Break (10:30–11am)

Session II: Formal Ambiguities, Violent Behaviors (11am–12pm)
 • Continuous Exposition vs. Two-Part Exposition: Formal Conflicts in the First Movement of Mozart's    Piano Concerto in F Major, K. 459
   Eva Sze (The Graduate Center, City University of New York)
 • Rape, Ultra-violence, and Beethoven: Classical Music and Violence in A Clockwork Orange
   Christine Lee Gengaro (University of Southern California)

Lunch (12–1pm)

Keynote Address (1–2pm)
Ana María Ochoa (Columbia University)

Break (2–2:30pm)

Session III: Transgressive Voices: Women in Patriarchal Societies (2:30–3:30pm)
 • Wagner's Women and Conservative Discourse: Redefined Gender Expectations in Nazi Germany
   Anna Rutledge (University of Toronto)
 • With a Voice like Thunder: Functions of Female Lamentation in Corsica
   Ruth Emily Rosenberg (University of Pennsylvania)

Break (3:30–4pm)

Session IV: Appropriation, Resistance, and Worship in the Cold War Era (4–5:30pm)
 • From Ethiopia to the Andrews Sisters: Calypso, Appropriation, and World War II
   Christopher L. Ballengee (Bowling Green State University)
 • Burning the Flag: Appropriation, Deconstruction, and Mockery as Sonic Resistance to the War in    Vietnam
   Timothy P. Kinsella (University of Washington)
 • Lenin in Swaddling Clothes:" A Critique of the Ideological Conflict between Socialist State Policy    and Christian Music in Romania during the Cold War
   Sabina Pauta Pieslak (University of Michigan)

Reception (5:30pm)

All events are free and open to the public, although advance registration is required for paper sessions. To register, please e-mail cmsc@columbia.edu.