Virginia Woolf: scanned images, texts, and editions
This page (a work in progress), and the five separate pages linked to it, contain scanned images of
the early editions of all the books and pamphlets by Virginia Woolf that were published in her
lifetime, together with some additional scanned material and notes on scholarly
editions (editions that include a textual apparatus) and
recent inexpensive editions that use edited texts.
The five separate pages devote special attention to Jacob's Room, Mrs. Dalloway, To the Lighthouse, The Waves, and Flush.
Most of the scans linked on this page were made by me, and are therefore substandard compared with professionally-made scans, but they seem to be better than nothing.
Especially for the earlier titles, I have used some scans that were not
made by me, but derive partly or wholly from online sources; those sources are noted
below.
Credit where credit is due: This work was generously funded by the Department of English and Comparative Literature at Columbia University. The Virginia Woolf Literary Estate has graciously granted permission to
post images of material that is still under copyright in the United Kingdom.
The Voyage Out (1915)
The Duckworth
first edition of The Voyage Out (1915), with
Virginia Woolf's revisions. Source: Sydney University Library. This scan
has been supplemented (by EM) with scans of the unmarked state of the pages on
which Virginia Woolf pasted typescript replacements for the originals. The scan
of each unmarked page precedes the scan of the marked page.
The Doran
first edition of The Voyage Out (1920), extensively revised by the author. Source: Hathi Trust.
Scholarly editions:
- Elizabeth Heine's 1990 edition in the Hogarth Press Definitive Collected Edition has an extensive textual history and detailed apparatus with readings from the two marked-up copies of the British edition (and usefully correcting errors in earlier work by other scholars).
The list of variants between the British and American editions refers to
(but does not rely on) the llist made by James M. Haule and Philip H. Smith,
Jr., for their concordance to the novel.
- C. Ruth Miller and Lawrence Miller's 1995 Shakespeare Head Press edition follows the British edition, but includes a lucid and detailed account of the revisions made for the American edition (not all of which were correctly set by the American printers).
This edition provides all the material needed for a hypothetical future edition that correctly represents Virginia Woolf's revisions.
- Emma Sutton's edition in the Cambridge Edition of the Works of Virginia
Woolf has not yet appeared.
Inexpensive edited texts:
- Jane Wheare's 1992 Penguin Twentieth-Century Classics edition uses the
Duckworth text, but includes in an
appendix the revised Chapter 16 from the American text.
- Lorna Sage's 1992 Oxford World's Classics edition uses the Duckworth text,
with minor typographic adjustments.
Recommendation:
- The least bad edition of The Voyage Out would be one based on the marked copy of the British edition that Virginia Woolf supplied to the American publisher, but
without the printing errors that marked the resulting American text. The marked copy is
reportedly in private hands, but its markings are recorded in C. Ruth Miller and Lawrence Miller's 1995 Shakespeare Head edition. In the absence of such an edition, probably the least bad choice of
texts would be any printing of the American text repubished by Harcourt, Brace or its Mariner Books imprint; these are photo-offset from the 1920 Doran edition. Among editions
with introductions and notes, Jane Wheare's Penguin edition of the British
text usefully reprints in an appendix the revised Chapter 16 from the American text.
Two Stories (1917) and The Mark on the Wall (1919)
The
Hogarth Press edition of Two Stories, by Virginia and L. W. Woolf
(1917), including "The Mark on the Wall." Source: New York Public Library.
The
Hogarth Press separate edition of The Mark on the Wall (1919).
Source: Google Books.
See the notes on editions of the
shorter fiction below.
Kew Gardens (1919)
The Hogarth Press first edition of
Kew Gardens
(1919). Source: Yale University Library; blank pages 4 and 6 from Victoria
University Library, Toronto.
The Hogarth Press reset second edition of Kew Gardens
(1919). Source: courtesy of Susan Shulman.
- On the cover, notice the different typeface from the
first edition, and the uppercase "W" in "Woodcuts".
The Hogarth Press limited reset third edition of
Kew Gardens
(1927). Betters
scans were formerly accessible
through the British Library, and may be available again. (This
scan was made from the 1999 Hogarth Press facsimile edition.)
See the notes on editions of the shorter fiction
below.
Night and Day (1919)
The Duckworth first edition of Night and Day (1919). Source: Google Books,
supplemented with a few replacement pages scanned for this site.
- The second impression (1920)
and the Hogarth Press Uniform Edition (1930) have corrections of printing errors, listed in Michael
H. Whitworth's 2018 edition in the Cambridge Edition of the Works of Virginia
Woolf. These corrections seem unlikely to have been authorial.
The Doran first edition of Night and Day (1920).
Scholarly editions:
- The anonymously-edited 1990 edition in the Hogarth Press Definitive Collected Edition uses the British-edition text and includes an incomplete list of variants between the British and American editions
- J. H. Stape's 1994 Shakespeare Head Press edition uses
the text of the first British edition, with emendations (some probably unnecessary) derived from the American text; this seems to be the only edition that emends the British edition's text with the authorial revisions made for the American edition (e.g. the addition of "Who's your great man?" on Doran page 203, 5 lines up).
- Michael H. Whitworth's 2018 edition in the Cambridge Edition of the
Works of Virginia Woolf uses the British edition text, with
minor emendations, but records all variants with the American text.
Inexpensive edited texts:
- Suzanne Raitt's 1992 Oxford World's Classics edition uses the Hogarth
edition text. "Printing errors have been silently corrected and some
spellings modernized." The note on the text (written before J. H. Stape's discoveries of significant variants): "The minor
variants between the two first editions are either corrected errors, or
changes from English to American spelling."
- Julia Briggs's 1992 Penguin Twentieth-Century Classics edition uses the
Hogarth edition text, with emendations and an unfortunately incomplete list of variants between the
British and American editions.
Recommendation:
- The least bad edition of Night and Day would be one based on the first British edition but incorporating Virginia Woolf's revsions for the American edition (which seems to have been set from a marked copy of the British edition); the only edition that has done this (though imperfectly) is J. H. Stape's Shakespeare Head Press edition; no inexpensive edition has followed his example. Either Suzanne Raitt's or Julia Briggs's edition are reasonable alternatives, or, for the American text, any reprint published by Harcourt, Brace.
Monday or Tuesday (1921)
The Hogarth Press
edition of Monday or Tuesday (1921). Source: Google Books.
The Harcourt, Brace edition of Monday or Tuesday (1921). Source: Google Books.
See the notes on editions of the shorter fiction below.
This page contains links to scanned PDF images of the early printings of
Jacob's Room
(1922) and
to PDF documents containing the texts of those editions. This page also includes the
omitted chapter later published as "A Women's College from Outside" and notes on the text and on existing
editions of the novel.
Mr. Bennett and Mrs. Brown (1924)
The Hogarth Press first edition of Mr.
Bennett and Mrs. Brown in the Hogarth Essays series (1924).
See the notes on editions of the essays below.
The Common Reader (1925)
The Hogarth Press first edition of The Common Reader (1925).
The Harcourt, Brace first edition of
The Common Reader (1925). Source: Google Books. Pages 272-273 are
lacking in the Google Books scan, and are supplied from a scanned image
of the third impression.
- The Harcourt, Brace edition adds "The Lives of the Obscure: III, Miss
Ormerod", which was not added to the Hogarth Press edition until Andrew
McNeillie's 1984 annotated edition.
A collation of the corrected proofs and the printed text of the Hogarth edition may be found in The Corrected Proofs of The Common Reader by Virginia Woolf, compared by Stuart N. Clarke. Supplement to Issue No. 36, January 2011, of the Virginia Woolf Bulletin.
A 1984 annotated edition by Andrew McNeillie, published by Hogarth and Harcourt, includes a history of each text. See also the notes on editions of the essays below.
This page contains links to scanned PDF images of the proofs and early printings of Mrs. Dalloway
(1925) and
to PDF documents containing the texts of those editions, extracted from the
scanned images. This page also includes the early story "Mrs. Dalloway in Bond Street" and notes on the text and on existing
editions of the novel.
This page contains links to scanned PDF images of the proofs and early printings of
To the Lighthouse (1927) and
to PDF documents containing the texts of those editions, extracted from the
scanned images. This page also includes notes on the text and on existing
editions of the novel, and an edited text of the 1926 typescript of "Time Passes."
Orlando (1928)
Scanned images of an uncorrected set of proofs sent to Harcourt, Brace of
Orlando (1928) (from the Columbia
University Library). Note that Virginia or Leonard Woolf removed the leaf with
the list of illustrations (pp. 13-14) before sending these proofs. These
proofs were discovered too late to be recorded in Suzanne Raitt and Ian Blyth's
2018 Cambidge edition. A set of corrected proofs also sent to Harcourt, Brace is in the Smith College Library.
The Crosby Gaige first limited edition of Orlando (1928).
(This low-quality scan is made from cellphone photographs.)
The Hogarth Press first British
trade edition of Orlando (1928). The PDF inclcudes an image of the
front of the dust jacket, with the illustration chosen by Virginia Woolf and
Vita Sackville West.
The Hogarth Press second impression of Orlando (1928).
- Suzanne Raitt and Ian Blyth's Cambridge edition reports (and a
comparison of the scanned images confirms) that two of
five instances of "Pepita" were changed in the second impression to "Lolita" (on
pages 122 and 153), possibly
as a response to a letter about the book that Virginia Woolf received from Vita
Sackville-West's mother; see p. lxvi of
the introduction to the Cambridge edition.
The Harcourt, Brace
first American trade edition of Orlando (1928). Source: Google
Books; this wlll be replaced with a superior scan at some point in the future.
Scholarly editions:
- The anonymously edited 1990 Hogarth Press Definitive Collected Edition
is based on the first British edition; it includes a list of variants
between the British and American editions based on the inaccurate list made
by James M. Haule and Philip H. Smith, Jr., for their concordance to the
novel. The illustrations are printed on the matte paper used for the rest of the book, and are correctly placed in relation to the text.
- J. H. Stape's 1998 Shakespeare Head Press edition bases its eclectic
text on the corrected proofs of the American edition, but incorporates some
variants from the British edition. The illustrations (and reproduction of the dust-jacket) are printed on the matte pper used for the rest of the book, and are placed correctly in relation to the text.
- Suzanne Raitt and Ian Blythe's 2018 edition in the Cambridge Edition of
the Works of Virginia Woolf uses the text of the first British edition,
retaining its inconsistencies and with minor emendations; the detailed
textual apparatus lists variants from all early editions and proofs. It contains all the illustrations and reproduces the front of the first-edition dust jacket.
Inexpensive edited texts:
- Rachel Bowlby's 1992 Oxford World's Classics edition is based on the
first Hogarth edition, with minor emendations; the notes quote from Nigel
Nicholson's annotations in his copy. The illustrations are on glossy paper,
but are gathered in a single set of pages in the middle of the book; the textual note indicates their
locations in the first edition.
- Sandra Gilbert's 1992 Penguin Twentieth-Century Classics edition is based on the
first Hogarth edition, with emendations; it includes a list of variants between the
British and American texts. The illustrations (and a reproduction of the dust-jacket) are printed on the matte paper used for the rest of the book, and are correctly placed in relation to the text. The edition has been reprinted with at least one other Penguin imprint (Penguin Vitae).
- Maria Di Battista's 2006 Harcourt Annotated Edition uses the American text, with explanatory notes. The illustrations are printed on the matte paper used for the rest of the book, and are correctly placed in relation to the text.
- Michael H. Whitworth's 2015 Oxford World's Classics edition is based on the first Hogarth edition, with minor emendations. The illustrations are printed on the matte paper used for the rest of the book, but are correctly placed in relation to the text.
- Madelyn Detloff's 2025 Norton Critical Edition is based on the first
Hogarth edition. The illustrations are printed on the matte paper used for
the rest of the edition.
Recommendation:
- Michael Whitworth's 2015 Oxford World's Classics edition seems to be the best of currently available editions. Rachel Bowlby's 1992 edition remains valuable for the notes derived from Nigel Nicholson's annotations.
- Editions that reproduce the dust-jacket illustration chosen by
Virginia Woolf and Vita Sackville-West are Sandra Gilbert's 1992 Penguin edition, J. H. Stape's 1998 Shakespeare Head Press edition, and Suzanne Raitt and Ian Blythe's 2018 Cambridge edition.
A Room of One's Own (1929)
The
Fountain
Press/Hogarth Press limited first edition of A Room of One's Own (1929).
The
Hogarth Press first trade edition of A Room of One's
Own (1929).
The Harcourt, Brace first regular American edition of A Room
of One's Own (1929).
The
Hogarth Press revised second impression of A Room of One's Own (1929). This replaces "I like their subtlety" with "I like their completeness" on
page 168, line 1.
- The fourth impression (December 1929) changes the
first footnote on page 31 from "Life of Miss Emily Davies"
to "Emily Davies and Girton College"; Stuart N. Clarke and David
Bradshaw, in their 2015 Shakespeare Head Press edition, cite a letter from
the Hogarth Press to R. & R. Clark, 13 December 1929, requesting this
change.
The texts of the Hogarth edition require these
obvious emendations, recorded by Stuart N. Clarke in his and David Bradshaw's 2015
Shakespeare Head Press edition:
- page 56, line 5: "than that" for "that that"
(corrected in the American edition)
- page 65, footnote 1: comma after
"Cassandra" (corrected in the American edition)
- page 137, line 1: "Casaubon"
for "Casuabon"
- page 141, 7 lines up: "was a fence" for "was fence" (corrected in the
American edition).
A possible emendation occurs on page 124, 8 lines up, for "women in fiction"
read "woman in fiction" (as in the American edition). The American edition has
what seem to be mistaken variants: page 90, line 2, Hogarth "mind was tuned",
Harcourt "mind was turned"; page 157, line 13, Hogarth "art of creation",
Harcourt "act of creation".
The
autograph manuscript of A Room of One's Own (Fitzwilliam Museum,
Cambridge).
Scholarly editions:
- David Bradshaw and Stuart N. Clarke's 2014
Shakespeare Head Press edition uses the text of the first British
edition, with an extensive textual apparatus.
- Judith Allen and Jane Goldman's edition in the Cambridge Edition of the
Works of Virginia Woolf has not yet appeared.
Inexpensive edited texts:
- Morag Shiach's 1992 Oxford World's Classics edition
(with Three Guineas) has a correct text,
with Virginia Woolf's revision to the second Hogarth impression and the
emendations listed above. The note on the text claims that the text is based on
that of the first edition, but is in fact (as it ought to be) the text of a
later impression.
- Michèle Barrett's 1992 Penguin Twentieth-Century Classics edition (with
Three Guineas) follows the first
impression, with corrections, but makes needless emendations, including the
two probably mistaken variants from the American edition. It includes a
selective list of variants between the British and American edition.
- Susan Gubar's 2005 Harcourt Annotated Edition uses the text of the American edition, with explanatory notes.
- Anna Snaith's 2015 Oxford World's Classcis edition (with Three Guineas). The note on the text claims that the text is based on
that of the first edition, but is in fact (as it ought to be) the text of a
later impression.
Recommendation:
- Anna Snaith's Oxford World's Classics edition seems to be the best of the recent inexpensive editions.
Recent Paintings by Vanessa Bell (1930)
The exhibition
catalogue Recent Paintings by Vanessa Bell, with a foreword by
Virginia Woolf (1930). Source: Courtesy of Stephen Barkway.
Street Haunting (1930)
The Westgate Press edition of
Street Haunting (1930). I hope to replace with something better
this very bad reproduction from cell phone photos.
See the notes on editions of the essays below.
On Being Ill (1930)
The Hogarth Press edition of
On Being Ill (1930). (I hope to replace this scan with something
better in the future.)
- The Hogarth Press edition was gorgeously hand-set by the author. The
2002 Paris Press edition is unfortunately a resetting, with changes to
spelling and punctuation.
See the notes on editions of the essays below.
Beau Brummell (1930)
The Rimington & Hooper edition of Beau Brummell
(1930).
See the notes on editions of the essays below.
This page contains links to scanned PDF images of the proofs and early printings of The Waves (1931) and
to PDF documents containing the texts of those editions, extracted from the
scanned images. It includes scanned images of the manuscripts, notes on the text, and notes on existing
editions of the novel.
A Letter to a Young Poet (1932)
The Hogarth Press edition of A
Letter to a Young Poet in the Hogarth Letters Series
(1932).
See the notes on editions of the essays below.
The Common Reader (Second Series) (1932)
The Hogarth
Press first edition of The Common Reader: Second Series (1932).
The Harcourt,
Brace first edition, titled The Second Common Reader (1932).
A 1986 annotated edition by Andrew McNeillie, published by Hogarth and Harcourt, includes a history of each text. See also the notes on editions of the essays below.
This page contains links to scanned PDF images of the early printings of
Flush
(1933) and to notes on the text of the novel.
Walter Sickert: A Conversation (1934)
The Hogarth Press edition of
Walter Sickert: A Conversation (1934). Source: BnF Gallica.
See the notes on editions of the essays below.
The Roger Fry Memorial Exhibition: An Address (1935)
The Roger Fry
Memorial Exhibition: An Address (1935). Scans generously provided by the
Bristol Museum & Archives.
See the notes on editions of the essays below.
The Years (1937)
The Hogarth Press first
edition of The Years (1937).
The Harcourt, Brace first edition
of The Years (1937).
Scholarly editions:
- The anonymously edited 1990 Hogarth Press Definitive Collected Edition
is based on the first British edition; it includes a list of variants
between the British and American editions based on the inaccurate list made
by James M. Haule and Philip H. Smith, Jr., for their concordance to the
novel.
- David Bradshaw and Ian Blythe's 2012
Shakespeare Head Press edition
includes a list of variants between the British and American editions.
- Anna Snaith's 2012 edition in the Cambridge Edition of the Works of
Virginia Woolf heroically transcribes the many omitted and variant readings
from the proofs.
Inexpensive edited texts:
- Hermione Lee's 1992 Oxford World's Classics edition uses the
Hogarth-edition text, with a detailed textual note describing the history of
composition. A list of variants between the British and American editions is
unfortunately taken from the 1990 Hogarth Press Definitive Collected Edition,
and is based on the erroneous list made by James M. Haule and Philip H. Smith,
Jr., for their concordance to the novel. An appendix prints the two long
passages deleted from the proofs, but confusingly fails to indicate the
position in the original proofs of the the deleted passagse
- Jeri Johnson's 1998 Penguin Twentieth-Century Classics edition uses the
Hogarth-edition text with emendations and a selective list of variants between
the British and American editions; Johnson correctly warns against the
defective list of variants provided by Haule and Smith (see above). An
appendix prints the two long passages deleted from the proofs, clearly
indicating their position in the original text.
- Eleanor McNees' 2008 Harcourt Annotated Edition uses the American text,
with explanatory notes and an introduction that reproduces some manuscript
pages.
Recommendation:
- Either Hermione Lee's Oxford World's Classics edition or Jeri Johnson's
Penguin edition; however, the Oxford edition (unlike the Penguin) fails to
indicate the original position of the deleted passages printed in its
appendix.
Three Guineas (1938)
The Hogarth Press first edition
of Three Guineas (1938).
The Harcourt, Brace
first edition of Three Guineas (1938).
Scholarly editions:
- Naomi Black's 2001 Shakespeare Head Press edition uses the test of the Hogarth edition,
with a few emendations and extensive corrections of Virginia Woolf's errors
in "cited titles, names, page references and dates." The edition includes a list of variants between the British and American editions and
lists of passages (mostly in footnotes) that appear only in the American text.
Inexpensive edited texts:
- Morag Shiach's 1992 Oxford World's Classics edition
(with A Room of One's Own) follows the first British edition with
minor corrections.
- Michèle Barrett's 1992 Penguin Twentieth-Century Classics edition (with
A Room of One's Own) follows the first British edition, with
emendations from the American text. It includes an extensive selective list
of variants between the British and American edition. It reproduces the
scrapbooks that Virginia Woolf used when preparing the book.
- Anna Snaith's 2015 Oxford World's Classcis edition (with A Room of One's Own) follows the first British edition text with minor emendations.
Recommendation:
- Michèle Barrett's Penguin edition and Anna Snaith's Oxford World's Classics edition
are the best recent inexpensive editions.
Reviewing (1939)
The Hogarth Press edition of
Reviewing in the Hogarth Sixpenny Pamphlets series (1939).
See the notes on editions of the essays below.
Roger Fry (1940)
The Hogarth Press edition of
Roger Fry: A Biography (1940)
The Harcourt, Brace edition
of Roger Fry: A Biography (1940); a photo-offset
reproduction of the Hogarth text, with two illustrations misplaced from their
positions in the Hogarth edition. Source: Internet
Archive.
- Diane F. Gillespie reports that some copies of the Harcourt, Brace
edition were issued with pages
141-44 reset to omit two comments made by Fry about J. Pierpont Morgan. I
have not seen such a copy.
Scholarly edition:
- Diane F. Gillespie's 1995 Shakepeare Head Press edition
uses the Hogarth Press edition, with a few emendations, including
corrections prepared by Virginia Woolf but never incorporated into the early
editions. An appendix lists the sentences omitted in the reset pages printed
for some copies of the Harcourt, Brace edition.
Between the Acts (posthumous, 1941)
The earliest typescript of
Between the Acts (Berg Collection).
A typescript of the
second part of a longer version of Between the Acts (Berg
Collection).
A later typescript of Between the Acts (Berg Collection).
The final typescript of Between the Acts (Berg Collection).
The slightly
different British and American printed texts published in 1941 (and all editions derived from
them) have no textual authority, having been supervised by Leonard Woolf,
not the author. The only edition based directly on the authorial typescript is Mark Hussey's 2001 edition in the Cambridge Edition of the Works of Virginia Woolf.
Scholarly editions:
- The anonymously edited 1990 Hogarth Press Definitive Collected Edition
is based on the first British edition; it includes a list of variants
between the British and American editions.
- Susan Dick and Mary Millar's 2002 Shakespeare Head Press edition emends
the printed text with reference to the final typescript; see the review by Stuart N. Clarke and Stephen Barkway in
The Virginia Woolf Bulletin, 13 (May 2003), pp. 61-65.
- Mark Hussey's 2011 edition in the Cambridge Edition of the Works of
Virginia Woolf is the only edition based directly on the typescript.
Inexpensive edited texts:
- Stella McNichol's 1992 Penguin Twentith-Century Classics edition is based on the British edition with extensive emendations and suggested emendations from the American edition and from Mitchell A. Leaska's transcripts of two typescripts, Pointz Hall: The Earlier and Later Typescripts of "Between the Acts" (1983); inaccuracies in this edition and
in McNichol's emendations are noted in Mark Hussey's edition.
- Frank Kermode's 1992 Oxford World's Classics edition uses the British edition text, with a few emendations from the American edition.
- Melba Cutty-Keane's 2008 Harcourt Annotated Edition uses the American
edition text, with explanatory notes.
Recommendation:
- In the absence of inexpensive text based, like Mark Hussey's, on the typescript, Frank Kermode's Oxford World's Classics edition is a reasonable choice.
But an inexpensive edition of Mark Hussey's text remains an urgent necessity.
Scholarly editions
- Susan Dick's 1985 Hogarth Press The Complete Shorter Fiction of Virginia Woolf
includes unpublished works and has extensive textual notes. A 1989 second
edition added some items and corrected others. Both editions were published in the US under Harcourt imprints.
A paperback reissue in 2003 by
Vintage (UK only), titled A Haunted House: The Complete Shorter Fiction,
unfortunately reproduces the 1985 first edition, not the expanded and
corrected 1989 second edition.
- Bryony Randall and Laura Marcus's edition of the complete shorter fiction, in the
Cambridge Edition of the Works of Virginia Woolf, has not yet appeared.
Inexpensive edited texts
- See the note on Susan Dick's The Complete Shorter Fiction of
Virginia Woolf, above.
- Sandra Kemp's 1993 Penguin edition Selected Short Stories
includes fifteen stories, including the complete text of Monday or
Tuesday, with detailed textual notes.
- David Bradshaw's 2001 Oxford World's Classics edition The Mark on
the Wall and Other Short Fiction includes fifteen stories with a note
on the text.
- Bryony Randall's 2022 Oxford World's Classics edition Kew Gardens
and Other Short Fiction includes fourteen stories, with an appendix of
textual variants.
Scholarly editions
- The Essays of Virginia Woolf, volumes 1-4 edited by Andrew McNeillie, volumes 5-6 edited by Stuart N. Clarke, published 1986-2011 by the Hogarth Press
(and in the United States by various Harcourt imprints) include notes on textual variants among
typescripts, manuscripts, and earlier published editions.
Inexpensive edited texts
- Rachel Bowlby's 1992 Penguin Twentieth-Century Classics edition A Woman's Essays: Selected Essays Volume One includes twenty-six essays, each with a headnote identifying the source of the text, not always accurately.
- Rachel Bowlby's 1993 Penguin Twentieth-Century Classics edition The Crowded Dance of Modern Life
: Selected Essays Volume Two includes twenty-nine essays, each with a headnote identifying the source of the text (I have not checked these for accuracy).
- David Bradshaw's 2008 Oxford World's Classics edition Selected Essays
includes thirty essays with a note on the text listing the source of each.
- Stuart N. Clarke's 2016 Vintage Classics (UK only) Street Haunting and Other Essays includes thirty stories, with notes.