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Romanic Review 101.4 – Nov. 2010
Andrea Valentini, Gui de Mori etait-il misogyne ?
Kathleen Bachynski, Le Vain Bastiment: Human Systems and Philosophy in Montaigne’s Apologie de Raimond Sebond
Eric McPhail, Praising the Past: Novelty and Nostalgia in Machiavelli, Castiglione, and Montaigne
Bernd Renner, Rire et satire à l’aube des guerres civiles: l’exemple des Satyres chrestiennes de la cuisine papale
Thomas Wynn, The problem of names and subjectivity in Corneille’s Rodogune
Peter Shoemaker, The Furniture of Narrative in Crébillon’s Le Sopha and Laclos’s Les Liaisons dangereuses
Elena Russo, The Naked Philosophe and the Shameless Prussian: Diderot’s Portrait Sitting
Marco Nuti, Alchimies visuelles dans les contes de Théophile Gautier
Stamos Metzidakis and Marie-Christine Clemente, Au coeur de l’esthétique baudelairienne: “Thyrse et Caducée”
Charles Baudelaire, “Exotic Perfume” and ”Giantesse” Translations by Grover Amen
William Olmsted, Emma versus the Proprieties: Censorship, Self-censorship and Revision in Madame Bovary
Dorian Bell, Maupassant and the Limits of the Self
Michael A. Gomez, The Broken Mirror: Reflections of Nietzsche in Unamunian Views of Art and the Imagination
Cary Howie, Wait and See: The Ignorant Fairies of Marie de France and Ferzan Ozpetek
Kevin B. Reynolds, Il Berta e Milon e il Rolandin del Codice Marciano XIII: Un’analisi del Testo e il problema della nascità di Orlando
BOOK REVIEWS
Lewis C Seifert. Manning the Margins: Masculinity and Writing in Seventeenth-Century France. (MICHAEL MEERE)
Jean-Louis Jeannelle. Ecrire ses mémoires au XXe siècle - Déclin et renouveau. (ANN JEFFERSON)
Valérie Michelet Jacquod. Le Roman symboliste: un art de l’“extrême conscience.” (ANDREA THOMAS)
Suzanne Thiolier-Méjean, L'Archet et le lutrin, enseignement et foi dans la poésie médiévale d'Oc. (NATHANIEL RUDAVSKY-BRODY)
Bibliography by Andrew Branch & Jonathan Eskew
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