Recent jazz-related books
by members of the Jazz Study Group
Benston, Kimberly W.
Performing Blackness:
Enactments of African-American Modernism.
New York: Routledge, 2000.
Edwards, Brent Hayes.
Epistrophies: Jazz,
Literature, and the Interplay of Sound and Script.
Cambridge: Harvard University Press, forthcoming.
Fellezs, Kevin
Birds of Fire: Jazz, Rock, Funk and the
Creation of Fusion
Durham, NC: Duke University Press, 2011.
Gabbard, Krin, ed.
Jazz Among the Discourses.
Durham (NC): Duke University Press, 1995.
Gabbard, Krin, ed.
Representing Jazz.
Durham (NC): Duke University Press, 1995
Gabbard, Krin.
Jammin’ at the Margins:
Jazz and the American Cinema.
Chicago: University of Chicago, 1996.
Gabbard, Krin.
Black Magic: White
Hollywood and African American Culture.
New Brunswick: Rutgers University Press, 2004.
Gabbard, Krin.
Hotter Than That: The
Trumpet, Jazz, and American Culture.
New York: Farrar, Straus, and Giroux, 2008.
Gennari, John.
Blowin’ Hot and Cool: Jazz
and its Critics.
Chicago: University of Chicago Press, 2006.
If You Can’t Be Free, Be a Mystery: In Search of Billie Holiday.
New York: Free Press, 2001.
Griffin, Farah Jasmine, and Salim Washington.
Clawing at the Limits of
Cool: Miles Davis, John Coltrane, and the Greatest
Jazz Collaboration Ever.
New York: Thomas Dunne Books, 2008.
Harris, William J.
The Poetry and Poetics of
Amiri Baraka: The Jazz Aesthetic.
Columbia: University of Missouri Press, 1985.
Hisama, Ellie M., and Evan Rapport.
Critical Minded: New
Approaches to Hip Hop Studies, ISAM monograph no.
35.
Brooklyn: Institute for Studies in American Music,
2005
Jackson, Travis.
Blowin’ the Blues Away:
Performance and Meaning on the New York Jazz
Scene.
Berkeley: University of California Press,
forthcoming.
Kelley, Robin D. G.
Freedom Dreams: The Black
Radical Imagination.
Boston: Beacon Press, 2002.
A Power Stronger Than Itself: The AACM and American Experimental Music.
Chicago: University of Chicago Press, 2008.
Malone, Jacqui.
Class Act: The Jazz Life of
Choreographer Cholly Atkins.
New York: Columbia University Press, 2001.
Monson, Ingrid T.
Saying Something: Jazz
Improvisation and Interaction.
Chicago: University of Chicago Press, 1996
Monson, Ingrid, ed.
The African Diaspora: A
Musical Perspective.
New York: Garland, 2000.
Moten, Fred.
In the Break: the
Aesthetics of the Black Radical Tradition.
Minneapolis: University of Minnesota Press, 2003.
O’Meally, Robert G. ed.
The Jazz Cadence of
American Culture.
New York: Columbia University Press, 1998

Living with Music: Ralph Ellison’s Jazz Writings.
New York: Modern Library, 2001.
O’Meally, Robert G., Brent Hayes Edwards, and Farah
Jasmine Griffin, eds.
Uptown Conversation: The
New Jazz Studies.
New York: Columbia University Press, 2004
Ramsey, Guthrie.
Race Music: Black Cultures
from Bebop to Hip Hop.
Berkeley: University of California Press, 2003.
Szwed, John F.
Space is the Place: the
Life and Times of Sun Ra.
New York: Pantheon, 1997.
Szwed, John F.
Jazz 101: A Complete Guide
to Learning and Loving Jazz.
New York: Hyperion, 2000.
Szwed, John F.
So What: the Life of Miles
Davis.
New York: Simon and Schuster, 2002.
Tate, Greg.
Everything but the Burden:
What White People are Taking from Black Culture.
New York: Broadway Books, 2003.
Tate, Greg.
Flyboy in the Buttermilk:
Essays on Contemporary America.
New York: Simon & Schuster, 1992.
Taylor, Jeff.
Stompin’ ‘Em Down: Early
Jazz Piano on Chicago’s South Side.
Berkeley: University of California Press.
Forthcoming.
Tucker, Sherrie.
Swing Shift: “All-Girl”
Bands of the 1940s.
Durham: Duke University Press, 2000.
Tucker, Sherrie, and Nichole Rustin, eds.
Big Ears: Listening for
Gender in Jazz Studies.
Durham and London: Duke University Press,
forthcoming
Bad Music: the Music We Love to Hate.
New York: Routledge, 2004.
Washburne, Christopher.
Sounding Salsa: Performing
Latin Music in New York City.
Philadelphia: Temple University Press, 2008.
Von Eschen, Penny.
Satchmo Blows up the World:
Jazz Ambassadors Play the Cold War.
Cambridge: Harvard University Press, 2004.