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Davis, yes.

Dennis Rivera -- and is a very effective piece, and it's like you absorb it by walking through and hear it. We had requests to take “Forty Years of 1199” to other venues. We still have it and may still do it, but it's a big, big job. We have it stacked away. It was up in the auditorium for a long time, enlargements, and by building on one thing, we get something bigger.

Fasanella is another example. I knew Ralph Fasanella, oh, I'd say more than fifty years. When I was working in 1199, Ralph was then working for UE and painting a little bit on the side, just beginning. He would come to the union to see me, and he would have these paintings under his arm, and he would say, “Moe, what do you think?”

I'd say, “It's great.”

He said, “How can you help me get them around?”

I said, “Look, I'm limited. I don't know people, but I'll keep it. Your stuff is great.”

And gradually Fasanella became an important, world-famous painter. Two years ago, three years ago, I was in, the summer at Hampton Bays, and his wife Eva and his son Mark, named after Marcantonio, Mark lives in Hampton Bays, he teaches at the state university in Southampton -- no, at Southampton College. Eva called and said she was going to be there, would I come over for dinner. So Anne and I went for dinner. In their home they have originals. I said, “You know, I was close to Ralph all the time, and I have an idea. I want to bring Ralph's painting to a new audience.”

She said, “Well, what do you mean?”

I said, “I want to make a calendar for the year 2001 with a study guide and a video that we will distribute.”

She said, “You have the rights from me to use anything you want.”

So we produced the Fasanella calendar, “Working People: The Art of Ralph Fasanella.”

Describe his work a little, just briefly, and why you selected that, why you thought that was appropriate.

Ralph, above all else, believed in the worker. He believed that he would paint everything he saw in terms of what he knew as a worker. His mother worked in a garment shop. His father was an ice