The film titled "The Fight at Honno Temple"
was released in 1908 and its director, Makino Shozo, became known as the father
of Japanese cinema. Because of this film's popularity, many renowned traditional
martial arts at that time became the primary source of inspiration for developing
the techniques used in the making of future Samurai and Ninja movie epics.
This brought a new sense of realism to the films because the characters
used historically proven fighting techniques and styles. The genre as a whole
thrived by adapting the military fighting arts to the camera, developing visually
stunning choreography and action sequences.
Incorporation of the martial arts allowed the genre to distance itself from the more traditional period dramas, in which action was talked about but never actually shown. With time, serials of the 60s and 70s became more and more concerned with the depiction of often fantastic fight scenes. It is through this that we see the development of the Sentai and Masked Hero sub-genres of live-action film. While the Masked Hero is obviously a derivative of the Ninja epics, the Sentai, or Hero Team can be traced back even to Akira Kurasawa's "Seven Samurai", where the protagonists are clearly defined archetypes usually denoted by a dominant characteristic.
The significance of the Chambara film genre in
world cinema is enormous. Inspired by Hollywood's gunslinger films, Akira
Kurosawa made a few of the most memorable Chambara films. Among Kurosawa's
best-known sword-fight films are "Seven Samurai" (1954),
later remade in America as "The Magnificent Seven." Among
other films, "The Hidden Fortress" (1957) was acknowledged as an inspiration
for "Star Wars," and "Yojimbo" (1961) was
remade as "Fistful Of Dollars." Directors like Kurosawa and Masaki
Kobayashi ("Hara-kiri" 1962) brought dirty realism to the Chambara
genre, evoking a world of immorality, violence and most importantly, agonizing
death.