Handwritten letter from Schenker to Cotta, dated March 8, 1907 [ not in Schenker’s hand: ] Schenker 8/3 [ in Schenker’s hand: ] Wollen Sie die Freundlichkeit haben, an die Adresse des Komponisten Carl Goldmark, (Wien, VII., Neubaugasse 49),1 der mich selbst daran bittet, ein Exemplar meines Buches auf meine eignen Rechnung senden zu wollen. Besten Dank. [ not in Schenker’s hand: ] © Heirs of Heinrich Schenker, with the permission of the Deutsches Literaturarchiv Marbach, Cotta-Archiv (Stiftung der Stuttgarter Zeitung), Marbach am Neckar. |
Handwritten letter from Schenker to Cotta, dated March 8, 1907 [ not in Schenker’s hand: ] Schenker 8/3 [ in Schenker’s hand: ] Please would you kindly send a copy of my book to the address of the composer Carl Goldmark (Vienna VII, Neubaugasse 49),1 who has personally asked me for it, to be charged to my account. Many thanks, © Translation Ian D. Bent 2005. |
COMMENTARY: FOOTNOTES: 1 Carl Goldmark (1830–1915), Hungarian composer, who had studied violin at the Vienna Conservatory in the 1840s, begun a career in Vienna as a professional violinist, begun to compose c. 1860, becoming an honorary member of the Gesellschaft der Musikfreunde in 1866, composing six operas as well as orchestral, choral, and chamber works. S had reviewed his opera Das Heimchen am Herd (1896: see Federhofer, Heinrich Schenker als Essayist, 185–88, 237–38, 337–41). The two men used to meet; although no correspondence between them seems to survive, Goldmark is mentioned several times in S’s diaries, where an extended tribute appears on Goldmark’s death (January 3, 1915: see Federhofer, Nach Tagebüchern, p.76). SUMMARY: © Commentary, Footnotes, Summary Ian D. Bent 2005.
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