of Monastic Architecture" (S. Murray)

Rebecca Molholt: "On Stepping Stones: The Historical Experience of Roman Mosaics" (R. Brilliant, N. Kampen)

Sarah Roland: "Corinth and the Birth of Figural Representation in Greek Monumental Architecture" (C. Marconi, N. Kampen)

Christine Sciacca: "The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, M. 711): Liturgy, Devotion, and Patronage at Weingarten Abbey" (S. Murray)

Phoebe C. Segal: "Soaring Votives: Anathemata in Archaic Greek Sanctuaries" (C. Marconi, N. Kampen)

Lee Stewart: "Judging by Appearances: How Physiognomy Influenced Nineteenth-Century French Portraiture" (R. Brilliant)

Renzo Baldasso: "Illustrating the Book of Nature in the Renaissance: Drawing, Painting, and Printing Geometric Diagrams and Scientific Figures" (D. Freedberg)

Noit Banai: "Public Disorder: Yves Klein, 1945-1962" (J. Rajchman)

Sabina de Cavi: "Spain in Naples: Building, Sculpting and Painting for the Viceroys (1585–1621)" (J. Connors)

Amity Law: "Generating Identity through Plan and Architecture: Barcelona Cathedral, Gothic Drawing and the Crown of Aragon" (S. Murray)

Jaleh Mansoor: "Marshall Plan Monochrome: The Matrix of Fifties Abstraction" (B. Buchloh, R. Krauss)

Lucy Maulsby: "Politics and Persuasion: The Architectural and Urban Transformation of Milan under Fascism, 1922-1943" (R. Middleton)

Seth McCormick: "Jasper Johns, 1954-1958: Persecution and the Art of Painting" (J. Crary)

Kent Minturn: "Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet" (R. Krauss)

Tomoko Sakomura: "Pictured Words and Codified Seasons: Visualizations of Waka Poetry in Late Sixteenth- and Early Seventeenth-Century Japan" (M. McCormick, R. Harrist)

Stephanie Schwartz: "The Crime of Cuba: Urbanism, Photography, and the Geopolitics of Americanization" (B. Buchloh)

Andrew J. Tallon: "Experiments in Early Gothic Structure: The Flying Buttress" (S. Murray)

Robin Thomas II: "Charles of Bourbon's Naples: Architecture and Urbanism" (J. Connors)

Karen K. Butler: "Jean Fautrier's Resistance: Painting, Politics and the French Avant-Garde, 1930-1955" (B. Buchloh)

Claire Gilman: "Arte Povera's Theater: Artiface and Anti-Modernism in Italian Art of the 1960s" (B. Buchloh, R. Krauss)

Max Elijah Grossman: "Pro Honore Comunis Senensis et Pulchritudine Civitatis: Civic Architecture and Political Ideology in the Republic of Siena, 1270-1420" (S. Murray, M. Trachtenberg)

Meredith Hale: "Romeyn de Hooghe and the Birth of Political Satire" (S. Schama, D. Freedberg)

John Harwood; "The Redesign of Design: Multi-National Corporations, Computers and Design Logic, 1945-1976" (R. Middleton)

Kristine Juncker: "Honey at the Crossroads: Four Women and Afro-Cuban Ritual Arts, 1899-1969" (N. Kampen, Z. Strother)

William Kaizen: "The Immediate: Video Art and the Aesthetics of Liveness, from Andy Warhol to Postminimalism" (B. Buchloh)

Christian Kleinbub: "Vision and the Visionary in Raphael" (D. Rosand)

Jillian Taylor Lerner: "Panoramic Literature: Marketing Illustrated Journalism in July Monarchy Paris" (J. Crary, A. Higonnet)

Jessica Maier: "Imago Romae: Renaissance Visions of the Eternal City" (D. Rosand)

Vered Maimon: "Talbot and Herschel: Photography as a Site of Knowledge in Early Nineteenth-Century England" (J. Crary)

Alexandra Onuf: "Local Terrains: The Small Landscape Prints and the Depiction of the Countryside in Early Modern Antwerp" (D. Freedberg)

Hérica Valladares: "Imago Amoris: The Poetics of Desire in Roman Painting" (R. Brilliant, N. Kampen)

Stefaan Van Liefferinge: "The Choir of Notre-Dame of Paris: An Inquiry into Twelfth-Century Mathematics and Early Gothic Architecture" (S. Murray)

Caroline A. Wamsler: "Picturing Heaven: The Trecento Pictorial Program of the Sala del Maggior Consiglio in Venice" (D. Rosand)

Terri Weissman: "Documentary Photography and Communicative Action: The Realisms of Berenice Abbott" (B. Buchloh)

Hilda Werschkul: "Modernism into Memory: The Drawings of Eva Hesse" (D. Rosand)

Gratia Cassandra Williams: "Takuma Eiga: A Revisionist Analysis of a Fourteenth-Century Buddhist Painter" (M. Murase)

Adrienne Baxter Bell: "Painting Philosophy: George Inness, William James, and the Metaphysical Landscape" (D. Rosand, B. Novak)

Robert Bradley: "The Architecture of Kuelap" (E. Pasztory)

Meredith Davis: "Fool's Gold: American Trompe L'oeil and the Gilded Age" (J. Crary)

Terence Francis Dewsnap JR.: "The Romanesque Cathedral of St. Mary at Lincoln and the Image of Reform" (S. Murray)

Kai Gutschow: "The Culture of Criticism: Adolf Behne and the Development of Modern Architecture in Germany, 1910-1914" (R. Middleton)

Celeste Lovette Guichard: "Travels and Traversals in the Hellenistic Oracular Temples at Karos and Didyma" (R. Brilliant, N. Kampen)

Janice Lynn Robertson: "Aztec Picture-Writing: A Critical Study Based on the Codex Mendoza's Place-Name Signs" (R. Brilliant)

Miwako Tezuka: "Jikken Kobo (Experimental Workshop): Avant-Garde Experiments in Japanese Art of the 1950s" (B. Buchloh)

Siona Wilson: "Filmic Mode: Feminist Art Practices and the Avant Garde in North America and Britain During the 1970s" (B. Buchloh, C. Kiaer)

Sebastian Zeidler: "Defense of the Real: Carl Einstein's History and Theory of Art" (B. Buchloh, R. Krauss)

Jennifer Ahlfeldt: "On Reconstructing and Performing Ancient Maya Architecture: Structure 22, Copan, Honduras (AD 715)" (E. Pasztory)

Andrea Begel: "'Suffering in His Flesh': Raphael's Transfiguration and the Representation of Exorcism in Italian Art, 1230-1520" (J. Beck)

Anne Cassidy: "Divination by Image: The Borgia Group of Pre-Hispanic Mexican Manuscripts" (E. Pasztory)

Evelyn M. Cohen: "The Art of Giovanni da Modena: A Catalogue Raisonné" (J. Beck)

Meredith Cohen: "The Sainte-Chapelle of Paris: Image of Authority and Locus of Identity" (S. Murray)

Johanna Fassl: "Sacred Eloquence: Giambattista Tiepolo and the Rhetoric of the Altarpiece" (D. Rosand)

Hannah Feldman: "National Negotiations: Art, Historical Experience, and the Public in Paris, 1945-1962" (B. Buchloh, R. Krauss)

Caroline Goodson: "The Basilicas of Paschal I (817-824): Tradition and Transformation in Early Medieval Rome" (S. Murray)

Susan Laxton: "Paris as Gameboard: Lucid Strategies in Surrealism" (R. Krauss)

Elizabeth Marlowe: "'That Customary Significance Which is Your Due': Constantine and the Symbolic Capital of Rome" (R. Brilliant, N. Kampen)

Anne Woollett: "The Altarpiece in Antwerp 1554–1612: Painting and the Militia Guilds" (D. Freedberg)

Christopher Drew Armstrong: "Progress in the Age of Navigation. The Voyage-Philosophique of Julien-David Le Roy" (R. Middleton, B. Bergdoll)

Alessio Assonitis: "The Art and Savonorolism in Florence and Rome" (J. Beck)

Jean-François Bédard: "The Architect as Honnête Homme: The Domestic Architecture and Decoration of Gilles-Marie Oppenord (1672-1742)" (R. Middleton)

Isolde Brielmaier: "'Picture-Taking,' and the Production of Urban Identities on the Kenyan Coast, 1940-1980" (E. Pasztory, Z. Strother)

Stephen Brown: "Luce: The Artist Engagé" (T. Reff)

Laura Brugger: "Constructing Taste: Athenaeums and Academies of Art in the United States, 1805–1865" (H. Ballon)

Martha Evans: "Claude Raguet Hirst: Gender and Genre in Turn-of-the-Century America" (B. Novak, E. Blackmar, K. Moxey)

Tatiana Flores: "Estridentismo in Mexico City: Dialogues Between Mexican Avant-Garde Art and Literature" (K. Moxey)

Claudia Goldstein: "Keeping Up Appearances: The Social Significance of Domestic Decoration in Antwerp, 1508–1600" (D. Freedberg)

Rachel Haidu: "Marcel Broodthaers 1963-1972, or The Absence of Work" (B. Buchloh, R. Krauss)

Judith Hayward: "Nature and Progress: Winslow Homer, His Critics and His Oils 1880–1900" (B. Novak, D. Rosand)

Christina Hunter: "Kurt Schwitters: German Romanticism & the Language of Abstraction" (B. Buchloh)

Alison Langmead: "The Architectural Landscape of Eleventh- and Twelfth-Century South-Central France" (S. Murray)

Peter Macapia: "Minimalism: The Problem of Meaning" (R. Krauss)

Paul J. Papillo: "Illuminating the Comedy: Artistic Strategy and the Medieval Art of Teaching in Pierpont Morgan Library's Divine Comedy, MS M676" (S. Murray)

Irina Oryshkevich: "A History of the Roman Catacombs from the Constantinian Era to the Renaissance" (D. Rosand)

Judith Rodenbeck: "Happenings as the Black Box of Experience, 1958–66" (R. Krauss, B. Buchloh)

Sheila Barker: "Art in a Time of Danger: Urban VIII's Rome and the Plague of 1629-1634" (D. Rosand)

Denise Budd: "Leonardo da Vinci through Milan: Studies on the Documentary Evidence" (J. Beck)

Lynn Catterson: "Donatello's Legacy and the Training of Michelangelo: Sculptural Practice in Quattrocento Florence" (J. Beck)

Vanessa Chase: "The Casa delle Zitelle: Architecture and Gender in Renaissance Venice" (J. Connors)

Patricia Decker: "The Herzogenburg Moralia: A 13th Century Illuminated Manuscript of the Moralia in Job" (J. Rosenthal)

Kim Dramer: "Between the Living & the Dead: Eastern Han Carved Stone Tomb Doors" (R. Harrist)

James Frakes: "Framing Public Life: the Portico in Roman Gaul" (R. Brilliant, N. Kampen)

Annapurna Garimella: "Vijayanagara: Architectural Style and State Formation" (N. Kampen)

Anthony Gerbino: "François Blondel (1618–1686): Architecture, Erudition, and Early Modern Science" (R. Middleton)

Sophie Gobran: "The First Dresden Hoftheater (1835–1841): Gottfried Semper and the Problem of Theater Design" (B. Bergdoll)

Jacqueline Jung: "The West Choir Screen of Naumburg Cathedral and the Formation of Social and Sacred Space" (S. Murray, D. Freedberg)

John Peffer: "The Struggle for Art at the End of Apartheid" (E. Pasztory, S. Blier, Z. Strother)

Edward Wendt: "The Burkean Sublime in British Architecture" (R. Middleton)

Susan Kennedy Zeller: "Contemporary Aboriginal Art, 1948–2000: Constructing the Canon" (E. Pasztory)

George Baker: "Lost Objects: Francis Picabia and Dada in Paris, 1919-1924" (B. Buchloh, R. Krauss)

Michele Bambling: "Illuminating Japan's Sacred Geography: The Kongo-ji Sun-Moon Landscape Screens" (M. Murase)

Cynthia Conides: "The Stuccoed and Painted Ceramics from Teotihuacan, Mexico: A Study of Authorship and Function of Works of Art in and Ancient Mesoamerican City" (E. Pasztory)

Joan Cummins:"Dual Darsana: Re-Addressing the Surya Icon" (D. Rosand)

Katherine L. Morris: "Picturing Sovereignty: Land and Identity in Contemporary Native American Art" (E. Pasztory)

Ingrid Muan: "Citing Angkor: The 'Cambodian Arts' in the Age of Restoration, 1918-2000" (K. Moxey)

Richard Pegg: "Sheng Maoye: A Painter in Late Ming Suzhou" (R. Harrist)

Rhoma Phillips: "The Influence of English Engraving on Nineteenth Century American Landscapes, Seascapes, and Prints" (J. Beck, D. Rosand)

Barbara Porter: "Old Syrian Popular Style Cylinder Seals" (E. Pasztory)

Shaalini Ranasinghe: "The Castle of Emperor Fasiladas: Missionaries, Muslims, and Architecture in Gondar, Ethiopia" (S. Blier, D. Freedberg)

Kathryn Rudy: "Northern European Visual Responses to Holy Land Pilgrimage, 1453-1550" (D. Freedberg)

Christina Staudt: "Picturing the Dead and Dying in Nineteenth-Century L'Illustration" (T. Reff)

Richard Wittman: "Architecture, the Press, and Public Opinion in Seventeenth- and Eighteenth-Century France" (R. Middleton)

Yiguo Zhang: "The Meaning of Wang Duo's Line: A Study of Two Scrolls of the Tang Poems" (D. Rosand, R. Harrist)

Molly Aitken: "By Allusion or Exclusion: Shaping Style in Mewar Painting" (V. Dehejia, D. Freedberg)

Julia Assante: "The Erotic Reliefs of Ancient Mesopotamia" (N. Kampen)

Laura Auricchio: "Portraits of Impropriety: Adelaide Labille-Guiard and the Careers of French Women Artists at the End of the Eighteenth Century" (N. Kampen, S. Schama)

Timothy Demos: "Duchamp Homeless? The Avant-Garde and Post-Nationalism" (B. Buchloh, R. Krauss)

Debra Diamond: "The Politics and Aesthetics of Citation: Nath Painting at the Jodhpur Court, 1803–1843" (V. Dehejia)

Joseph Disponzio: "The Garden Theory and Landscape Practice of Jean-Marie Morel" (R. Middleton)

Nancy Fee: "The Patronage of Juan de Palafox y Mendoza: Constructing the Cathedral and Civic Image of Puebla de los Angeles, Mexico" (E. Pasztory)

Margaret Koster: "Hugo van der Goes' Portinari Altarpiece and Its Florentine Context" (D. Freedberg)

Nina Lewallen: "The Aristocratic Town House in Regency Paris: Hôtel du Maine and Hôtel de Matignon" (H. Ballon)

Ethan Robey: "The Utility of Art: Mechanics' Institute Fairs in New York City, 1828–1876." (B. Novak, E. Blackmar)

Roger Rothman: "Irony, Melancholy, and the Avant-Garde: Francis Picabia, Giorgio de Chirico, Rene Magritte" (B. Buchloh)

Victoria Sanger: "Military Town Planning Under Louis XIV: Vauban's Practice and Method (1668-1707)" (H. Ballon)

Ellen Shortell: "The Choir of St. Quentin: Gothic Structure, Power and Cult" (S. Murray)

Jean Sorabella: "Sleep that Rouses: Naturalism and the Viewer in Greco-Roman Art" (R. Brilliant)

Margaret Williams: "The Sign of the Cross: Irish High Crosses as Cultural Emblems" (S. Murray)

Maragaret Young-Sanchez: "Textiles From Peru's Central Coast, 800-1000: The Reiss and Steubel Collection from Ancon" (E. Pasztory)

Michele Bassett: "The Funerary Patronage of Catherine de Medici: The Tomb of Henri II, Heart Monuments and the Valois Chapel" (H. Ballon)

Susan Bergh: "Middle Horizon Tapestry Tunics" (E. Pasztory)

Vittoria Di Palma: "The School and the Garden: Science, Aesthetics, and Perceptions of Landscape in England, 1640-1740" (R. Middleton)

Karl Fugelso: "Engaging the Viewer: Reading Structures & Narrative Strategies in Illuminated Manuscripts of Dante's Divine Comedy" (J. Rosenthal)

Senta German: "Performance and the Art of the Aegean Bronze Age" (R. Brilliant)

Michio Hayashi: "Cezanne & Beyond Phenomenology" (R. Krauss)

Virginia Heckert: "Alber Renger-Patzsch: Contextualizing the Early Work" (B. Buchloh)

Eileen Hsu: "The Xiaonanhai Cave-Chapel: Images of Deeds and Aspirations" (R. Harrist)

Kenneth Maddox: "Intruder into Eden: The Train in the Nineteenth-Century American Landscape" (B. Novak)

Matthew McKelway: "Capitalscapes: Painting and Politics in 16th-17th Century Japan" (H. Smith)

Kimberly Rhodes: "Performing Roles: Images of Ophelia in Britain 1740-1910" (A. Staley)

Maria Ruvoldt: "The Sleep of Reason: Inspiration & the Renaissance Iconography of Creativity" (D. Rosand)

Sean Sawyer: "Soane at Westminster: Civic Architecture and National Identity" (R. Middleton)

Helen Shannon: "African Savages to Ancestral Legacy: Race and Cultural Nationalism in the American Modernist Reception of African Art" (R. Brilliant)

Shelley Smith: "The Plantations of Colonial South Carolina: Transmission & Transformation in Provincial Culture" (J. Connors)

Allison Thomason: "Capturing the Exotic: The Role of the Nimrud Ivories in Neo-Assyrian Art & Ideology" (S. Murray)

Sarah Thompson: "The War of the Twelve Animas (Junirui Kassen Emaki): A Medieval Japanese Illustrated Beast Fable" (R. Harrist)

Jonathan Unglaub: "Poussin, Tasso, and the Poetics of Painting with an Excursus: Ancient Painting and Baroque Elocution" (D. Freedberg)

Aida Yuen: "Inventing Eastern Art in Japan and China, ca, 1890s-1930s" (R. Harrist)

Susan Braunstein: "The Dynamics of Power in an Age of Transition: An Analysis of the Mortuary Remains of Tell El-Far'ah (South) in the Late Bronze and Early Iron Ages" (J. Russell)

Jodi Cranston: "Dialogues with the Beholder: The Poetics of Portraiture in the Italian Renaissance" (D. Rosand)

Anna Dempsey: "Writing History: The Renaissance and Cultural Politics in Weimar, Germany" (R. Brilliant)

John Farmer: "Art into Television, 1960-65" (B. Buchloh) Pamela Fletcher: "Narrating Modernity: The Problem Picture, 1895-1914" (A. Staley)

Susanne Francoeur: "Style and Workshops in Ajanta Paintings" (V. Dehejia) Samuel Gruber: "Medieval Todi: Studies in Architecture and Urbanism" (S. Murray)

Juanita Holland: ""Co-Workers in the Kingdom of Culture": Edward Mitchell Bannister and the Boston Community of African-American Artists, 1848-1901" (S. Blier)

Marisa Kayyem: "Thomas Eakins' Late-Format Portraits: Identity, Consciousness and Typology in Turn-of-the-Century Portraiture" (B. Novak)

Judith Meighan: "The Stati D'Animo Aesthetic: Gaetano Previati, Umberto Boccioni and the Development of Early Fururist Painting in Italy" (R. Brilliant)

Ria O'Foghludha: "Roma Nova: The Santa Maria Maggiore Altarpiece and the Rome of Martin V" (J. Beck)

Mina Roustayi: "Old Myths and New Forms of Orientalism: Gaugin, Toorop, Van Der Leck, and Mondrian" (T. Reff)

Lisa Strong: "Images of Indian-White Contact in the Watercolors of Alfred Jacob Miller, 1837-1860" (B. Novak)

Elizabeth Wyckoff: "Innovation and Popularization: Printmaking and Print Publishing in Haarlem During the 1620s" (D. Freedberg)

Robert Bardin: "Posing as a Fine Art: William M. Chase's Portrait Enterprise" (B. Novak)

Benjamin Binstock: "Becoming Rembrandt: National, Religious and Sexual Identity in Rembrandt's History Paintings" (D. Freedberg)

Anne-Marie Bouché: "Theorica Vita: The Frontispiece of the Floreffe Bible (London B.L. add. ms. 17738) and Twelfth-century Contemplative Theory" (J. Rosenthal)

Florina Capistrano: "Reconstructing the Past: The Notion of Tradition in West Sumatran Architecture 1791-1991" (S. Blier)

Anne D'Alleva: "Shaping the Body Politic: Gender, Status, and Power in the Art of Eighteenth-Century Tahiti and the Society Islands" (N. Kampen)

Leah Dickerman: "Aleksandr Rodchenko's Camera-Eye: Lef Visicu and Revolutionary Subjectivity" (R. Brilliant)

Whuiyeon Jin: "Modernism, Presentation, and Post-Colonialism: Korean Informel and the Reception of the West" (J. Drucker)

Terry Kirk: "Church, State, and Architecture: The Palazzo di Giustizia of Nineteenth-Century Rome" (R. Middleton)

Dominique Malaquai: "Constructing Power: Architecture, Landscape, and the Design of Space in a Chieftaincy of the Bamileke Highlands" (S. Blier)

Sarah McPhee: "Bernini's Bell Towers for St. Peter's and the Politics of Architecture at the Vatican" (J. Connors)

Mehrangiz Nikou: "National Architecture and International Politics: The Pavilions of Near Eastern Nations in Paris International Exposition of 1867" (R. Middleton)

Nina Rosenblatt: "Photogenic Neurasthenia: Aesthetics, Modernism and Mass Society in France, 1889-1929" (J. Crary)

Amy Schlegel: "Codex Spero: Feminist Art and Activist Practices in New York State in the Late 1960s" (B. Buchloh)

Paul Sternberger: "Between Amateur and Aesthete: The Legitimization of Photography as Art in America 1880-1900" (B. Novak)

Nancy Stula: "Lured by the Muses: Christopher Pearse Cranch (1813-1892)" (B. Novak)

Claudia Swan: "Jacques de Gheyn II and the Representation of the Natural World in the Netherlands circa 1600" (D. Freedberg)

Bor-Hua Wang: "Su Shih's Art of Writing and His Han-Shih T'ieh" (D. Sensabaugh)

Krysztof Wieczorek: "Space and Evolution in Piet Mondrian's Abstract Painting" (R. Krauss)

Jessica Winston: "The Face of the Virgin: Problems in the History of Representation and Devotion" (D. Freedberg)

Alastair Wright: "The Deconstructive Drive in Henri Matisse's Painting, 1904-1914" (R. Krauss)

Patrizia Cavazzini: "Palazzo Lancellotti ai Coronari and Its Fresco Decoration" (J. Connors)

Maurene Donadio: "Transfigured Wasteland: The Sculpture of Richard Stankiewicz" (D. Rosand)

Bridget Goodbody: "George Catlin's Indian Gallery: Art, Science, Power" (B. Novak)

Samuel Heath: "The Renaissance Choir Stalls of Toledo Cathedral, 1535-1547" (D. Rosand)

Bernadette Huvane: "Wenzel Zobergher, Theodore van Loon, and the Pilgrimage Church at Scherpenheuvel" (D. Freedberg)

Jacqueline Kestenbaum: "Modernism and Tradition in Japanese Architectural Ideology, 1931-1955" (D. Rosand)

Constantin Marinescu: "Making and Spending Money along the Bosporus: The Lysimachi Coinages Minted by Byzantium and Chalcedon and their Socio-Cultural Context" (R. Brilliant)

Judith Ostrowitz: "Privileging the Past: Art, History and Historicism on the NorthWest Coast" (E. Pasztory)

Jordana Pomeroy: "Collecting the Past to Create a Future: The Old Masters, Artists and Patrons in Early Nineteenth-Century England" (A. Staley)

Andrew Schulz: "Perception, Satire, and the Grotesque Body in Goya's 'Caprichos'" (J. Tomlinson)

Janet Snyder: "Costume as Communication: Textiles and Clothing in Northern French Early Gothic Sculpture" (S. Murray)

Cathryn Steeves: "The Hôtel de Ville of Paris: The Architecture, Urbanism and Politics of François I" (H. Ballon)

Gary Van Wyk: "Patterns of Possession: An Art of African Habitation" (D. Rosand)

Virginia-Lee Webb: "Framing Time: Photographs of New Guinea from the Crane Pacific Expedition, 1928-29" (K. Moxey)

Nancy Wu: "Uncovering the Hidden Codes: Geometry of the Reims East End" (S. Murray)

Kevin Avery: "The Panorama and Its Manifestations in American Landscape Painting, 1795-1870" (B. Novak)

Megan Cifarelli: "Enmity, Alienation, Assimilation: The Role of Cultural Difference in the Visual and Verbal Expression of Assyrian Ideology in the Reign of Assurnasirdal II (883-859 B.C.)" (J. Russell)

Sarah Cobb: "Dimension of Identity: The Art of the Ogoni in the Late Twentieth Century" (R. Brilliant)

Bradley Collins: "Psychoanalytic Biography and Art History: A Critical Study of Psychobiographical Approaches to Leonardo da Vinci" (T. Reff)

Elizabeth De Rosa: "The Religious Landscapes of Louis C. Tiffany" (B. Novak)

Fiona Donovan: "Rubens, England and the Whitehall Ceiling" (D. Freedberg)

Tracy Ehrlich: "The Villa Mondragone and Early Seventeenth Century 'Villeggiature' at Frascati" (J. Connors)

Sarah Ksiazek: "The Mature Works of Louis Kahn" (R. Middleton)

Pauline Maguire: "Poussin's Israelites Gathering Manna in the Wilderness (1638-1639): A Painting for Chantelou" (H. Ballon)

Lucy Oakley: "Edwin Austin Abbey's Shakespearean Paintings, Illustrations, and Costume Designs, 1888-1909" (A. Staley)

Adriana Proser: "Moral Characters: Calligraphy and Bureaucracy in Han China" (D. Sensabaugh)

Patricia Sarro: "The Function of Ornamentation in Tajin Chico, El Tajin, Mexico" (E. Pasztory)

Lynne Spriggs: "Images of the Blackfeet: Strategies for the Visual Articulation of Identity and Power" (S. Blier)

William Stargard: "Repression and Catholic Reform: Bernardo Vittone's Commissions for Charitable Institutions" (J. Connors)

Eugenie Tsai: "Robert Smithson Unearthed" (J. Drucker)

Masako Watanabe: "Narrative Framing in Handscrolls: Japanese Emaki Tradition" (M. Murase)

Steven Bedford: "The Architectural Career of John Russell Pope" (J. Connors)

Paolo Berdini: "Jacopo Bassano: Painting as Visual Exegesis" (D. Rosand)

Paula Carabell: "Image-making and Identity, Two Case Studies: Michelangelo and Titian" (D. Rosand)

Robert Carlucci: "The Visual Arts and Public Life in the Florentine Republic: The Government of Piero Soderini" (J. Beck)

Raquel Da Rosa: "Still Life, the Body, and the Self in Mid-Nineteenth Century France" (R. Brilliant)

Valerie Fletcher: "Alberto Giacometti: The Paintings" (D. Rosand)

Lisa Florman: "Myth and Metamorphosis: Picasso's 'Classical' Prints of the 1930s" (R. Brilliant)

Sarah Lawrence: "Conversazioni Profane: In Dialogue with the Pagan Gods" (D. Rosand)

Andrew Marvick: "Late Nineteenth-Century British Eclectic Painting: John William Waterhouse and his Contemporaries" (A. Staley)

Allison Merrill: "A Study of the Ingeborg Psalter Atelier" (J. Rosenthal)

Frederic Schwartz: "Form and Economy in the German Werkbund, 1907-1914: Design Theory and Mass Culture" (D. Rosand)

Michael Schwartz: "Raphael's Art of Representation: Political Narrative and the Grounds of Truth in the Stanza D'Eliodoro" (R. Brilliant, D. Rosand)

Mary Vaccaro: "Forma Virginis: Form as Meaning in Parmigianino's Art" (D. Rosand)

Anne Allen: "The Architecture of Samoa: The Structure and Manipulation of Social Space" (S. Blier)

Hyung-Min Chung: "Transmission of the Mi School in the Landscape Painting of the Late Choson Dynasty (1700-185)" (D. Sensabaugh)

Barbara Dodsworth: "The Arca di San Domenico" (J. Beck)

María Fernández: "The Representation of National Identity in Mexican Architecture: Two Case Studies (1680 and 1889)" (E. Pasztory)

Christopher Fulton: "The Medici Palace Collection of Fifteenth-Century Florence: A Study in the Privatization of Art" (J. Beck)

Debra Hassig: "Homo Animal Est, Homo Animal Non Est: Text and Image in Medieval English Bestiaries" (J. Rosenthal)

Sheree Jaros: "Roman Copies and the Problem of the "Nobilia Opera" (R. Brilliant)

Alice Jarrad: "Theaters of Power: Francesco I d'Este and the Spectacle of Court Life in Modena" (J. Connors)

Susan Klaiber: "Guarino Guarini's Theatine Architecture" (J. Connors)

Kathryn Kramer: "Mythopesis in the Late Work of Paul Klee" (R. Brilliant)

David Moos: "The Loss of Landscape in American Abstraction: The Self in Clyfford Still, Jackson Pollock and Barnett Newman" (J. Beck)

Joanne Pillsbury: "Sculpted Friezes of the Empire of Chimor" (E. Pasztory)

Della Sperling: "Narrative and Enigma: The Late Paintings of William Quiller Orchardson" (A. Staley)

Ana-Sofia Meneses: “Ancient Spirit and Modern Costume Design in Margarete Bieber's Favorite Plays” (F. de Angelis)

Marie Bouichou: “Festivals as Politics: Celebrating Louis XV King of France in Eighteenth Century Rome” (D. Bodart)

Sarah Faulkner: “A Battle in a Golden Age: Seventeenth Century Concerns and the Reframing of the Heiji monogatari’s Siege of Rokuhara” (M. McKelway)

Luming Guan: “Artists as Tricksters: Jokes and Humor in the Art of Hans Baldung and Urs Graf” (G. Bryda)

Zhirui Guan: “Dis-assemblage in Boucher’s Tenture Chinois” (F. Baumgartner)

Margaret Masselli: “Handshakes, Howdahs, and Heirs: Imagining the Court of Murshidabad” (V. Dehejia)

Katherine Pratt-Thompson: “Reframing Transience: Thomas Moran in Fort George Island, Florida” (E. Hutchinson)

Nicole Sussmane: “A god beyond the binary: a study of gender on a marble sarcophagus with the triumph of Dionysus and the Seasons in the Metropolitan Museum of Art” (F. de Angelis)

Ninive Vargas: “Faith, Race, and Power: A Study of Icons of Hate and Structures of Dominance in the Arts of New Spain” (M. Cole)

Clara Zevi: “The Pocket-Sized Altarpiece: Reproducing a Visit to the Siena Duomo in Jean Pucelle’s Hours of Jeanne d’Evreux” (D. Freedberg)

Shuni Zhu: “Peasant Women in the Pictorial Field: Camille Pissarro's Late Works in Éragny” (F. Baumgartner)

Majdolene Dajani: “Potnia Theron of the Ancient New East: Redeploying Antique Motifs on Ivories of the First Millennium B.C.” (Z. Bahrani)

On-Tsun Fung: “The Politics of Plants and Obaku Zen: Kakutei Jōkō’s (1722-85) Flowers and Plants of the Four Seasons” (M. McKelway)

Nina Elizondo Garza: “The Medieval and Modern Holy Grail: its Origins and Evolution” (H. Klein)

Amy Hummerstone: “Nordic Classicism in Sweden as a Reflection of Cultural Values and Historical Self-Awareness” (B. Bergdoll)

Makiko Kawada: “Suzuki Kiitsu (1795-1858): Refining Aesthetics in Edo” (M. McKelway)

Sarah Jane Kim: “Materializing a Legacy: The Posthumous Restrikes of Édouard Manet’s Etchings” (A. Higonnet)

Sydney Sheehan: “From Prop to Prow: The Native American Image Aboard Nineteenth-Century Ships” (E. Hutchinson)

Yusang Shi: “Intertwined Aesthetics: Orientalism in Frederic Leighton’s Paintings” (M. Gamer)

Lowell Sopcisak: “A Bioregional Provence: Ecocriticism and the Landscapes of Paul Cézanne” (F. Baumgartner)

Ada Berktay: ““Carthago delenda est”: A Sixteenth Century Parade Shield in the Light of Habsburg-Ottoman Rivalries in the Mediterranean” (A. Shalem)

Yixu Chen: “Hu Boxiang (1896–1989) and Chinese Pictorialist Art Photography of the 1920s–30s in Shanghai” (R. Harrist)

Wanshi Ma: “Art and Family in the Works of Two Contemporary Artists and a Filmmaker” (R. Harrist)

Amanda Morrow: “"Always Too Early to Quit": The Life and Career of Photographer Samuel H. Gottscho” (B. Bergdoll)

Allyson Richardson: “The Landscapes of Hercules Segers: Imagination & Experiment” (D. Freedberg)

Cydney Williams: “Violence, Ornamentation, and the Female Body: Armor and the Woman ‘Type’ in Paintings in the 16th and 17th Centuries” (D. Bodart)

Mo Zhang: “Visual and Poetic Imagination in The Four Seasons, a Ming Dynasty Handscroll in the Metropolitan Museum of Art” (R. Harrist)

Sarah Bigler: “A Turn-of-the-Century Tastemaker: Frederick Keppel and American Print Collecting” (A. Higonnet)

Amy Chang: “The Mudéjar and the Marian in Ceramic Baptismal Fonts from Toledo: Apotropaic Designs on Spiritual Thresholds, circa. 1370-1400” (F. Baumgartner)

Drew Lash: “Jacob the Christian: Pictorial Exegesis of the Old Testament Patriarch in Seventeenth Century Spain” (D. Bodart)

Mark Paul: “Rules of Reality: Ornament and Abstraction in so-called Third Style Roman Wall Painting (circa 20 BCE–20 CE)” (F. de Angelis)

Julia Reynolds: “Édouard Vuillard: Experiments in Color, 1890-1901” (A. Higonnet)

Tori Schmitt: “Purification of a Lady: Translating the Medieval Purification Drama at Notre Dame d’Amiens” (S. Murray)

Hanna Wiegers: “Up, Down, and Around: Experimentation and Expression in French Royal Staircases from 1540 to 1589” (S. Murray)

Basak Araz Nalbantoglu: “The Makings of the Image of Byzantine Emperor Justinian through the Urban Transformation of the City of Constantinople” (H. Klein)

Allia Benner: “Hercle, Satyrs, and Greek Models for the Etruscan Male: Images of Hercle and Satyrs with Sources and Containers of Water in Etruscan Art” (F. de Angelis)

Sarah Eisen: “When You Look Me in the Eyes… Abduction, Seduction, and the Power of the Gaze in Ancient Greek Vase Painting” (I. Mylonopoulos)

Laura Polucha: “Self-Fashioning through Mourning: Arabella Huntington and Widowhood in the 19th and Early 20th Centuries” (A. Higonnet)

Roxanne Smith: “Mapping the 'Big Four' Art Collections in San Francisco, 1848-1906” (A. Higonnet)

John Webley: “Marketing the Monarch: Jewelry and Modernity in Franz Xaver Winterhalter's Royal Portraits” (A. Higonnet)

Manabu Yahagi: “Horino Masao's Graphmontage: Documenting the Fragments of Modern Life” (J. Reynolds)

Samantha Clay Reagan: “Bearden’s Migration: A Reading of Romare Bearden’s 1964 Projections Series as a Narrative of the Great Migration” (K. Jones)

Ariel Cohen: “Systems and Patterns of Constructing Culture: Ephraim Moses Lilien in the Nexuses of Zionism” (A. Shalem)

Celia Durkin: “Form as Concept: Levels of Mental Construal Involved in Processing Abstract Art” (D. Freedberg)

Yifu Liu: “The Prints of Bosch: Towards a More Nuanced Attribution” (D. Bodart)

Claire Pierce: “Between Tradition and Innovation: Titian’s Gonfalone for the Compagnia Corpus Domini in Urbino Reconsidered” (M. Cole)

Lili Varzhapetyan: “Queens and Princesses: Female Art Patrons in Medieval Armenia” (H. Klein)

Kelly Wang: “The Four Birds: An Ink Painting by Emperor Song Huizong” (R. Harrist)

Olympia Arco: “Between Film & Foto: Fifo 1929” (N. Elcott)

Xin Du: “Two Paths to Abstraction: Paintings of Zao Wou-Ki and Wu Guanzhong” (R. Harrist)

Marguerite Mott: “The Sensuous Feminine: The Handheld Mirror in the Statuary of South Asian Antiquity” (V. Dehejia)

Lauren Robbins: “Redefining Renoir's Classicism: A Reevaluation of his Mythological Artworks” (F. Baumgartner)

Nikki Sarto: “The Journey to the Underworld: Exploring Mythological Figures on White-Ground Lekythoi” (I. Mylonopoulos)

Mary Schmidt: “Training the Next Generation to Teach: Blending Pedagogy and Content to Train Student Gallery Teachers at University Art Museums” (A. Higonnet)

Jose Blanco Perales: “The End of the Iberian Century in Japan: A Study of the Painting Martyrdom of Fifty-two Christians at Nagasaki in 1622” (M. McKelway)

Ying Chen: “The Painted Flowers: Buddhism and the Patronage of the Xuanhua Tombs from the Liao Dynasty” (R. Harrist)

Cynthia Dare: “Goddess, Heroine, Beast: Anna Hyatt Huntington’s New York Sculpture, 1902-1936” (A. Higonnet)

Anne Dolmatch: “Style at the Crossroads: A Late Gothic Entombment from Biron, France” (S. Murray)

Yuan Fang: “Medium, Post-Medium, or Else? A Theoretical Showcase of Contemporary Chinese Ink” (J. Rajchman)

Ruiying Gao: “Collecting Nature: Traditions of Zahua Tu Juan from Song to Yuan” (R. Harrist)

Hilah Loewenstein: “Polyxena and her Hydria: A Maiden’s Tragic Fate and Self-Referentiality in Athenian Vase-Painting” (I. Mylonopoulos)

Giulia Theodoli: “The Art & Project Bulletin: A Paginated Practice in the Age of Conceptualism” (F. Benelli)

Tim Trombley: “Visualizing Domestic Architecture at Olynthos: Lighting Analysis of Activity Spaces in the Greek House” (I. Mylonopoulos)

Amanda Tsao: “Screens of Change: Two Pairs of Nanban Folding Screens from the Kobe City Museum and Suntory Museum of Art” (M. McKelway)

Catherine Carruthers: "Picturing Chance: Gerhard Richter's and Gilles Deleuze's Abstraction" (J. Rajchman)

Sarah Marsh: "Staging Photography: The Legacy of the Tableau Vivant in Nineteenth Century Photography" (N. Elcott)

Lauren Murtagh: "Sexual Violence, Typologies of the Feminine, and Otto Weininger Revisited: The Lustmord Pictures of George Grosz" (N. Elcott)

Kerry Lee Gaertner: "Becoming Janez Janša: The NAME Readymade Project" (R. Deutsche)

Jessica Rose Garrett: "Michelangelo and Raphael: Drawing, Writing, & Building after Antiquity" (F. Benelli)

Alma Gharib: "Aesthetic Perception and Cognition of Faces" (D. Freedberg)

C. Nicole Leist: "Gods in Plain Sight: The Personification of Mountains and Rivers in Ancient Near Eastern and Greek Art" (I. Mylonopoulos)

Lois Martin: "Mother Monster Maize: Reading Coatlicue as Chicomecoatl through the Lens of Aztec Science (and Youtube)" (E. Pasztory)

Kaitlin Richardson: "The Ancien-Régime Fan: A Sophisticated Synthesis of Design, Function and Use" (A. Higonnet)

Carol Santoleri: "Turner and the Picturesque Tour: Mist, Spray and Ripples on the River Seine" (V. Di Palma)

Lauren Turchioe: "Repetitive Patterning as Signs of Wealth and Power in Chimu Textiles" (E. Pasztory)

Jane Elizabeth Braun: "Reconfiguration, Redistribution, Recharacterization: The Second Empire Renovations of the Bois de Boulogne and the Development of the Culture of Popular Display at the Hippodrome de Longchamp" (A. Higonnet)

Sara King: "Mourning and Matronage in the Bliss Collection" (A. Higonnet)

Timothy King: "Aztec Gold Ornaments: Use, Production, Distribution, Iconographic, and Stylistic Elements, and Attribution of Aztec Gold" (E. Pasztory)

Aubrey Knox: "Life after Death: The Du d'Aumale's and Albert C. Barnes' Quests for Control, Validation, and Ideological Integrity Through Their Collections" (A. Higonnet)

Carol Santoleri: "Turner and the Picturesque Tour: Mist, Spray and Ripples on the River Seine" (V. Di Palma)

Elizabeth Seeman: "The Naumann Panel: A Memento Mori as Symbol of Selfhood in Sixteenth Century Venice" (M. Cole)

Xin Wang: "Traditions Animés: The Art of Ink in the Age of Digital Reproductions" (R. Harrist)

Alyssa Bryk: "Rivals in Cinquecento Italy: The Stigmas and Triumphs of Michelangelo and Titian" (D. Rosand)

Eduardo A. Escobar: "Metal Casters and Metal Casting at Ugarit during the Late Bronze Age" (Z. Bahrani)

Neil Ghosh: "Internationalizing the Art of Bengal: the Artwork of Paritosh Sen, Jogen Chowdhury, and Bikash Bhattacharjee" (V. Dehejia)

Heather Hoge: "Saint-Pourçain-sur-Sioule: Ramifications of Regional Architectural Types on a Central Locale" (S. Murray)

Martha Susan Roy: "The Cultural, Social and Architectural History of the Family Fallout Shelter during the Early Cold War (1950–1965)" (H. Ballon)

Sydney Weinberg: "The Architecture of War: Francesco di Giogio, Federico da Montefeltro and The Art of Defense" (F. Benelli)

Akshay Jain: “Third World Biennale of Graphic Art” (J. Rajchman)

Shaun Wang: “Digital Art’s ‘Aura’, Its Trans-disciplinary Nature, & Its Epistemic Activity” (J. Rajchman)

Marina Avia Estrada: “Performing the balaclava: Feminist Aesthetics in Contemporary Chile” (K. Jones)

Cristina Belli: “The Monad and the Nomad: Archigram and the Theory of Reflexive Modernization” (Z. Çelik Alexander)

Tess DeBerry: “East German Feminist Performance: Bodily Action of Cornelia Schleime and Gabriel Stötzer in the 1970s and 1980s” (J. Kraynak)

Clara Derrac Sorria: “Art in Times of ‘Immaterial Labor’: On Andrea Fraser, Maria Eichhorn, and Hito Steyerl” (A. Alberro)

Erin Gallagher (MODA Curatorial Fellow): “Narrative Thread: Gina Adams and Marie Watt” (E. Hutchinson)

Alison Guh: “Mexico, Masquerade, and the Modern Woman: Leonora Carrington and Kati Horna” (N. Elcott)

Manuela Hansen: “Dismantling Dualisms: A Posthuman Feminist Perspective on Mariko Mori, Anicka Yi, and Mikka Rottenberg” (A. Alberro)

Marcus Jamison (MODA Curatorial Fellow): “Aestheticizing Anti-Black Violence: From Critique to Satire” (K. Jones)

Hannah Morse (MODA Curatorial Fellow): “Locating Abdourahmane Sakaly” (Z. Strother)

Rotana Shaker (MODA Curatorial Fellow): “A Bottomless Silence: An Exhibition in Suspension” (J. Rajchman)

Aude Tournaye: “Mulanga: Memory and History in the Work of Sammy Baloji” (Z. Strother)

Jean Wong: “Archipelago of Order in an Ocean of Chaos: A Critical Analysis of DASH by Ho Rui An” (J. Rajchman)

Euphie (Ziyan) Ying: “Recontextualizing Ink Art: A Minimalist Approach” (J. Rajchman)

Tiffany Zhan: “The Subjects of Realism: Icon, Viewer, and Landscape in the Work of Liu Xiaodong” (J. Rajchman)

Shiying Li: “Towards a New Realism: A Transnational Retrospective on Tibetan Series” (J. Rajchman)

Paula Kroll: “In the (Iron) Air” (R. Krauss)

Marina Rastorfer: “Provenance Research and The Many Chasms: The Case of Gurlitt, An Ongoing Search” (J. Kraynak)

Dana Rodriguez: “Playing the Game: Nina Chanel Abney’s Use of the Sports Figure” (K. Jones)

Anes Sung: "In the Shadow of Forward Motion: Death and the Compulsions of the Photographic Image in the Photography of David Wojnarowicz, 1987-1991" (J. Kraynak)

Meghan Collins: "(Dis)Order: Howardena Pindell’s Hybrid Paintings of the Seventies" (J. Kraynak, J. Rajchman)

Ashleigh Deosaran: "Griots of the Galaxy: Science Fact/Fiction, Technology, and Futurity in the work of Three Latin American Artists" (K. Jones)

Ivana Dizdar: "He Loves Me Not: Tanja Ostojić and Daniela Ortiz, from EU Migration to Anti-Celebration" (R. Deutsche)

Pujan Karambeigi (MODA Curatorial Fellow): "Beyond Representation: On Astrid Klein, Katharina Sieverding, and Ulrike Rosenbach" (A. Alberro)

Alessandra Gomez (MODA Curatorial Fellow): "Into darkness. Trajal Harrell, Dean Moss, Eiko Otake & DonChristian" (K. Jones, C. Yang)

Margaret Kross: "Ancestral Halls: The Cold of Anxiety is Very Real" (J. Kraynak)

Sally Eaves Hughes: "The Making of Memory: Mary Sibande and Her Majesty, Queen Sophie" (K. Jones)

Alexandra Adams: "How She Played: Nellie Mae Rowe and the Art of Dislocation" (K. Jones)

Charmaine Branch: "Weaving an Intersectional Space, Dialectics of Isolation: An Exhibition of Third World Women Artists of the United States" (K. Jones)

Allison Cannella: "Perceiving Ideas: An Inspection of Conceptual Art through a Neuroaesthetic Lens." (D. Freedberg)

Olivia Casa, (MODA Curatorial Fellow): "Anna Bella Geiger: Here is the Center" (K. Jones)

Vered Engelhard: “GEGO: Towards an Ethics of Form” (J. Rajchman)

Banyi Huang: “Excavating Shu Lea Cheang’s Cyber-Eco-Sexual Bodies” (J. Rajchman)

Alison Burnstein: “Institutional Critique, Alternative Spaces, and New Institutions: A Genealogy” (R. Deutsche)

Maria Kelly: “The Unfixed Landscape: Meghann Riepenhoff & Matthew Brandt” (K. Jones)

Jeffrey Paul: “Printing Poetics: Wade Guyton’s Index of Translation” (B. Joseph)

Madeline Weisburg (MODA Curatorial Fellow): "New Talent" (B. Joseph)

Maria Filas: “Painting Sex and the Female Body: An Abstract-Figurative Continuum” (J. Kraynak)

Tianyuan Deng: “White is My Marble: Whiteness and Ambivalence in Cy Twombly’s Sculptures” (J. Rajchman, J. Kraynak)

Nate Jones: “Robert Smithson’s Telescope” (B. Joseph)

Amélie Alexandre: “Moi Je Joue: Sophie Calle’s ‘Private Games,’ an Exposition” (J. Rajchman)

Mary Annunziata: “Mapping Resistance: Bouchra Khalili’s The Mapping Journey Project as a Form of Counter-Geography and Alternative Historiography” (J. Rajchman)

Katherine Adams Cohn: “Collaborative Frameworks of Resistance: Curating Carnival” (K. Jones)

Zhuofan Huang: “Camille Henrot: The Artist as Ethnographer in the Information Age” (J. Rajchman)

Inesa Brasiske: ““What is Established is Destroyed, What is Stiff Creeps Everywhere:” André Cadere's Tactics of Resistance” (A. Alberro)

Dani Cabot: “In A Rented World: The Real-and- Imagined Thirdspace of Jack Smith” (B. Joseph)

Page Benkowski: “The Simulacrum of the Self: Digitization and the User-Viewer” (J. Kraynak)

Taylor Fisch: “The Still Life as a Political Object: Reevaluating the Photographic Still Life in the Twenty-First Century” (K. Jones)

Georgia Horn: “Of the Space Between: the Art of Rosa Barba” (J. Kraynak)

Anne Cicco: “Constructing Punk: Mike Kelley and Tony Oursler’s The Poetics Project 1977-1997” (B. Joseph)

David Crane: “Life Serial: Repetition and Reiteration in the Work of Glenn Ligon and Felix Gonzalez-Torres” (J. Kraynak)

Sarah Diver: “Streamlining Indian Arts: Racial Politics and Display Strategies in the Indian Arts and Crafts Board Exhibition at the 1939 San Francisco Golden Gate International Exposition” (E. Hutchinson)

Elleree Erdos: “Chartered Images: Social Media and Circulation in Art of the Syrian Diaspora” (N. Elcott)

Leah Hartman: “Artistic Resistance to the Spectacular Image: Abounaddara and Wafaa Bilal” (J. Kraynak)

Natasha Rosenblatt: “Pterodactyl or Spaceship?: Hybridity in the Work of Lee Bontecou” (B. Joseph)

Gena Beam: “Tactical Movement: Sylvia Palacios in New York, 1970-1976” (A. Alberro)

Vivian Chui: “Rokni Haerizadeh & Tala Madani: The Grotesque Body Inverted in the Post-9/11 World” (J. Rajchman)

Matthew Cross: “To Break the Circle: Christopher Williams and the Program of Photography” (K. Minturn)

Ashley Duhrkoop: “The Abstruse Abecedarium: Enciphering the Object of Language to Unmask Its Instrument of Power or, a Critical Perspective on the Story of Language, Art, and Thought from Mallarmé to Xu Bing Notes Towards an Exhibition” (J. Rajchman)

Heba Elkayal: “The Politics of Egyptian Modernism: Commemorating the Building of the Aswan High Dam” (Z. Bahrani)

Beatrice Grenier: “The Transnational Network of Shanghai Abstract Painting (1976-1985)” (J. Rajchman)

Tara Kuruvilla: “Beyond the Frame: Process as Practice in the Photo-Performances of Pushpamala N.” (K. Minturn, V. Dehejia)

Anna Linehan: “360° Field of Vision: Liz Deschenes’ Photographic Spaces” (A. Alberro)

Amber Moyles: ““To Read What was Never Written”: Walter Benjamin in the Age of the Interwar Avant-Garde” (N. Elcott)

Gregor Quack: ““Either his or my choices”: Spectatorship in Öyvind Fahlström’s Variable Paintings” (B. Joseph)

Katherine Siboni: “Post-structuralist Punk: The Early Films of Ericka Beckman, 1974-1978” (B. Joseph)

Valerie Werder: “Thinking Before Language: Drawing, Tracing, and Mapping the Notational” (J. Rajchman)

Doris Zhao: “Practices of Cultural Cannibalism in Modern and Contemporary Art” (K. Jones)

Anna von Bertrab: “Eclectic Collections and Architectural Spectacles: Billionaire Art Museums in 21st Century Mexico City” (B. Bergdoll)

Alison Coplan: "Reality FX" (J. Rajchman)

Maria Ferreyra: “Guerrilla Artists: Forging National Identity in Postwar Guatemala” (K. Jones)

Emily Greer: “Rover Thomas at the 1990 Venice Biennale: Understanding Contemporary Aboriginal Art within a Global Exhibition Space” (E. Hutchinson)

Heidi Hirschl: “Portraiture’s Reinvention: Rineke Dijkstra’s Contemporary Revision of the Traditional Portrait and its Evolution” (J. Rajchman)

Kathleen Langjahr: “The Idea of Cinema as an Idea of Art: Neo Avant-Garde Film and Paracinema” (J. Rajchman)

Chaeeun Lee: “Modernist Theater for the Camera: Video Art of General Idea and Martha Rosler, 1974-77” (J. Rajchman)

Dana Liss: “Uncanny Parallels: Speculating History in Lorna Simpson’s Corridor and Octavia Butler’s Kindred” (R. Deutsche)

Eva Lu: “Encyclopedic Overviews: The Eclectic Microcosm of Peter Fischli and David Weiss at the 55th Venice Biennale” (A. Higonnet)

Desiree Pakravan: “Breaking the Frame” (J. Rajchman)

Juliette Premmereur: “New York, No Wave” (J. Rajchman)

Amanda Ryan: “The Archive and the Cosmopolitan Subject: Art and Reconstruction in Postwar Beirut” (J. Rajchman)

Rana Saner: “(Un)Speaking for Others: Archival Hospitality within Turkish Contemporary Art” (J. Rajchman)

Leigh Tanner: “Illusion as Reality: Artistic Exploration of the Human Impact of China’s Rapid Urbanization” (J. Rajchman)

Ariella Wolens: “Killing Time: The Art of Gabriel Orozco” (K. Moxey)

Rebecca Wolff: “Adoption and Adaptation: The Development of Uli-Based Artistic Approaches in the Art of Uche Okeke and Obiora Udechukwu” (Z. Strother)

Anne S. Bruder: "Liliana Porter's Unruly Wrinkle" (K. Jones)

Charlotte Friling: "Georges Thiry's Secret Museum: Erotic Photography between Stasis and Motion" (N. Elcott)

Alexa Lawrence: "The Art of Bare Life: Three Case Studies from the Iraqi Diaspora" (R. Deutsche)

Thomas Lax: "Ralph Lemon: 1856 Cessna Road" (K. Jones)

Dana L. Liljegren: "Criticality through Invisibility and Temporality in the Works of John Knight” (B. Joseph)

Tamar Margalit: “Sovereignty and Discipline: Joshua Neustein, Michael Druks, and the Development of Conceptual Art in Israel" (N. Elcott)

Brian McCarthy: "Art & Urbanism in Contemporary South Asian Practice" (R. Martin)

Hye Jin Noh: "Making Dissensus: Socially-Engaged Art in Contemporary Korea" (J. Rajchman)

Haeyun Park: "In Constant Motion: Nam June Paik's Itinerary from "Physical Music" to Electronic Television, 1958-1963" (J. Rajchman)

Beau Rutland: "Protesting the Divide: Representation, Abstraction, and the U.S. Civil Rights Movement in Painting, The 1960s and 1970s" (K. Jones)

Jamie Y. Shi: "Recursive Acts: Suspended Disbelief in Tacita Dean's The Russian Ending" (K. Moxey)

Cecelia Thornton-Alson: "Multilinear Tangle: Performance, Urbanism, and the Border dispositif" (R. Deutsche)

Beatriz Velázquez Calleja: "Of Voids, Epiphanies, and Charismatic Revenants: Fernando Sánchez Castillo's Works about General Franco" (R. Deutsche)

Erica Agyeman: "Interrogating Space: Cosmopolitanism in Lagos" (Z. Strother)

Caroline Blankenbeckler: "The Mexican Sojourn: Motherwell, Matta, Paalen, & the Beginnings of Abstract Expressionism" (K. Jones)

Susan Pfunder Carlson: "Vision, Power and Society: The Work of the Zero Group" (K. Cabañas)

Ceren Erdem: "Cross-Time Stories: Global Subjectivities after 1989" (J. Rajchman)

Joseph Gergel: "Not a Picture of, but an Object about Something: Robert Heinecken's Photo-Materiality" (K. Cabañas)

Margaret E. Murray: "Sarah Morris: Painting and Filming the American City in the Postmodern Age" (B. Joseph)

Jaime Beth Schwartz: "Reduced Visibility: Thomas Ruff's jpgs ny and the Picturing of Trauma in the Digital Era" (R. Deutsche)

Lisa Williams: "La Forma della Città: The Ideal City and the Painting of Modern Life" (K. Cabañas)

Alexander Benenson: "Public Image" (R. Deutsche)

Jennifer Borland: Thesis Exhibition: "Case Histories" (J. Crary)

Drew Bucilla: "Another Mendieta" (K. Cabañas)

Kristen Chappa: Virtual Exhibition: "Unsound: Ethics and Potentialities in Contemporary Audio Art" (B. Joseph)

Deborah Elliott: "New York’s Ground Zero: The American Memorial in a Post 9/11 Age" (J. Rajchman, M. McLeod)

William Helfrecht: "New York Bohemia: Beat Culture and the Happening" (B. Joseph)

Geneva Jann-Lewis: "Fluid Identity: Postcolonialism and Feminism in the Work of Sheela Gowda" (V. Dehejia, K. Cabañas)

Donald Johnson-Montenegro: Thesis Exhibition: "Every Other Day" (K: Cabañas)

Michelle Johnson: "Past/Future Tense: The Early Experimental Documentaries of Peter Watkins" (J. Rajchman)

Tomoko Kanamitsu: "Conjuring the Art of Light and Shadow: The Shadow Plays of the London Filmmaker’s Co-op" (N. Elcott)

Catherine Kron: "Guy de Cointet: A Study in 4 Moves" (J. Rajchman)

Marley Blue Lewis: "Re-imagining Curatorial Practice: Toward Expanded Notions of Feminism in Art" (A. Alberro)

Caroline Luce: "Spatial Dynamics: Recent Video Installations by Barbara Kruger" (R. Deutsche)

Temitayo Ogunbiyi: "Two Roads Diverged in a Yellow and We’re SUPER EXCITED" (K. Jones)

Emily Shaw: "What’s So ‘Radical’ About Information?: The Artistic Archive as Educational Tool" (A. Alberro)

Rebecca Siegel: "Cause Célèbre: Shoah Memorials in a Reunified Berlin" (R. Deutsche)

Tracy Zwick: "Right/Remedy: Doris Salcedo" (J. Rajchman)

Elizabeth Berkowitz: "Malevich, Mondrian and Ideological Abstraction" (J. Rajchman)

Noga Bernstein: "Territorial Borders through Gendered Lens: Works by Einat Amir and Sharif Waked" (R: Deutsche)

Mary Aileen Burns: "Negotiating Authorship: Lucy R. Lippard and Curatorial Practice" (J. Rajchman)

Stewart Campbell: "Alienation by Design: Krzysztof Wodiczko's Alien Staff and the Spectacular Immigrant" (N. Elcott)

Elizabeth Denny: "William Kentridge and Political Change in South Africa" (J. Crary)

Lilla Fekete: "The Stranger: Krzysztof Wodiczko on the Immigrant Situation" (J. Rajchman)

Mashinka Firunts: "Semiospectacle" (K. Jones)

David Everitt Howe: "Get Rid of Your Self: Bernadette Corporation's Post-Identity Pastiche" (K. Cabañas)

Hollyamber Kennedy: "A Consuming Historical Fever: Postwar Berlin, Critical Reconstruction and the International Building Exhibition, 1987" (F. Scott)

R. Charl Landvreugd: "Creative Acts of Equality and Difference; notes on contemporary Black-Dutch Art" (K. Jones)

Ashley Moore: "Subaltern Subversions: The Art of Wangechi Mutu and Adriana Varejão" (R. Deutsche)

Janet Oh: "Mix Tapes: A Study of Artists' Works and Interviews in Audio Arts Magazine" (K. Cabañas)

Nicole Salm: "Book By Its Cover: Contemporary Issues in Book Arts Exhibition" (E. Hutchinson)

Zarmeena Shah: "Intersections: Jenny Saville & Gilles Deleuze" (J. Rajchman)

Yayoi Shionoiri: "'Art' Il-legally Defined?—An Art Historical and Legal Analysis of Akasegawa Genpei's Model Thousand-yen Note Incident" (M. McKelway)

Begum Yasar: “The "Self-Presence" of Minimalism and Rachel Whitehead's Art of "Sous Rature”" (J. Rajchman)