Handwritten letter from Cotta to Schenker, dated June 2, 1908 [Cotta letterhead] Herrn [/] Dr. Heinrich Schenker Sehr geehrter Herr Doktor! Wir erhielten beifolgende Karte des Herrn Rudolf M. Breithausen|2 in Charlottenburg U...tebeckstraße[?] 88III und bitten Sie uns freundliche Mitteilung, ob wir in diesem und etwaigen künftigen Fällen Ihren Namen bekannt geben dürfen.3 Dies ist ja bereits in der Besprechung Ihres Buches geschehen, welche das Neue Wiener Tagblatt am 18. d.M.4 brachte; doch ist uns nicht bekannt, ob dies in Ihrem Sinne war, weshalb wir uns die obige Anfrage erlauben. Mit vorzüglicher Hochachtung © In the public domain, with the permission of the Deutsches Literaturarchiv Marbach, Cotta-Archiv (Stiftung der Stuttgarter Zeitung), Marbach am Neckar. |
Handwritten letter from Cotta to Schenker, dated June 2, 1908 [Cotta letterhead] Dr. Heinrich Schenker Dear Doctor! We have received the enclosed postcard from Mr. Rudolf M. Breithausen2 in Charlottenburg, U...tebeckstraße 88III and should be glad to know from you whether in this and possible future cases we ought to divulge your name.3 This has in fact already happened in the review of your book published in the Neue Wiener Tagblatt on the 18th of the month;4 but we are unclear whether you had this in mind, hence we take the liberty of making the above inquiry. With kind regards, © Translation Ian D. Bent 2005. |
COMMENTARY: FOOTNOTES: 1 Cotta’s carbon copy, with canceled and illegible pencil annotation in top margin. 2 Schenker underlines “Breithausen” and writes in the margin “soll ....[?] Breithaupt”: Rudolf Maria Breithaupt, pupil of Liszt, piano professor at the Berlin Hochschule für Musik. 3 Harmonielehre was first published anonymously in 1906, as “by an artist”; S's name appeared on the title-page for the 1910 edition, after Kontrapunkt had been published with his name. 4 i.e. May 18, 1908 (unsigned): preserved in OC 2/p.20–21. To view the German text of this review:Click here. SUMMARY: © Commentary, Footnotes, Summary Ian D. Bent 2005
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