5:00–6:00 p.m. Keynote Speaker: Nadine Hubbs

6:00–7:30 p.m. Dinner

7:30–9:00 p.m. Recital of new compositions
• Mixtape, Volume 1: Freestyle by Peter McMurray
• Sincerity, An Act for Players by Joshua Groffman
• Clarkson Peebles IV leads a conversation by Brian Parks
• Boulez Is Alive by Judd Greenstein

Saturday, March 8—Columbia University, 301 Philosophy Hall

11:30 a.m.–12:30 p.m. Paper Session
 • Classicizing a Classic: Chappie Willet's 'Derangement' of Beethoven's Sonata Pathetique
   JOHN WRIGGLE, CUNY Graduate Center
 • In the Face of Industri: Alternative Populisms in Indonesian Musik Kontemporer
   CHRIS J. MILLER, Wesleyan University

12:30–1:40 p.m. Lunch

1:40–2:40 p.m. Paper Session
 • Piano Symbolism: Franz Liszt and the Aesthetic Remnants of Composition
   ELIZABETH WEINFIELD, CUNY Graduate Center
 • Lecherous Old Men, a Mute Soprano, and Porpora in Gaspare Traversi's Music Lesson
   BLAKE HOWE, CUNY Graduate Center

2:40–2:50 p.m. Break

2:50–3:50 p.m. Paper Session
 • 'Cock Rock Disco': Disruptive Re-Presentations of Musical Material in 'Sample-Pop'
   CHRIS TONELLI, UC San Diego
 • Reliving its Past?: Fire, Rock and Rammstein
   JUDY BRADY, University of Wisconsin at Madison

3:50–4:00 p.m. Break

4:00–5:00 p.m. Keynote Speaker: Philip Auslander

5:00–6:00 p.m. Reception