« OC 52/30 : 12-16-08 | Main | WSLB 30 : 12-18-08 »

WSLB 29 : 12-16-08

Handwritten letter from Schenker to Emil Hertzka (UE), dated Wednesday December 16, 1908

Sehr geehrter Herr Direktor !

Mitten in die letzten Eintragungen kam Ihre Karte.1

Erschrecken Sie nicht: 9 Blätter! Sie sind mit kleinem Druck u. in den Anmerkungen sogar mit dem kleinsten [ smudged ] zu drucken, u. können höchstens 6 Seiten [2] ausmachen!

Wie der alte Rabbi Hillel3 über die jüdische Religion in einem Satz Auskunft gegeben hat, habe ich selbst in nur 4 §§ [ smudged ] den ganzen Inhalt der Inst. Lehre wiedergegeben, u. nur § 2 wird von vier Anmerkungen (blau angestrichen, kleinster [4] Druck !!) gefolgt.

Damit wird die Tabelle fast ein Lehrbuch, da in den 4§§ alles, alles [5] enthalten ist; die Resultate sind zum(?) Greifen plastisch u. was[?] sonst vor den Augen der Leser bei Berlioz, Geväert, etc.[6] verschwimmt, hebt sich in der lapidaren Kürze vortrefflich ab. Nur mehr als dies: Anm. 4 enthält eine Erläuterung der Praxis unserer Klassiker, u. den Gegensatz der Moderne, wie sie kein Lehrbuch bietet; also eine kompositionel[le] Erläuterung. Auch geschichtliche Notizen geben Auskunft über das Orchester, kurz, ich getraue mir zu sagen, daß es kaum eine {2} Frage giebt, die in diesen wenigen Blättern nicht erledigt wäre.

Doch denke ich, daß ich gegen meiner humanen Akt7 gar nicht verstoße, wenn ich meine, daß das opus nun doch um 80Kr, vielleicht auch um einen 1Fl. [8] verkauft werden sollte, denn solange es Tabelle war, hatte der erste Preis Sinn; nun haben Sie das Recht, in Anbetracht Ihrer eigenen neuen Kosten, mehr zu fordern, umso mehr, als selbst um 80 Kr oder 1 Fl. kaum 3 Fl 50, bez. 18 Fl. Kaum Besseres eingekauft werden kann (Berlioz, Geväert, Strauss, etc.) als eben um 80 Kr. oder einen 1 Fl. Es würden ja nur fehlen die Beisp. in Noten, statt in bloßen Hinweisen, u. Worte, Worte auf 200–300 Seiten, statt auf 6 Seiten, um unser opus, selbst für den vorgeschrittensten Musiker, noch immer anregend u. belehrend erscheinen zu lassen neben den ausgedehntesten Werken.

Die wenigen ergänzenden Literaturbsp. u. sonstigen Nachweise (Act, Scene, Satz u. dgl.) folgen spätestens Samstag früh. Alles konnte ich wahrhaftig auf einmal nicht machen u. was an Mühe die Abfassung der 4 § gekostet hat, will ich gar nicht erst sagen.

Bei dieser Gelegenheit aber eine bescheidene Frage:

Wenn Sie die Tabelle, nunmehr ein ganz originelles Lehrbuch + Tabelle, {3} um 80 Kr, oder 1 Fl. zu verkaufen sich entschliessen würden, wozu ich Sie nunmehr selbst veranlassen möchte, müßte das nicht irgend eine Änderung in meiner Stellung zur “U.E.” herbeiführen? Vor dem [ corr ]Publikum durch die Mehrauslagen des Druckes gerechtfertigt, würde der erhöhte Preis es nicht möglich machen, daß entweder mein Anteil früher begänne, als ursprünglich, beim Preis von 60 Kr, vereinbart werden müßte, oder die Abschlagszahlung eine Erhöhung erfahre, oder endlich daß ich jetzt irgend für die gegenwärtige Mehrarbeit entlohnt würde? Denken Sie darüber nach, über diese oder jene Form, die ich Ihnen ganz überlasse.

Mit ausgezeichneter Hochachtung
Ihr ergeb.
[ sign'd: ] H Schenker
16 .12. 08.

[N.S.] Vielleicht betitele Sie die weitere Ausgabe: “1 – 5. Tausend”?

© Universal Edition A.G., Wien.
© Transcription Ian D. Bent 2005.

Handwritten letter from Schenker to Emil Hertzka (UE), dated Wednesday December 16, 1908

Dear Director,

Your postcard arrived just as I was making the final insertions.1

Do not take fright: it is only nine leaves! They are to be set in small type, with the commentaries in the very smallest type, and will amount at most to six sides.2

As Rabbi Hillel the Elder did for the Jewish religion in a single sentence,3 I myself have described the entire content of instrumentation theory in only four §§, and only §2 is followed by four commentaries (marked in blue: the smallest [4] type!!).

With this, the Tabelle becomes a veritable textbook, since everything, everything [5] is contained within its four sections. The results are readily comprehensible, and what otherwise goes blurry before the readers’ eyes in Berlioz, Gevaert, etc.6 comes wonderfully into focus here, in its succinctness. What is more, Commentary 4 contains an elucidation such as no other textbook offers of the practice of our Classical [masters] and how that contrasts with the practice of the moderns: it is thus a compositional explication. Historical notes, too, give information on the orchestra. In brief, I venture to say that there is almost no {2} question that is not dealt with in these pages.

Therefore I do not think it immoderate of me7 to contend that this opus ought now clearly to be sold for 80 Kroner, perhaps even for 1 Florin;8 for, as long as it was [only] a table, the first price made sense; now, in view of your own new costs, you have a right to demand more, all the more so because even at 80 Kr. or 1 Fl. 3 Fl. 50 as against 18 Fl. scarcely anything better can be bought (Berlioz, Gevaert, etc),6 let alone at 80 Kroner or 1 Florin. All that would be missing in fact would be examples in musical notation instead of in mere citation form, and words, words [to fill] 200–300 pages instead of six pages, for our opus to appear far more stimulating and instructive, even for the most advanced musician, by comparison with the lengthiest works.

The handful of expanded examples from the repertory and similar indications (act, scene, movement, et al) will be with you at the latest by early Saturday. I really could not have done it all in one go, and I will not begin to tell you what effort the composition of the four sections has cost me.

Let me take this opportunity to ask you a humble question:

If you were to decide to sell the Tabelle, now in the form of a wholly original textbook + table, {3} at 80 Kroner or 1 Florin, which I should myself like to urge you to do forthwith, ought that not to bring about some kind of change in my status vis-à-vis UE? Justified in the eyes of the public by the higher expense of this printing, might the increased price not have made it possible either that my share should have begun earlier than originally must have been agreed on the basis of a price of 60 Kroner, or that the part payment should be raised, or lastly that I might perhaps now be remunerated for the current additional work? I leave it up entirely to you to decide which form [this should take].

With kind regards,
Yours truly,
[ sign'd: ]H. Schenker
Dec 16, 1908

P.S. Perhaps you might entitle the next edition “1st–5th Thousand”?

© Translation Ian D. Bent 2005.

COMMENTARY:
Format: 3-p letter, oblong folded format, holograph message and signature
Sender address:
Recipient address:

FOOTNOTES:

1 OC 52/30, December 16.

2 double-underlined by S.

3 Rabbi Hillel (60BC–AD9): the reference is probably to his statement: "That which is hateful to you, do not do to your neighbor. That is the whole Torah; the rest is commentary. Go and study it."

4 "kleinster" ("smallest") double-underlined by S.

5 double-underlined by S.

6 Berlioz: Grand traité d’instrumentation et d’orchestration modernes (Paris: publr?, 1844.; François-Auguste Gevaert (1828–1908), Belgian composer and teacher, Traité general d’instrumentation (Ghent: Gevaert, 1863).

7 (der) Akt is S. German for (die) Akte, “record,” “file.”

8 The originally agreed price was 1 Mk.: see OC 52/399–401, December 18. Note on exchange rate between Mark, Kroner, and Florin in 1908

SUMMARY:
[Niloff: Instrumentations-Tabelle:] Acks OC 52/30. [Sends Supplementary Remarks]. Nine leaves: in small type, they will make six printed sides at most. With these four sections, the Table is a veritable textbook of instrumentation, superior to Berlioz, Gevaert, etc., section 4 unique in describing the practice of Classical masters. Discusses suitable retail price and improvement in his remuneration. Promises the repertory listings by Saturday [December 19].

© Commentary, Footnotes, Summary Ian D. Bent 2005.

Bent, Ian
Schenker, Heinrich
[Niloff: Instrumentations-Tabelle:] Acks OC 52/30. [Sends Supplementary Remarks]. Nine leaves: in small type, they will make six printed sides at most. With these four sections, the Table is a veritable textbook of instrumentation, superior to Berlioz, Gevaert, etc., section 4 unique in describing the practice of Classical masters. Discusses suitable retail price and improvement in his remuneration. Promises the repertory listings by Saturday [December 19].
DE
Cambridge University Faculty of Music-Ian Bent
IPR: Heirs of Heinrich Schenker; Transcription, Translation, Commentary, Footnotes, and Summary: Ian D. Bent 2005.
Schenker, Heinrich; Hertzka, Emil; UE; Berlioz, Hector; Gevaert, Francois-Auguste; Niloff; Instrumentations-Tabelle; Supplementary Remarks; Repertory citations; type sizes; retail price; remuneration
Handwritten letter from Schenker to Emil Hertzka (UE), dated December 16, 1908
letter
Hertzka, Emil
WSLB 29
1908-12-16
2005-03-16
UE
All reasonable steps have been taken to locate the heirs of Heinrich Schenker. Any claim to intellectual rights on this document should be addressed to the Schenker Correspondence Project, Faculty of Music, University of Cambridge, at schenkercorrespondence@mus.cam.ac.uk.
letter; holograph message and signature
Universal Edition Archive (1908-1976)—on permanent loan to the Stadt- und Landesbibliothek Wien (1976-)
IPR: Heirs of Heinrich Schenker; Image: Universal Edition, A.G.; Transcription, Translation, Commentary, Footnotes, and Summary: Ian D. Bent.
Vienna
1908

About

This page contains a single entry from the blog posted on December 16, 1908 2:00 AM.

The previous post in this blog was OC 52/30 : 12-16-08.

The next post in this blog is WSLB 30 : 12-18-08.

Many more can be found on the main index page or by looking through the archives.

Powered by
Movable Type 3.34